Friday, September 18, 2020

DW. 3.1. Writing Identity Elements into Our Stories: David Bowles, S.K. Ali & Linda Sue Park


It’s been a long few weeks away from our Digital Workshop series, but now we are BACK -- with more Children’s book creators ready to take up our computer screens. This means more writing, more inspiration, and trying our hardest not to let quarantine stop us from gifting kids with the magic of storytelling. Possibly our brand new Digital Workshop time (4pm PDT/ 7pm EDT) will help those of us returning to a world outside of work from home, as well? 


Kicking it off with our first workshop, we not only have one talented author, but three. David Bowles, S.K. Ali, and Linda Sue Park discuss “Writing Identity Elements into Our Stories,” a topic all writers are exploring right now and onwards, no matter your race, gender, religion, or sexual orientation. “The more you read and learn and grow, the more culturally competent you become,” April Powers (SCBWI Equity & Inclusion Officer) says while introducing the workshop. While listening to Bowles, Ali and Park, we learn how. 


All three authors discuss their process of finding inspiration -- both from their own personal lives, and from walks of life they see around them. 





“I think a lot of writers don’t understand that a lot of young girls look up to [hijabs] because it's almost like trying on your mom's high heels… I took it from that [perspective], because it's the authenticity I lived through. I did a lot of contextualizing [from my own identity],” says S.K. Ali 


David Bowles discusses the importance of specification in our stories. Personal experience adds the realism needed for minority children to feel welcome and seen in literature. “There are as many ways as being Mexican American as there are Mexican Americans,” he says. “Rooting ourselves in where we are is beneficial for all kinds of people.”



Linda Sue Park found inspiration for her newest middle grade novel Prairie Lotus from the Little House on the Prairie novels; “I wanted to dismantle the little house… in order to dismantle that story, I wanted to use that setting. But I ran into a problem - there were no Koreans. So how was I going to put myself into the story?” S.K. Ali says similarly to her work, and advises young writers to do the same: “Don’t go by the cannon that came before you; because the cannon didn’t include you.” 







So - “who decides what a classic is, anyway?” asks April Powers as the Digital Workshop comes to a close. “It’s up to us to decide what a classic is for the next generation.” Every single child deserves to see themselves reflected across the pages of classics to come. I guess that means it’s time for all of us to get writing. 




~ Until next Thursday, book-loving, SCBWI friends ~

Avery Silverberg, SCBWI HQ Admin Assistant 


You can find me via email: averysilverberg@scbwi.org 

You can also find me via Bookstagram (Instagram): @a.very.fast.reader

Twitter @averyfastreader 

Thursday, September 17, 2020

A Helpful List of "Things to Consider When Writing a Picture Book Biography"



Posted last year on the Highlights Foundation blog, Donna Janell Bowman's list of points to consider when writing a picture book biography is really helpful, as is the pull-quote "Tell compelling true stories that read like fiction."

Here's Donna's point about Narrative Arc:
What events led to your character’s meaningful contribution? Though this is an over-simplified definition, a story usually involves a character who faces internal and/or external obstacles while in pursuit of their goal. Their journey–the active plot–is the narrative arc where stuff happens. For example, an encyclopedic entry might read: The Great Blondin performed on a tightrope over the Niagara River in 1859. That is fact. But crafting a beginning, middle, and end that includes historical context, character insight, and how Blondin overcame skeptics, dangers, and an obstacle-riddled process to achieve his goal, is a narrative arc.
The post also covers theme, point of view, structure, and more. Read the full text here.

Illustrate and Write On,
Lee

Tuesday, September 15, 2020

A New Series of #SCBWIDigital Workshops "3.0" Start September 17, 2020



As a benefit just for SCBWI members, another round (#3) of amazing digital workshops with stars in the world of children's literature has been announced, and it starts this Thursday at 4pm Pacific/7pm Eastern with "Writing Identity Elements Into Our Stories" with authors David Bowles, S.K. Ali, and Linda Sue Park.

Now held on Thursdays at 4pm Pacific/7pm Eastern, the series includes seven more workshops:

On September 24, "The ABC's of Poetry" with author Lesléa Newman.

On October 1, "How and Why We Translate Books for Children" with children's book translators Emily Balistrieri, Helen Wang, and Cathy Hirano, moderated by translator Avery Fischer Udagawa.

On October 8, "Battling the Shadow: Tools for Being the Hero of Your Creative Process During Challenging Times" with Kendra Levin, Editorial Director, Simon & Schuster

On October 15, "Revising for Plot" with authors Elana K. Arnold and Brandy Colbert.

On October 22, "Picture-Making from a New Perspective: Crafting Illustrations that Captivate an Audience" with illustrator James Ransome

On October 29, "Transforming the Personal" with author Eric Gansworth

and on November 19, "The Exploding Nonfiction Market: Finding Your Opportunities and Inspirations in Informational Books" with Melissa Manlove, Senior Editor, Chronicle Books.

