Thursday, April 16, 2026

My Author Origin Story Pt.2: Pursuing Serenity and Finding My Voice

 Last week in My Author Origin Story, I told you a bit about what made me think I could become an author. It started with a broken leg and ended with finding a wonderful community at the SCBWI conference. Now, let’s see what happens next.


 I left the SCBWI 2024 winter conference empowered by the affirmation of my peers and equipped with new knowledge and advice. Now it was time to put it all together and write. I sat down to apply my first piece of advice: write what you know. It only took me a moment to decide on a rhyming picture book. It only made sense. I’d read so many of them. Actually, that’s an understatement; I don’t just read rhyming picture books, I perform them.  My voice undulates with the rise and fall of the rhythm. My face contorts playfully to interaction with the text. I feed off of children’s expressions and gleeful voices as they chant a clever repeating phrase. Without a shadow of a doubt, rhyme is an important part of my voice, and stanza after stanza flowed from my fingertips. That was until I remembered another piece of advice from the conference: If you can tell the story without rhyming, do so. UH OH! For me, these two pieces of advice conflict, so I had to think about this thing.  In fact, the more I thought about it the more I remembered that it seemed every time someone mentioned rhyming books, there was a hesitation, sometimes a pause accompanied by a stutter and an explanation that boiled down to rhyme needing to be almost, if not, perfect. The very thought of perfection as an onramp to being published intimidated me. I began to spiral: What if my rhymes aren’t strong enough….What if I do all of this writing and no one wants to sign me....Publishing is a business…and on and on and on. My writing was stifled. 

Then in a moment of sobriety, I remembered another piece of advice in the form of a prayer. “God, grant me the serenity to accept the things I cannot change, courage to change the things I can and wisdom to know the difference.” And I started talking to myself again, “Okay, settle down, Tischa. You cannot control the publishing industry, BUT you can control your attitude about it. You cannot control if someone decides to sign you BUT you can prepare and go through the process. You cannot control whether or not someone likes your rhymes, BUT you can make strong rhymes and YOU CAN publish them. With that certainty, I got back to work. I watched webinars and wrote. I shared with critique partners and revised.  I recorded beta readers, noted the hiccups, and revised some more. There was only one thing left to do, take it to a professional.  That professional was Autumn Allen.


At the 2024 Kweli Color of Children’s Literature Conference, I pushed aside the delicate parts of my ego and signed up for a critique.  I asked for and was paired with author, editor and professor, Autumn Allen. I was delighted that I got Autumn, because I knew as an editor at Barefoot Books she had a pulse on early childhood rhyming books.  Also, I was fangirling over her YA novel, All You Have To Do, so with giddy nervousness, I was eager to hear what Autumn had to say about my rhymes. Autumn handled me with great care. Initially, she didn’t mention anything about my rhymes. Instead she told me that my ending was unsatisfying, and even gave me an idea for a sequel. I could see her point about the ending and took note of the suggested sequel, but what I really wanted to know was if the rhymes were good, so I asked. Without hesitation, stutter, wary tone or qualifier, she said my rhymes were strong. I felt my shoulders go down. Autumn corroborated what I believed, that I could write a rhyming picture book, and that’s just what I had done.


Every publisher knows that a strong manuscript is just the beginning of a book.  I had mine, but there was so much more to do, and I’ll tell you about that next week. Hope to see you there!


For over 30 years Tischa D. Brown has enjoyed working in early childhood education.  It’s been an adventure filled with laughter, tears and extraordinary ideas.  That’s why in Tischa’s debut picture book, Got Ideas, Anyone?, she highlights the classroom in all of its glory! Currently she juggles marketing and promoting her recent release while preparing for the next one and writing new material for querying agents.


You can contact her through her website: tischadbrown.com

And follow her on Instagram:@tischastake.


Tuesday, April 14, 2026

Crystal Kite Member Choice Awards

Are you an SCBWI author, illustrator, or translator with a traditionally published book coming out this year?

Here are two awards that should be on your radar; The Golden Kite Awards and the Crystal Kite Awards! 

Two prestigious awards—one given by industry professionals and the other, by peers in SCBWI—these awards are a special way to be recognized by the community! Learn more about it below!


