Tuesday, April 28, 2026

SCBWI Virtual Summer Conference


It's OFFICIAL!

The 2026 Virtual Summer Conference has been announced! The conference will be July 31st through August 2nd! 
Logo by John Hendrix

And even more exciting news! The keynote speakers for this year's event will be none other than Pam Muñoz Ryan and Brian Selznick! Check out their bios below!

Born and raised in Bakersfield, California, Pam Muñoz Ryan is an "American author and the 2026 U.S. nominee for the international Hans Christian Andersen Award. She is the author of ECHO, a Newbery Honor book and the recipient of the Kirkus Prize. She has written over forty books, including the novels ESPERANZA RISING, BECOMING NAOMI LEÓN, RIDING FREEDOM, PAINT THE WIND, THE DREAMER, ECHO, and Mañanaland. She is the author recipient of the National Education Association’s Civil and Human Rights Award, the Virginia Hamilton Literary Award for Multicultural Literature, and is twice the recipient of the Pura Belpré Medal and the Willa Cather Award."

"Honors include the PEN USA Award, the Américas Award, the Boston Globe-Horn Book Honor, and the Orbis Pictus Award."

To read more on Pam Muñoz Ryan, visit her website HERE!

Brian Selznick is an award winning author and illustrator of many books for children and young adults, including The Invention of Hugo Cabret, Run Away With Me, Wonderstuck, Big Tree and many, many more. 

"To celebrate the 20th anniversary of the beloved Harry Potter series, Brian created new covers and a box for all seven books."

"Other books include The Marvels, The Doll People trilogy by Ann M. Martin and Laura Godwin, The Dinosaurs of Waterhouse Hawkins by Barbara Kerley and Amelia and Eleanor Go For a Ride by Pam Muñoz Ryan."

His work ranging from novels to short stories to works on the big stage, Brian has "written the story for a new version of The Nutcracker at the Joffrey Ballet in Chicago, choreographed by Tony Award winning choreographer Christopher Wheeldon (An American In Paris). Brian has worked professionally as a puppeteer with Basil Twist, and he’s created three toy theater pieces directed by Dan Hurlin."

To read more on Brian Selznick, visit his website HERE





Thursday, April 23, 2026

My Author Origin Story Pt.3: Navigating the Self-Publishing Author/Illustrator Relationship

In the first two installments of My Author Origin Story, we explored how community helped me push past Imposter Syndrome, how I decided to keep my voice even though it isn't always embraced, and how I persevered to create a strong manuscript. Now let’s tackle the next big hurdle:  illustrations.


I wish I could illustrate, but I can’t. I’m not even confident about drawing stick figures. Many, many times I’ve heard the correct advice not to contract an illustrator for your manuscript, because the publishing company does that. However, that advice is for those going the traditional publishing route. I had decided to self-publish and that meant finding, hiring and successfully working with an illustrator.  Problem is, I had never done that before.


As a school administrator I’ve hired for many roles, but illustrator wasn’t one of them. I didn’t know how much they should be paid, nor how quickly they worked and I was still learning the language involved: spot illustrations vs. pages vs. spreads. True to form though, I ventured forward anyway. I started by using postcards I’d gathered from the conference. These helped me decide what kind of style I was looking for.  Then I moved my search onto the SCBWI illustrator database. It felt like a dating app, keying in important qualities and adding in filters as options appeared on the screen.  One portfolio was a perfect match for me: Felipe Blanco Illustration.


Amongst other things, Felipe’s portfolio showed a diversity of children. 


He presented a Little Red Riding Hood Book Dummy. It gave me confidence that he understood the layout of a picture book, something I knew nothing about. It also showed that he could draw characters consistently across spreads…yeah, I learned the terminology…and I liked how he still kept the “scarier” parts of the story child-friendly. 


That’s how I knew Felipe would be the one…that is if he agreed to it… and if he didn’t cost too much money… and if we could communicate effectively and respectfully.