Click here to read more about each session, and learn about the workshop faculty. Registration will open the Monday before the workshop and is open to the first 5,000 to sign up - after that, the sessions will be available as a recording for an entire month.

Illustrate and Write On,
Lee

Thursday, September 10, 2020

Gail Carson Levine Takes A Character Political... And She's Joined By Other Children's Book Authors and Illustrators

Would you take one of your characters and put them out on social media saying who they would vote for?

In a recent message for Authors and Illustrators for Children, Gail Carson Levine, author of Ella Enchanted, did just that.

Gail Carson Levine's message that Ella of Ella Enchanted would vote in the upcoming U.S. Presidential Election


Gail wrote:
“Some of you may have seen my "Ella Would Vote" piece on social media in 2018, which I am releasing again. If you haven't, the idea is that Ella of ELLA ENCHANTED, once she threw off the curse of obedience, would never fail to exercise her options, and she would always vote. I'd love it if all the writers and illustrators in AIC would write something for the characters they've created along the same lines of "___ Would Vote", because we write or draw characters who have opinions and agency, even if they're kids or animals.

Our characters are likely to hit a soft, unarmored place in our now grown-up readers, or in parents who are reading our stories to their children. We can end by saying that we (and our characters) plan to vote for Biden-Harris.

Many writers and artists are worried about the possible effect on sales if they bring a character into the political arena. But look at what we are facing! It’s time to stand up for our children’s future...”
And it's not just Gail! Dan Gutman joined in, posting:


I hope that ALL the characters in my books would vote if they were old enough. It’s our civic duty. But I know one character for sure who would do ANYTHING to make sure he cast his ballot--Judson Moon from “The Kid Who Ran For President.”
And Iza Trapani, posting:


"Gabe & Goon & Vole & Troll would vote because they learned that friendship is more important than differences!" says @IzaTrapani. "I'm voting for #BidenHarris to rescue & reunite our country!" Thank you, Iza! #SaveDemocracy #ForOurChildren #BlackLivesMatter #Equality #AIforC2020
And Alex Flinn, posting:



"Kyle in Beastly would #vote for #BidenHarris because he'd want a president to end this pandemic & make it safe to go out. During his quarantine, Kyle developed kindness & compassion. He knows how important it is for those in power to care about others." @alex_flinn #AIforC2020

What's Authors and Illustrators for Children? As they explain on their website,

WE ARE OVER 1,000 AUTHORS & ILLUSTRATORS
DEDICATED TO A FREE, TRUTHFUL, AND SAFE AMERICA FOR ALL CHILDREN.
Authors & Illustrators for Children (AIC) is an organization of children’s book creators and associates committed to vote, campaign, and speak out for candidates and policies to create a safe, healthy, and inspired future for children everywhere.

You can find out more by following the hashtag #AIforC2020 and at the organization's website, https://aiforc.org/

Illustrate and Write On,
Lee

Tuesday, September 8, 2020

An Amazing Opportunity from SCBWI Mid Atlantic - Researching at the Smithsonian Libraries–Free Webinar for SCBWI Members


This sounds so cool!
Date(s) - 09/22/2020
7:00 pm - 8:30 pm

The Smithsonian Libraries is the largest museum library system in the word, with over 2.5 million collection items and expert staff answering our 20,000 reference questions per year. In this session, you’ll learn more about the Smithsonian Libraries and explore how you can use Smithsonian resources for your work, from near or far. Join Outreach Librarian Erin Clements Rushing and Mid-Atlantic SCBWI Non-Fiction Coordinator Marcie Atkins for an evening of learning about Smithsonian research resources. The event will be held on 22 September from 7:00 pm to about 8:30 pm (Eastern Daylight Time).
Find out more and sign up here.

Illustrate and Write On,
Lee

P.S. Thanks to Maria for the heads-up on this one!

Thursday, September 3, 2020

BBC Highlights "Surprising Secrets of Writers’ First Book Drafts"

This article, "Surprising secrets of writers’ first book drafts" was fascinating while at the same time being a little horrifying. I'm not sure I would want anyone reading the first draft of any of my books...



Proust's madeleine? "started out as a slice of toast and a cup of tea."

Arthur Conan Doyle’s Sherlock Holmes, in the first draft, was detective Sherrinford Hope.

And Oscar Wilde censored himself before being censored further by his editor and then booksellers. "The Picture of Dorian Gray, his best-known work, began life as a short story, and as the manuscript shows, his changes incorporated a degree of self-censoring. References to Basil Hallward’s relationship with Dorian are toned down. Basil talks of Dorian’s ‘good looks’ instead of his ‘beauty’, while his ‘passion’ becomes ‘feeling’.”

Is knowing all this deflating or inspiring? After all, writing is rewriting, really. Maybe it's a mix.

Read the full piece here.