"Founded in 1973, the Golden Kites are SCBWI’s most illustrious award for traditionally published books. Judged by a panel of industry experts, the Golden Kites award excellence in seven book categories and are announced live in an annual award ceremony."

The guidelines for the 2026 Golden Kites submissions are sent to publishers directly, so please reach out to your publisher to nominate your book on your behalf. 

Learn more about the application process here and check out the 2025 Golden Kite Awards on YouTube!



"The Crystal Kites are a peer-given award which recognizes great SCBWI books in 15 regional divisions around the world. Any SCBWI member may participate in the selection process, which includes two exciting rounds of member voting. Support your peers by voting for your favorite books of the year! 

SCBWI creators can nominate their own books starting in May. Check your MEMBER HOME for the Crystal Kite portal to appear next month."

Read more about the voting process here.

Stay tuned for updates on submissions, voting and announces over the next few months!

Thursday, April 9, 2026

My Author Origin Story: It All Started With A Broken Ankle

Hello. My name is Tischa Brown, and I get to be your guest blogger for April! Three years ago releasing a book was NOT on my radar, but that’s exactly what happened on January 21, 2026.  I, along with illustrator Felipe Blanco, debuted our first picture book, Got Ideas, Anyone? “How did it happen?” you ask. Well, that’s a story involving a broken ankle, an inspiring librarian, a supportive community, and a bit of money. I’m excited to tell you all about it over the next four weeks.


Every time I rolled into a classroom, faces lit up with curiosity. You could tell families wanted to know: Why is the new Director of Early Childhood Education on a knee scooter? It wasn’t the introduction I planned or hoped for, but my predicament and my new position gave me an intrigued, young audience. What better way to take advantage of it than to create a book? 

Back then, I didn’t know that getting a book published meant querying an agent, or submitting directly to a publisher. So I did what any industrious educator does; I crafted one myself. I printed x-rays of my ankle from the office copier, cut and pasted text with no developmental editing and laminated it onto construction paper. The kids loved it! 
Why wouldn’t they? It looked like something they would make.


I’ve always enjoyed writing stories and making classroom books, but once I left the classroom and became an administrator my creativity got buried under payroll and reports. This new position afforded me the needed mental capacity to pick up storytelling again. It also gave me an office down the hall from the school’s librarian, Margaret Muirhead. Margaret, a two-time traditionally published author, was kind enough to take my confession. I admitted that I had always wanted to write a book. I know…I know…It’s not an original thought. People say it so often that it’s hard to take them seriously, but Margaret took me seriously, and did what many children's librarians do: inspire, inform and equip. Margaret told me that I COULD write a book, and that I was already on my way with the books I created for the classrooms. She told me about agents, editors, and 32 pages. She even gave me a little yellow journal to carry around because she knew that ideas can come at any time. Margaret also told me about SCBWI. After a brief hesitation, I registered for the 2024 winter conference.

A month later, I found myself in a hotel teeming with throngs of lanyard laden conference goers. I imagined everyone knowing a lot more about writing and publishing than I did. Imposter Syndrome was trying to make a home in my soul, so I employed an old friend, Self-Talk. It went something like this: “Tischa, you might not know what they know, but you have skills that can help you here. You know how to observe, listen and learn. You know how to find common ground and build community. Focus on that and you’ll get through this weekend” Armed with that little boost of self-esteem and knowledge, I spied my target and approached. I don’t know if Jen Steiner remembers that first interaction, but it was quick and kind. It broadened my understanding of kidlit, but more than that, it gave me a face that smiled back as we passed in the hallways. The day went on much like that, with me spying out willing conversationalists between craft honing workshops, but it really began to click for me on Saturday night.

A day of learning did not leave much gas in the proverbial tank, and that old Imposter Syndrome was trying to settle in again, so when I entered the BIPOC Mingle, I was grappling with how a neophyte like myself fitted in. However, my insecurities dissolved as authors, agents and editors shared their experiences, empowering and affirming each other. I sat in a room next to people sharing a lens on what bound us together, no matter where we were on the journey. It was there that Federico Erebia told me I should look into 12x12. It was there Lisa Y. told me about Kweli. It was in that room I heard and owned the phrase “pre-published author" for the first time, and coming from that group, it felt like a title bestowed upon me and acceptance as a peer. Yeah, I entered feeling like an imposter, but I left an empowered peer.