When I reached out to Felipe, he got right back to me. He was personable and knowledgeable. This would be his first time professionally illustrating a book, and he expressed excitement for the opportunity. I presented him with the concept of the book, and he provided a sketch. I was smitten with his art right away. I had gotten guidance from Veronica Miller Jamison on fair pay for illustrators, and Felipe and I agreed on a price. He presented a contract; we negotiated the payment schedule and locked in. Phew! With the finding and hiring done, now it was time to actually work together. 


As a self-publisher, I couldn’t totally ignore the market and business side of publishing.  I knew I wanted to target children ages 3-7 and their caregivers, but I also wanted to create a book that early childhood professionals would be drawn to use in home visiting, school readiness and educator preparation programs. I felt that the writing had done that; now I needed illustrations to support and even carry these ideas forward even more. 


Because Felipe hadn’t spent a lot of time in early childhood settings, and I desired certain aspects of the classroom to be included, I sent reference materials about classrooms and playgrounds. All the while I kept some more of Veronica Miller Jamison’s guidance to allow for the illustrator's interpretation of the project. That was good advice. It was Felipe that came up with the idea of the lightbulb character. We needed that character to create continuity between the pages and to move the story along. 

Of course there was stuff we had to work out. In his initial sketches, Felipe had drawn some of the characters as animals. Representing diverse children was important to me, so he changed the animals to children..


Felipe initiated regular email and virtual check-ins, and we worked like this until we had a beautiful finished product. Don’t worry. I didn’t always get my way. Sometimes he voiced different opinions than what I suggested and we went with it. Creatively, Got Ideas, Anyone? is just as much his book as it is mine. Our next steps were getting this book formatted, printed and launched.  Yes, there was more work to be done and I’ll be happy to tell you about it next week in our last installment of My Author’s Origin Story. Hope to see you there!





While growing up in Boston, Tischa D. Brown enjoyed the locations and lessons great stories had to offer.  She holds a MS in Early Childhood Leadership and Policy from Boston University’s Wheelock College of Education and Child Development and a BA in Psychology from the University of Hartford. For the last 30 years Tischa has put her love for storytelling to work in early childhood education. That’s why Tischa’s debut picture book, Got Ideas, Anyone?, highlights the classroom in all of its glory! While proud of her academic and professional accomplishments, nothing brings her more joy than traveling the world with her family, and when faced with a seemingly impossible challenge, she reminds herself that she and her daughter have been lost in a desert and survived!


You can contact her through her website: tischadbrown.com

And follow her on Instagram:@tischastake.




Felipe Blanco is an illustrator and freelance artist currently based in New Jersey, USA, but originally born and raised in Brazil! He shares his home with his beloved wife and cat, Haroldo. His creative path began early, always surrounded by drawings, colors, and stories. He has a Bachelor’s degree in Graphic Design and a Master’s in Digital Design. He’s been working as a freelance artist for almost a decade, collaborating with indie game studios, teaching digital painting, and even experimenting with 3D printing for fun projects and products! He loves creating stylized, colorful art filled with personality and charm. Now his main focus is picture book illustration, where he combines his love for storytelling and visual design. 


You can contact him through his website:  Felipe Blanco Illustration

And follow him on Instagram:@blancoilustra.




Tuesday, April 21, 2026

Resources: SCBWI Podcasts

Hey.

Do you have to deal with chaos of your city's metro system? 

Subways, trains, buses, planes? 

Are you stuck behind the wheel in crazy traffic? I have a brother who lives in Los Angeles so I know that traffic is wild!  

Are you tired of listening to that one new song over and over because you are currently in a musical transition, and haven't really found your sound?

Well, look no further because did you know...SCBWI has a podcast! 


Hosted by archivist Theo Baker, SCBWI interviews publishing pros as well as award-winning and best-selling children's book writers, illustrators, and translators who inform and inspire about the ins and outs of the children’s book industry. Find out about the craft and creative process behind young adult novels, picture books, middle-grade fiction, graphic novels, and nonfiction for kids. 

