Listen to the Latest SCBWI Podcast - A Conversation with M.T. Anderson

New York Times bestselling author and winner of the National Book Award M. T. Anderson speaks with Theo Baker about history and time, experimentation, and literature. They also discuss research and switching between multiple projects. Listen to the episode trailer here.

Current SCBWI members can listen to the full episode here (log in first).

Illustrate and Write On,
Lee

SCBWI's New Grant For Authors of MG Fantasy and Science Fiction: The A. Orr Fantasy Grant

The A. Orr Fantasy Grant is a new award for middle grade fantasy and science fiction authors. Sponsor Michele Orr, through her foundation Voice Garden, has been a member of SCBWI for several years and when her sister Alice Orr Sprague passed last year from a short struggle with cancer, Michele wanted to honor her memory. Alice, under the name A. Orr, wrote two fantasy novels, The World In Amber and In the Ice King’s Palace, published by Bluejay Books in 1986 and 1987. It is Michele’s honor and joy to create this award in remembrance of her sister.

Award: The winner of the A. Orr Grant will receive tuition to the Los Angeles Summer Conference (beginning in 2020), a manuscript consultation at the conference, and $300 cash.

Deadline: Submissions will be accepted February 17, 2020 through March 20, 2020. The winner will be announced in May.

You can find out all the details here.

Illustrate and Write On,
Lee

Inventing Language - Some Inspiration and Guidance

David J. Peterson won a competition to design the Dothraki language for Games of Thrones. And then he created two more languages for the show. He also invented Shiväisith for the Marvel blockbuster Thor: The Dark World, and four languages for the SyFy show Defiance.

This interview with him from Popular Science is bite-sized, but fascinating. In How to Invent Sci-Fi Languages, David explains how he starts to invent a language:

I separate the process into three distinct branches: sounds, word meanings, and grammar. I usually start with the sound system, which affects grammar, and also with nouns.

And in this NPR interview for his book, The Art of Language Invention, David says:

There's a very kind of technical part to it, which is creating the grammar, making sure that it works and making sure you've got all your bases covered. It's very much like programming, puzzle-making or problem-solving.

But then there's a very artistic component, which is the creation of the lexicon: deciding exactly how this language you're creating is going to encode the vastness of the world. All languages can say everything. The way that they differ is how they say what they say, and that's what makes language so fascinating. 

Pair these with Christina Dalcher, Ph.D.'s Linguistics in Fiction post, especially her 4 Tips for Writing Languages. I particularly liked the one on "Universal Grammar," where she says,

Grammatically speaking, every language has syntactic categories – go ahead, find me a language with no verbs, I dare you! All languages have rules governing the formation of words and sentences, negation, question-making, imperatives, and verb tenses.

...When it comes to spoken languages, each and every one on our big blue planet uses a subset of possible speech sounds; in that subset, you’ll find both vowels and consonants.

The take-home message here? Human languages are a lot more similar than they are different. 

There's even a section on Alien Languages.

Inspired?

Go forth and invent, but to paraphrase Tim Gunn on Project Runway, "use your power to invent words thoughtfully."

Or, as this author/illustrator put it so well (and somewhat snarkily), in their "Fiction Rule of Thumb"