Okay, empowerment is good, but only if you are going to do something with it. Next week, I’ll tell you what I did. Hope to see you there!




For over 30 years Tischa D. Brown has enjoyed working in early childhood education.  It’s been an adventure filled with laughter, tears and extraordinary ideas.  That’s why in Tischa’s debut picture book, Got Ideas, Anyone?, she highlights the classroom in all of its glory! Currently she juggles marketing and promoting her recent release while preparing for the next one and writing new material for querying agents.
You can contact her through her website: tischadbrown.com

And follow her on Instagram:@tischastake.







Tuesday, April 7, 2026

Don Freeman Grant: NOW EXTENDED!

GREAT NEWS! The Don Freeman Grant has now been EXTENDED! Submissions are open from NOW until April 10th! Let this be your sign to GO FOR IT! 

 Don Freeman Grant

Award info
To assist illustrators in the completion of a book dummy or portfolio.

Don Freeman was a renowned illustrator and an early supporter of SCBWI. He established this award to enable picture book illustrators to further their understanding, training, and work in the picture book genre. Two grants of $1,000 each will be awarded annually. One grant to a published illustrator and one to a pre-published illustrator. The money may be used in any way to help you complete your project. Acceptable uses include: purchasing art supplies, enrollment in workshops or conferences, courses in advanced illustrating or writing techniques, travel for research or to expose work to publishers/art directors, or childcare. In any given year, the SCBWI reserves the right to withhold either or both of the grants for that year.

Submissions NOW OPEN through APRIL 10th, 2026.

And don't forget to check back at the SCBWI Awards and Grants  page for new and reoccurring opportunities!  

Thursday, April 2, 2026

SCBWI at the Bologna Children's Book Fair

SCBWI will return to the Bologna Children’s Book Fair in 2026! 

At the Bologna Children's Book Fair, SCBWI connects with a global audience of publishers, agents, and illustrators. The booth highlights our illustrator awards, features industry sponsors, and is a wonderful place to meet the SCBWI global community. There are so many exhibitions, presenters, books, and people to see. We hope you will join us! 

"The 63rd edition of the Bologna Children’s Book Fair (BCBF) is set to take place at the Bologna Exhibition Centre from 13 to 16 April 2026: a sixty-three-year commitment to scouting for new talent and promoting the best publishing content for children and young people, with a progressively broader outlook to include more and more sectors of the publishing world and beyond, in order to ensure new business opportunities." - A 2026 BCBF Preview

To discover more about the Bologna Children's Book Fair, visit their website HERE.  

"TOGETHER WE ARE BETTER"

Check out this video of SCBWI at the Bologna Children's Book Fair in 2025!


Each year, one winner receives a ticket to the Bologna Book Fair, travel fare, and a stipend for accommodations where they will have an opportunity to show their portfolios to publishing professionals, display their portfolio at our industry party in Bologna, and attend the prestigious fair.

Congratulations to Masoud Gharehbaghi for being the 2026 Bologna Scholarship Winner! 


Join us in Booth B61, Hall 30! For complete schedule, visit HERE.

Tuesday, March 31, 2026

SCWBI University: The Business of Publishing


Hello all! Exciting news! SCBWI University is back with some amazing professors to help you take your career to the next level! Designed for published authors and illustrators, this 3-part online course will focus on branding, branching out to additional revenue streams, and navigating relationships with agents and industry partners. Tuition includes all three classes and access to video replays for 30-days after the final live session. Check out the classes below!


Who Are You and Why Should I Care? Building Your Storytelling Brand with Eddie Gamarra
Tuesday, April 7th
1-2:30pm Pacific / 4-5:30pm Eastern

Explore the importance of building a personal brand identity and learn how storytellers can cultivate a recognizable signature and voice. Eddie will share tips and tricks for connecting with audiences and buyers (not necessarily the same group) so that book creators can cultivate an emotionally meaningful and potentially lucrative direct-to-consumer relationship.