Listen to the podcast: 

On Spotify: HERE
On Apple: HERE
On Amazon: HERE

Here are some recent podcast, featuring some fantastic creators! 

How Jason Reynolds Creates






Thursday, April 16, 2026

My Author Origin Story Pt.2: Pursuing Serenity and Finding My Voice

 Last week in My Author Origin Story, I told you a bit about what made me think I could become an author. It started with a broken leg and ended with finding a wonderful community at the SCBWI conference. Now, let’s see what happens next.


 I left the SCBWI 2024 winter conference empowered by the affirmation of my peers and equipped with new knowledge and advice. Now it was time to put it all together and write. I sat down to apply my first piece of advice: write what you know. It only took me a moment to decide on a rhyming picture book. It only made sense. I’d read so many of them. Actually, that’s an understatement; I don’t just read rhyming picture books, I perform them.  My voice undulates with the rise and fall of the rhythm. My face contorts playfully to interaction with the text. I feed off of children’s expressions and gleeful voices as they chant a clever repeating phrase. Without a shadow of a doubt, rhyme is an important part of my voice, and stanza after stanza flowed from my fingertips. That was until I remembered another piece of advice from the conference: If you can tell the story without rhyming, do so. UH OH! For me, these two pieces of advice conflict, so I had to think about this thing.  In fact, the more I thought about it the more I remembered that it seemed every time someone mentioned rhyming books, there was a hesitation, sometimes a pause accompanied by a stutter and an explanation that boiled down to rhyme needing to be almost, if not, perfect. The very thought of perfection as an onramp to being published intimidated me. I began to spiral: What if my rhymes aren’t strong enough….What if I do all of this writing and no one wants to sign me....Publishing is a business…and on and on and on. My writing was stifled. 

Then in a moment of sobriety, I remembered another piece of advice in the form of a prayer. “God, grant me the serenity to accept the things I cannot change, courage to change the things I can and wisdom to know the difference.” And I started talking to myself again, “Okay, settle down, Tischa. You cannot control the publishing industry, BUT you can control your attitude about it. You cannot control if someone decides to sign you BUT you can prepare and go through the process. You cannot control whether or not someone likes your rhymes, BUT you can make strong rhymes and YOU CAN publish them. With that certainty, I got back to work. I watched webinars and wrote. I shared with critique partners and revised.  I recorded beta readers, noted the hiccups, and revised some more. There was only one thing left to do, take it to a professional.  That professional was Autumn Allen.


At the 2024 Kweli Color of Children’s Literature Conference, I pushed aside the delicate parts of my ego and signed up for a critique.  I asked for and was paired with author, editor and professor, Autumn Allen. I was delighted that I got Autumn, because I knew as an editor at Barefoot Books she had a pulse on early childhood rhyming books.  Also, I was fangirling over her YA novel, All You Have To Do, so with giddy nervousness, I was eager to hear what Autumn had to say about my rhymes. Autumn handled me with great care. Initially, she didn’t mention anything about my rhymes. Instead she told me that my ending was unsatisfying, and even gave me an idea for a sequel. I could see her point about the ending and took note of the suggested sequel, but what I really wanted to know was if the rhymes were good, so I asked. Without hesitation, stutter, wary tone or qualifier, she said my rhymes were strong. I felt my shoulders go down. Autumn corroborated what I believed, that I could write a rhyming picture book, and that’s just what I had done.


Every publisher knows that a strong manuscript is just the beginning of a book.  I had mine, but there was so much more to do, and I’ll tell you about that next week. Hope to see you there!


For over 30 years Tischa D. Brown has enjoyed working in early childhood education.  It’s been an adventure filled with laughter, tears and extraordinary ideas.  That’s why in Tischa’s debut picture book, Got Ideas, Anyone?, she highlights the classroom in all of its glory! Currently she juggles marketing and promoting her recent release while preparing for the next one and writing new material for querying agents.


You can contact her through her website: tischadbrown.com

And follow her on Instagram:@tischastake.


Tuesday, April 14, 2026

Crystal Kite Member Choice Awards

Are you an SCBWI author, illustrator, or translator with a traditionally published book coming out this year?

Here are two awards that should be on your radar; The Golden Kite Awards and the Crystal Kite Awards! 

Two prestigious awards—one given by industry professionals and the other, by peers in SCBWI—these awards are a special way to be recognized by the community! Learn more about it below!


"Founded in 1973, the Golden Kites are SCBWI’s most illustrious award for traditionally published books. Judged by a panel of industry experts, the Golden Kites award excellence in seven book categories and are announced live in an annual award ceremony."

The guidelines for the 2026 Golden Kites submissions are sent to publishers directly, so please reach out to your publisher to nominate your book on your behalf. 

Learn more about the application process here and check out the 2025 Golden Kite Awards on YouTube!



"The Crystal Kites are a peer-given award which recognizes great SCBWI books in 15 regional divisions around the world. Any SCBWI member may participate in the selection process, which includes two exciting rounds of member voting. Support your peers by voting for your favorite books of the year! 

SCBWI creators can nominate their own books starting in May. Check your MEMBER HOME for the Crystal Kite portal to appear next month."

Read more about the voting process here.

Stay tuned for updates on submissions, voting and announces over the next few months!

Thursday, April 9, 2026

My Author Origin Story: It All Started With A Broken Ankle

Hello. My name is Tischa Brown, and I get to be your guest blogger for April! Three years ago releasing a book was NOT on my radar, but that’s exactly what happened on January 21, 2026.  I, along with illustrator Felipe Blanco, debuted our first picture book, Got Ideas, Anyone? “How did it happen?” you ask. Well, that’s a story involving a broken ankle, an inspiring librarian, a supportive community, and a bit of money. I’m excited to tell you all about it over the next four weeks.


Every time I rolled into a classroom, faces lit up with curiosity. You could tell families wanted to know: Why is the new Director of Early Childhood Education on a knee scooter? It wasn’t the introduction I planned or hoped for, but my predicament and my new position gave me an intrigued, young audience. What better way to take advantage of it than to create a book? 

Back then, I didn’t know that getting a book published meant querying an agent, or submitting directly to a publisher. So I did what any industrious educator does; I crafted one myself. I printed x-rays of my ankle from the office copier, cut and pasted text with no developmental editing and laminated it onto construction paper. The kids loved it! 
Why wouldn’t they? It looked like something they would make.


I’ve always enjoyed writing stories and making classroom books, but once I left the classroom and became an administrator my creativity got buried under payroll and reports. This new position afforded me the needed mental capacity to pick up storytelling again. It also gave me an office down the hall from the school’s librarian, Margaret Muirhead. Margaret, a two-time traditionally published author, was kind enough to take my confession. I admitted that I had always wanted to write a book. I know…I know…It’s not an original thought. People say it so often that it’s hard to take them seriously, but Margaret took me seriously, and did what many children's librarians do: inspire, inform and equip. Margaret told me that I COULD write a book, and that I was already on my way with the books I created for the classrooms. She told me about agents, editors, and 32 pages. She even gave me a little yellow journal to carry around because she knew that ideas can come at any time. Margaret also told me about SCBWI. After a brief hesitation, I registered for the 2024 winter conference.

A month later, I found myself in a hotel teeming with throngs of lanyard laden conference goers. I imagined everyone knowing a lot more about writing and publishing than I did. Imposter Syndrome was trying to make a home in my soul, so I employed an old friend, Self-Talk. It went something like this: “Tischa, you might not know what they know, but you have skills that can help you here. You know how to observe, listen and learn. You know how to find common ground and build community. Focus on that and you’ll get through this weekend” Armed with that little boost of self-esteem and knowledge, I spied my target and approached. I don’t know if Jen Steiner remembers that first interaction, but it was quick and kind. It broadened my understanding of kidlit, but more than that, it gave me a face that smiled back as we passed in the hallways. The day went on much like that, with me spying out willing conversationalists between craft honing workshops, but it really began to click for me on Saturday night.