Changing Genres, Changing Agents - What to Do If Your Agent Fires You with Regina Brooks
Tuesday, April 21st
1-2:30pm Pacific / 4-5:30pm Eastern

What happens when your writing evolves but your publishing path doesn't follow? Whether you're moving from picture books to middle grade, shifting into YA, exploring adult markets, or reconsidering your agent relationship, these transitions can feel both exciting and uncertain. In this candid and strategic session, Serendipity Literary Agent CEO/ literary agent Regina Brooks breaks down how to navigate change with confidence. You’ll learn how genre shifts impact your positioning, submissions, and long-term career trajectory, what agents are really looking for when an author pivots, and how to evaluate whether your current representation still aligns with your goals. Regina will also share practical guidance on how to approach a potential agent change professionally and thoughtfully.


So, You're Curious About IP... with Viana Siniscalchi
Tuesday, April 28th
1-2:30pm Pacific / 4-5:30pm Eastern

The world of IP work can seem distant or mysterious from the outside. Viana Siniscalchi gently pulls back the curtain on what IP packagers do, how projects move from idea to fully developed package, and where writers fit within that process. She'll discuss how collaboration works in this space, how people typically find their way in, and the qualities that help writers thrive.

Thursday, March 26, 2026

Illustrators Share: How Writing Inspired Their Picture Book Art

Hi there! I’m Veronica Miller Jamison, and I’ve been the SCBWI guest blogger for the month of March. I’m a picture book illustrator, and my author-illustrator debut, The Stories In You: Inspired by the Wisdom of Toni Morrison (Little, Brown Books for Young Readers) will be released later this year.

This month I’ve been blogging about how great writing can inspire the illustration process. I started by going behind the scenes of the first book I illustrated, A Computer Called Katherine, written by Suzanne Slade. Then I dove into the artistic process behind This Is A School, written by John Schu. Last week I talked about how I developed the main character design for Up Periscope! How Engineer Raye Montague Revolutionized Shipbuilding, written by Jennifer Swanson.


This week, I reached out to some illustrator friends to ask them how great writing inspired their book projects. 


Selina Alko - The Keeper of Stories

I met writer and illustrator Selina Alko when we both served on the board of ICON: The Illustration Conference between 2016 and 2018. Selina is a powerhouse - a prolific, award-winning picture book maker who creates vibrant, stunning artwork. Her latest book, Otherwise Known as Judy the Great, is an illustrated collection of poems celebrating author Judy Blume.


When we served on the ICON board together, I was working on my first picture book and stressing out a little – okay, stressing out a lot. Selina gave me the best piece of advice: “Let go of perfection.” That was permission enough for me to loosen my grip on my work and get back to having fun with creating, and I’ve carried that with me ever since. Any time I get stuck on a project, I come back to our conversation from all those years ago. So thank you, Selina!


Selina shared with me her process behind creating the art for The Keeper of Stories, written by Caroline Kusin Pritchard.


A passage from the manuscript that inspired Selina's artwork:

The people looked up at the wounded building, the one they had trusted for years.

They knew the truth.

That this keeper:

their keeper,

trusted them, too.

They couldn't let it down.


Hundreds of students and teachers, rabbis and pastors,

neighbors and strangers became "Operation Booklift."

They wound up the staircase like the flames had before,

forged together by stories.

Hand

over hand

over hand

over hand

they passed one drenched book down, then the next.

For two weeks, they lifted and reached, together:

An unbreakable human chain.


   Outstretched hands, keep our stories alive.

How Selina approached the art for this passage:

I depicted a diverse human chain in the cross-section of the charred building–- purposefully making the image almost abstract so the eye could focus on the zig zag of the staircase following the flow of helping humans. I wanted to get the feelings of seriousness and urgency across by using somber colors and rusty, burnt textures in the mixed media art. 
Interior spread for The Keeper of Stories, illustrated by Selina Alko.

Alleanna Harris - Oshún and Me: A Story of Love and Braids

Alleanna is my tri-state buddy (I live near Philadelphia, she’s in Southern New Jersey) and is a veteran illustrator of picture books about Black history and culture. Alleanna’s work is imbued with warmth and connection, and celebrates all corners of the Black diaspora.


Alleanna’s latest book, Prayer Is, written by Tameka Fryer-Brown, introduces young readers to prayer and its many different meanings. And her author-illustrator debut, O Holy Night: A Modern Day Christmas Carol, debuts with Bloomsbury Kids this fall!


Here, Alleana tells us about her work in Oshún and Me: A Story of Love and Braids, written by Adiba Nelson.


A passage from the manuscript that inspired Alleanna:

“The cowrie shells told Oshún how to help the people she loved. And because I love you, I put the cowries in your hair so you carry her protection with you. When you’re scared or sad, you can just touch your cowrie shell, and it will give you the strength and power of Oshún, the most beautiful and loving goddess.”

How Alleanna approached the art:

Creating the art was a straightforward, yet fun process. I wanted the illustration to be a literal representation of Adiba’s words, so I had to show little Yadira touching her cowrie shell and Oshún showing up to protect her. However, It was the very first time in the picture book where Yadira and Oshún interact directly, so I also looked at the passage as the perfect chance to symbolically show Oshun’s strength. 


I ended up illustrating Oshún behind Yadira, and touching her shoulder as if she was actively supporting her. I wanted to show Oshún’s power and strength as a sun-kissed, glowy, enveloping space, so I decided on having a golden yellow and orange background. I painted light emanating from Oshún’s gold gele, but I wanted the light to have movement and rhythm, so I sketched in a geometric pattern based on Yoruba Adire textiles. I also illustrated sunflowers growing around them because Oshún is always associated with sunflowers.

Interior illustration for Oshún and Me: A Story of Love and Braids, illustrated by Alleanna Harris.


Thank you Selina and Alleanna for sharing your work and process with us! And thank you to the good folks here at the SCBWI Blog for hosting me as your guest blogger for the month. I’ve enjoyed sharing my experience as a picture book illustrator and talking about the creative process with other artists. Until next time... keep creating! :)

• • •


Veronica Miller Jamison is surface pattern designer, fashion educator and illustrator of picture books. She is the illustrator of A Computer Called Katherine: How Katherine Johnson Helped Put America on The Moon (Little, Brown Books for Young Readers, 2019), This Is A School, written by John Schu (Candlewick Press, 2022), and Up Periscope! How Engineer Raye Montague Revolutionized Shipbuilding, written by Jennifer Swanson (Little, Brown Books for Young Readers, 2024). Veronica’s author-illustrator debut, The Stories In You: Inspired by the Wisdom of Toni Morrison, will be published by Little, Brown Books for Young Readers in Fall 2026. Veronica lives near Philadelphia, PA. You can visit her at veronicajamisonart.com.



Tuesday, March 24, 2026

The Jewell Parker Rhodes Fellowship for Emerging Voices: An Interview with Jewell Parker Rhodes

The Jewell Parker Rhodes Fellowship for Emerging Voices
An Interview with Dr. Jewell Parker Rhodes

Dr. Jewell Parker Rhodes is a best-selling author and educator, whose breadth of work spans many genres. Dr. Rhodes has won the American Book Award, the Black Caucus of the American Library Award for Literary Excellence, and the Jane Addams Peace Association Book Award, and her works have been translated into many languages. 

Much like the stories she writes, full of empathy, collaboration and community, Dr. Rhodes has announced the Jewell Parker Rhodes Fellowship for Emerging Voices, securing her legacy and moving the dial forward for the next generation of authors and artists. We are so thankful to have Dr. Rhodes here on the blog to talk to us about her journey, her inspirations, and about this amazing award!

Thank you for joining us on the blog! Though you don't need an introduction, in your own words, please tell us about yourself.

I was a junior in college when I discovered black women wrote books! This was a revelation. Growing up, I read books all the time but they were always white worlds written by white authors. Discovering writers who looked like me and told stories about the African American community inspired me.  
 
I always knew I wanted to write for youth but for over 30 years, I wrote for adults. I was practicing my craft, but I was also waiting for the call--a voice I could hear inside my head. Dreaming about the devastation from Hurricane Katrina, I woke, hearing, "They say I was born with a caul, a skin netting covering my face like a glove. My mother died birthing me. I would've died, too, if Mama Ya Ya hadn't sliced the bloody membrane from my face." My character, Lanesha, was born. The first four pages of Ninth Ward burst out of me, effortless. Finally, a twelve year old girl was telling me her story. Since 2010, I've only written for youth.