A day of learning did not leave much gas in the proverbial tank, and that old Imposter Syndrome was trying to settle in again, so when I entered the BIPOC Mingle, I was grappling with how a neophyte like myself fitted in. However, my insecurities dissolved as authors, agents and editors shared their experiences, empowering and affirming each other. I sat in a room next to people sharing a lens on what bound us together, no matter where we were on the journey. It was there that Federico Erebia told me I should look into 12x12. It was there Lisa Y. told me about Kweli. It was in that room I heard and owned the phrase “pre-published author" for the first time, and coming from that group, it felt like a title bestowed upon me and acceptance as a peer. Yeah, I entered feeling like an imposter, but I left an empowered peer.

Okay, empowerment is good, but only if you are going to do something with it. Next week, I’ll tell you what I did. Hope to see you there!

For over 30 years Tischa D. Brown has enjoyed working in early childhood education.  It’s been an adventure filled with laughter, tears and extraordinary ideas.  That’s why in Tischa’s debut picture book, Got Ideas, Anyone?, she highlights the classroom in all of its glory! Currently she juggles marketing and promoting her recent release while preparing for the next one and writing new material for querying agents.

You can contact her through her website: tischadbrown.com

And follow her on Instagram:@tischastake.







Tuesday, April 7, 2026

Don Freeman Grant: NOW EXTENDED!

GREAT NEWS! The Don Freeman Grant has now been EXTENDED! Submissions are open from NOW until April 10th! Let this be your sign to GO FOR IT! 

 Don Freeman Grant

Award info
To assist illustrators in the completion of a book dummy or portfolio.

Don Freeman was a renowned illustrator and an early supporter of SCBWI. He established this award to enable picture book illustrators to further their understanding, training, and work in the picture book genre. Two grants of $1,000 each will be awarded annually. One grant to a published illustrator and one to a pre-published illustrator. The money may be used in any way to help you complete your project. Acceptable uses include: purchasing art supplies, enrollment in workshops or conferences, courses in advanced illustrating or writing techniques, travel for research or to expose work to publishers/art directors, or childcare. In any given year, the SCBWI reserves the right to withhold either or both of the grants for that year.

Submissions NOW OPEN through APRIL 10th, 2026.

And don't forget to check back at the SCBWI Awards and Grants  page for new and reoccurring opportunities!  

Thursday, April 2, 2026

SCBWI at the Bologna Children's Book Fair

SCBWI will return to the Bologna Children’s Book Fair in 2026! 

At the Bologna Children's Book Fair, SCBWI connects with a global audience of publishers, agents, and illustrators. The booth highlights our illustrator awards, features industry sponsors, and is a wonderful place to meet the SCBWI global community. There are so many exhibitions, presenters, books, and people to see. We hope you will join us! 

"The 63rd edition of the Bologna Children’s Book Fair (BCBF) is set to take place at the Bologna Exhibition Centre from 13 to 16 April 2026: a sixty-three-year commitment to scouting for new talent and promoting the best publishing content for children and young people, with a progressively broader outlook to include more and more sectors of the publishing world and beyond, in order to ensure new business opportunities." - A 2026 BCBF Preview

To discover more about the Bologna Children's Book Fair, visit their website HERE.  

"TOGETHER WE ARE BETTER"

Check out this video of SCBWI at the Bologna Children's Book Fair in 2025!


Each year, one winner receives a ticket to the Bologna Book Fair, travel fare, and a stipend for accommodations where they will have an opportunity to show their portfolios to publishing professionals, display their portfolio at our industry party in Bologna, and attend the prestigious fair.

Congratulations to Masoud Gharehbaghi for being the 2026 Bologna Scholarship Winner! 


Join us in Booth B61, Hall 30! For complete schedule, visit HERE.

Tuesday, March 31, 2026

SCWBI University: The Business of Publishing


Hello all! Exciting news! SCBWI University is back with some amazing professors to help you take your career to the next level! Designed for published authors and illustrators, this 3-part online course will focus on branding, branching out to additional revenue streams, and navigating relationships with agents and industry partners. Tuition includes all three classes and access to video replays for 30-days after the final live session. Check out the classes below!


Who Are You and Why Should I Care? Building Your Storytelling Brand with Eddie Gamarra
Tuesday, April 7th
1-2:30pm Pacific / 4-5:30pm Eastern

Explore the importance of building a personal brand identity and learn how storytellers can cultivate a recognizable signature and voice. Eddie will share tips and tricks for connecting with audiences and buyers (not necessarily the same group) so that book creators can cultivate an emotionally meaningful and potentially lucrative direct-to-consumer relationship.


Changing Genres, Changing Agents - What to Do If Your Agent Fires You with Regina Brooks
Tuesday, April 21st
1-2:30pm Pacific / 4-5:30pm Eastern

What happens when your writing evolves but your publishing path doesn't follow? Whether you're moving from picture books to middle grade, shifting into YA, exploring adult markets, or reconsidering your agent relationship, these transitions can feel both exciting and uncertain. In this candid and strategic session, Serendipity Literary Agent CEO/ literary agent Regina Brooks breaks down how to navigate change with confidence. You’ll learn how genre shifts impact your positioning, submissions, and long-term career trajectory, what agents are really looking for when an author pivots, and how to evaluate whether your current representation still aligns with your goals. Regina will also share practical guidance on how to approach a potential agent change professionally and thoughtfully.


So, You're Curious About IP... with Viana Siniscalchi
Tuesday, April 28th
1-2:30pm Pacific / 4-5:30pm Eastern

The world of IP work can seem distant or mysterious from the outside. Viana Siniscalchi gently pulls back the curtain on what IP packagers do, how projects move from idea to fully developed package, and where writers fit within that process. She'll discuss how collaboration works in this space, how people typically find their way in, and the qualities that help writers thrive.

Thursday, March 26, 2026

Illustrators Share: How Writing Inspired Their Picture Book Art

Hi there! I’m Veronica Miller Jamison, and I’ve been the SCBWI guest blogger for the month of March. I’m a picture book illustrator, and my author-illustrator debut, The Stories In You: Inspired by the Wisdom of Toni Morrison (Little, Brown Books for Young Readers) will be released later this year.

This month I’ve been blogging about how great writing can inspire the illustration process. I started by going behind the scenes of the first book I illustrated, A Computer Called Katherine, written by Suzanne Slade. Then I dove into the artistic process behind This Is A School, written by John Schu. Last week I talked about how I developed the main character design for Up Periscope! How Engineer Raye Montague Revolutionized Shipbuilding, written by Jennifer Swanson.


This week, I reached out to some illustrator friends to ask them how great writing inspired their book projects. 


Selina Alko - The Keeper of Stories

I met writer and illustrator Selina Alko when we both served on the board of ICON: The Illustration Conference between 2016 and 2018. Selina is a powerhouse - a prolific, award-winning picture book maker who creates vibrant, stunning artwork. Her latest book, Otherwise Known as Judy the Great, is an illustrated collection of poems celebrating author Judy Blume.


When we served on the ICON board together, I was working on my first picture book and stressing out a little – okay, stressing out a lot. Selina gave me the best piece of advice: “Let go of perfection.” That was permission enough for me to loosen my grip on my work and get back to having fun with creating, and I’ve carried that with me ever since. Any time I get stuck on a project, I come back to our conversation from all those years ago. So thank you, Selina!


Selina shared with me her process behind creating the art for The Keeper of Stories, written by Caroline Kusin Pritchard.