I’m ASU’s Virginia G. Piper Endowed Chair in Creative Writing. For decades, I’ve been privileged to mentor hundreds of writing students. My writing journey has had its share of hardships, upheavals, setbacks as well as much success. I’ve learned the key is to keep doing what I love best—writing.  Persistence is the ultimate expression of resilience.
 

On influences & inspirations: Who are your writing inspirations? What influences your storytelling?
 
My grandmother was an oral African American storyteller. I’m always trying to capture her rhythms and honor the spiritual and ancestral traditions she shared with me. Toni Morrison, Virginia Hamilton, Walter Mosely, and Walter Dean Meyers are also inspirations for telling cultural stories through dialogue and narrative structure to enhance their social justice themes.


Tell us about this amazing award. What made you want to create this generous, and life-changing fellowship?
 
The Emerging Voices Fellowship honors my grandmother, my publisher Megan Tingley, and the entire Little Brown Books for Young Readers team. My hope is that a fellowship winner will feel seen, appreciated, and will grow in their craft, as I have, with professional editorial support. Grandmother taught me the power of love. This fellowship is my way of sharing love with fellow storytellers.


What are your thoughts on equity in the publishing world, and why it is important?
 
For decades, my work has been buffeted by racism and bias. I ignored rejections, knowing I only needed one "yes." Most importantly, I never stopped writing and I kept focused on the next project. And the next. Nothing good can happen if a writer doesn’t write.  
 
Today, publishers (along with teachers and librarians) are battling book bans and inspiring readership. I’m grateful. However, readership statistics still provide ample evidence that there is still a paucity of diverse stories. Every child deserves "windows and mirrors." How else will we be able to inspire the much needed next generation of writers?
 
 
If you had this opportunity as a young creative, how do you feel it would have impacted you today?

As a young creative, a fellowship would have provided financial relief for myself and my growing family. Significantly, it would have given me confidence and quieted demons of imposter syndrome. I might have achieved my goals sooner and with less anxiety. 


Before we go, tell us, what are you working on now?

I'm preparing to write the sequel to my novel, Treasure Island, Runaway Gold.


Open to submissions: February 25th , 2026
Closed to submissions: April 17th , 2026
Announce/inform winner: On or about August 3 rd , 2026

The Jewell Parker Rhodes Fellowship for Emerging Voices will award an annual $10,000 grant to an unpublished or self-published writer creating works for children. Created to honor Jewell Parker Rhodes’s legacy as a groundbreaking children’s author, the Fellowship uplifts emerging voices while addressing inequities in the publishing industry. This initiative aims to address inequities in the publishing industry by supporting writers whose work explores lesser-known histories of historically underserved communities for young readers.

Submission Requirements
1 The first (3) chapters of a novel targeted at a middle grade audience;
2 A comprehensive synopsis of the novel. 
Please submit materials as pdf, doc, or docx.

Eligibility Criteria
1 Applicants must be unpublished or self-published writers, as well as unagented.
2 Applicants must be a legal resident of the 50 United States and the District of Columbia.
3 Applicants must be 18 years of age or older as of February 25, 2026.

Award Details and Grantee Support
1 Grant Amount: $10,000
2 Professional Development: A U.S. $1,000 stipend to be utilized for a trip to New York City to meet with an LBYR editor and receive two rounds of feedback on their submission.
3 Submission Opportunity: The grantee will have the opportunity to have the submission reviewed by an LBYR editor for consideration of publication. Hachette waives any commitment to publish the selected manuscript.

Winner Selection
On or about July 13th, 2026, three (3) finalists will be selected by a panel of one (1) representative from the Sponsor’s Editorial team, one (1) representative from We Need Diverse Books, one (1) representative from Literary Agents of Change, and one (1) representative from The Society of Children’s Book Writers and Illustrators (SCBWI).

On or about August 3rd, 2026, one (1) winner will be selected from the pool of finalists by author Jewell Parker Rhodes using the following criteria:
1 Literary excellence, originality, voice targeted to the intended audience of the writing sample, and ability to reflect both middle grade and historically underserved experiences: 50% 
2 Clarity of vision for how the Grant will advance the winner’s writing career: 25%
3 Impact and relevance: Does the story offer representation or insights that are currently missing or underserved in middle grade literature? 25%

Judges’ decisions will be final and binding in all matters related to this Contest. In the event of a tie, the judges will reconsider the tied Submissions using the judging criteria stated above to determine one (1) Award winner. Sponsor reserves the right to not provide the Award if, in its sole discretion, it does not receive a sufficient number of eligible and qualified Submissions. Sponsor will not reveal the judging scores for any Submission.