A passage from the manuscript that inspired Selina's artwork:

The people looked up at the wounded building, the one they had trusted for years.

They knew the truth.

That this keeper:

their keeper,

trusted them, too.

They couldn't let it down.


Hundreds of students and teachers, rabbis and pastors,

neighbors and strangers became "Operation Booklift."

They wound up the staircase like the flames had before,

forged together by stories.

Hand

over hand

over hand

over hand

they passed one drenched book down, then the next.

For two weeks, they lifted and reached, together:

An unbreakable human chain.


   Outstretched hands, keep our stories alive.

How Selina approached the art for this passage:

I depicted a diverse human chain in the cross-section of the charred building–- purposefully making the image almost abstract so the eye could focus on the zig zag of the staircase following the flow of helping humans. I wanted to get the feelings of seriousness and urgency across by using somber colors and rusty, burnt textures in the mixed media art. 
Interior spread for The Keeper of Stories, illustrated by Selina Alko.

Alleanna Harris - Oshún and Me: A Story of Love and Braids

Alleanna is my tri-state buddy (I live near Philadelphia, she’s in Southern New Jersey) and is a veteran illustrator of picture books about Black history and culture. Alleanna’s work is imbued with warmth and connection, and celebrates all corners of the Black diaspora.


Alleanna’s latest book, Prayer Is, written by Tameka Fryer-Brown, introduces young readers to prayer and its many different meanings. And her author-illustrator debut, O Holy Night: A Modern Day Christmas Carol, debuts with Bloomsbury Kids this fall!


Here, Alleana tells us about her work in Oshún and Me: A Story of Love and Braids, written by Adiba Nelson.


A passage from the manuscript that inspired Alleanna:

“The cowrie shells told Oshún how to help the people she loved. And because I love you, I put the cowries in your hair so you carry her protection with you. When you’re scared or sad, you can just touch your cowrie shell, and it will give you the strength and power of Oshún, the most beautiful and loving goddess.”

How Alleanna approached the art:

Creating the art was a straightforward, yet fun process. I wanted the illustration to be a literal representation of Adiba’s words, so I had to show little Yadira touching her cowrie shell and Oshún showing up to protect her. However, It was the very first time in the picture book where Yadira and Oshún interact directly, so I also looked at the passage as the perfect chance to symbolically show Oshun’s strength. 


I ended up illustrating Oshún behind Yadira, and touching her shoulder as if she was actively supporting her. I wanted to show Oshún’s power and strength as a sun-kissed, glowy, enveloping space, so I decided on having a golden yellow and orange background. I painted light emanating from Oshún’s gold gele, but I wanted the light to have movement and rhythm, so I sketched in a geometric pattern based on Yoruba Adire textiles. I also illustrated sunflowers growing around them because Oshún is always associated with sunflowers.

Interior illustration for Oshún and Me: A Story of Love and Braids, illustrated by Alleanna Harris.


Thank you Selina and Alleanna for sharing your work and process with us! And thank you to the good folks here at the SCBWI Blog for hosting me as your guest blogger for the month. I’ve enjoyed sharing my experience as a picture book illustrator and talking about the creative process with other artists. Until next time... keep creating! :)

• • •


Veronica Miller Jamison is surface pattern designer, fashion educator and illustrator of picture books. She is the illustrator of A Computer Called Katherine: How Katherine Johnson Helped Put America on The Moon (Little, Brown Books for Young Readers, 2019), This Is A School, written by John Schu (Candlewick Press, 2022), and Up Periscope! How Engineer Raye Montague Revolutionized Shipbuilding, written by Jennifer Swanson (Little, Brown Books for Young Readers, 2024). Veronica’s author-illustrator debut, The Stories In You: Inspired by the Wisdom of Toni Morrison, will be published by Little, Brown Books for Young Readers in Fall 2026. Veronica lives near Philadelphia, PA. You can visit her at veronicajamisonart.com.