Thursday, March 19, 2026

Personality in Action: How Effective Characterization Inspires Main Character Design

Happy Thursday! I’m Veronica Miller Jamison, picture book illustrator and soon-to-be-published author-illustrator. I’m happy to join you as the guest blogger for the SCBWI Blog this month.

Last week, I shared how a few short lines in John Schu’s This Is A School inspired my first sketches for the book, and helped me create the visual narrative. This week, I’ll be going inside the process of creating the main character and one of my favorite illustrations from Jennifer Swanson’s Up Periscope: How Engineer Raye Montague Revolutionized Shipbuilding.


Up Periscope!: Personality in Action


Up Periscope! was a delightful manuscript to read and a fun book to research. Another American “hidden figure,” Raye Montague (much like Katherine Johnson) was a brilliant Black woman whose mind for math and computers helped push engineering forward. She was the first person to design a U.S. naval ship using a computer.


In reading both the manuscript and Raye Montague's biography, Overnight Code, I learned that Raye was gutsy, tenacious and spirited, which informed the way I designed and applied action to her character. One of my favorite details is that Raye took a job at the Navy as a typist, fully intending to teach herself the skills to become an engineer (whether her bosses liked it or not!). 


Jennifer captured Raye's ambitious spirit in her writing, demonstrating her tenacity as Raye tackled several obstacles throughout the story. The author emphasized Raye's moxie with this refrain: "Raye knew she could learn anything, do anything, and be anything!" So my goal was to bring that pluckiness to every piece of artwork. (Raye's bright eyes and gap-toothed smile made that an easy task!)



Character design for young and grown-up Raye Montague

The other “character” in the book is the UNIVAC computer, the first American computer designed for commercial business use. This thing was massive and intimidating. The interface was complicated, with all sorts of buttons, switches and knobs, and the rest of the equipment took up entire rooms. I collected just as many research images of the UNIVAC and people using it as I did of our heroine, Raye.


Image via Wikipedia.

Image via Wikipedia.

A spunky main character and a formidable piece of computer equipment come together in one of the turning points in the biography. Raye, who hadn’t been able to use the UNIVAC in her office but had been secretly taking classes at night, suddenly needed to jump in for a whole staff of engineers. Jennifer Swanson writes it like this (emphasis mine):

One day, all the men who ran the computer were too sick to come to work. Raye jumped up and took over. Although she’d never touched the machine before, she knew which buttons to push, which levers to flip, and which instructions to type to get the UNIVAC to solve calculations.

What would it look like for one woman to take over for a whole team of engineers? While my research photos showed multiple people working on the computer at once, I imagined Raye, with her boundless ambition and energy, “jumping up” (in Jennifer’s words) to fill all of those roles. The verbs “push,” “flip,” and “type,” led me to the different actions Raye could be doing around the computer, in a flurry of activity.


The original thumbnail sketch for this scene.

A smidge more detail. Emphasis on "smidge."


When it came to deciding on color, I wanted to use a more limited palette than my previous projects. Starting with my personal faves, cobalt and phthalo turquoise and naples yellow, I developed a range of hues and shades. The olive and chartreuse tones weren’t used in the book; I added pops of lilac and orange (complements of yellow and turquoise) instead.


Color swatches from my sketchbook. Acrylic paint was used here.


So for this spread, I thought orange was the perfect color to emphasize Raye’s flurry of movement around the aqua-colored UNIVAC equipment.


The final artwork!


The idea of Raye independently moving around the UNIVAC appears one more time, later in the story. This time though, she’s on deadline and exhausted. Dark purple is the predominant color here, and the color scheme is mostly monochromatic, as Raye is essentially living in this room and has become one with the UNIVAC. The one pop of color comes when the telephone rings with an important call.


Same idea, different scene, different stakes.

It was fun to play with this concept - one woman doing many jobs - in different scenes with different emotional states. And it was all inspired by the way the author used her words to describe a tenacious young woman proving how capable she is.


The bright-eyed and ambitious Raye Montague!