Illustrate and Write On,
Lee

Tuesday, September 1, 2020

"You Don't Suck At Color" - Chris Beatrice Explains Value



This post at Muddy Colors, You Don't Suck At Color, is fascinating. Chris takes the same image, of a fictitious “Horace Cunningham, avid opera goer and hardboiled police detective" and illustrates (pun intended) how value functions, and how it functions separately from color.


Super fascinating, and hopefully helpful to those of you who illustrate for children and teens.

There's also an explanation of highlights (specular highlights) and shadow (occlusion shadows) and how they add to the values of an image as well.


Illustrators - go check out the full post here.

My thanks to Elizabeth Dulemba who shouted out to this post in her excellent links list.

Illustrate and Write On,
Lee

Thursday, August 27, 2020

The Bulletin is Now Online!

The 2020 Summer SCBWI Bulletin is the first all-digital edition of SCBWI's beloved magazine.


There's so much to explore behind Vashti Harrison's beautiful cover image, including:

An introduction to April Powers, SCBWI's new Chief Equity & Inclusion Officer



An article by Lisa Rogers that includes a helpful sidebar, "10 Tips for a Virtual Book Event"



An interview with Vashti Harrison about the cover,



An article by Linda Joy Kattwinkel, "Illustrators: Be Careful What You Post on Social Media"


and so much more!

To view The Bulletin, just log into your profile page at scbwi.orghttps://www.scbwi.org/ and click on PUBLICATIONS, then on The SCBWI Bulletin in the dropdown menu.

Illustrate and Write On,
Lee

Tuesday, August 25, 2020

Listen to the Latest SCBWI Podcast: A Conversation with Yuyi Morales



Author/Illustrator Yuyi Morales has won the Caldecott Honor, The New York Times Best Illustrated Book, and Multiple Pura Belpré Awards. In this conversation with Theo Baker, Yuyi speaks of how children’s books became her companions and passion, offers insights into her creative process, and considers the impact joining SCBWI – and winning the Don Freeman Grant – had on her career.

Listen to the episode trailer here.

Current SCBWI members can listen to the full episode here (log in first).

Illustrate and Write On,
Lee

Thursday, August 20, 2020

Tomie dePaola Masterclass Released for Free



All of us in SCBWI and the children’s book community lost a dear friend and artist in Tomie dePaola. Anyone who has been lucky enough to dine or converse with him, or simply to be near his great big gregarious spirit, knows that he was the genuine article: a singular personality, and a master artist.

As we mourn his loss, we also want to celebrate his incredible body of work and his long and dear friendship with our organization. 

We are making available to members his entire Master Class DVD that he shot with Lin Oliver, where the two of them go in depth and discuss the modern picture book, a form he helped to invent and elevate. With outsized generosity, Tomie breaks down the history of the picture book, his approach, his working methods—everything you’d want to know about how he crafts a work of art for children. Tomie was incredibly proud of this Master Class. So please enjoy it, and pull a book or three of his off the shelf.

In a discussion with Lin Oliver, the master class is PACKED with insights, information, and inspiration.

Here's a quote from just the first minutes:

“If the words are more important than the pictures, that would be an illustrated storybook.... For me, the picturebook, once the child has had the book read to them, they can remember the story just by looking at the pictures.” —Tomie dePaola

Members can visit this page on the scbwi website to watch the class!

Illustrate and Write On,
Lee

Tuesday, August 18, 2020

Children's Writers and Illustrators Who Also Work In the Industry

Featured last month in Publishers Weekly, this article by Pooja Makhijani, Children’s Writers Who Wear Multiple Hats, was a fascinating look into how for a number of notable creatives working in children's books, their day jobs are ALSO in children's books!

(And they have day-jobs, something we don't talk about a lot, but maybe we should.)



With shout outs and weigh-ins by Daniel Nayeri, Mallory Kass, Eric Smith, Andrea Davis Pinkney, John Cusick, Andrew Arnold, Grace Maccarone, Arthur Levine, Jonah Newman, and Patrice Caldwell, it's well-worth reading.

Illustrate and Write On,
Lee

Thursday, August 13, 2020

The Elephant in the Room: To Include COVID-19 In Your Contemporary Fiction or Not?



Over at the BookBaby Blog, in the post The Coronavirus: The Elephant in the Room, Steven Spatz asks:
"As a writer, what do you do if your book is set in the present, but the Coronavirus pandemic thwarts your story?"
With over 80 comments, there are a range of strategies, from adapting your work to include the pandemic, mentioning it in passing, ignoring it all-together by backdating or future-dating your story, and variations of all three.

If nothing else, it's good to know many other authors are thinking about how the current inflection points (of both the COVID-19 pandemic impact and Black Lives Matter being centered) will affect what they create.

Illustrate and Write On,
Lee

Tuesday, August 11, 2020

Launching a Debut Picture Book in the Middle of a Pandemic - Claire Annette Noland Shares Her Experience On the SCBWI So Cal Kite Tales Blog


This post at the blog of the SCBWI Tri-Regions of Southern California, by Claire Annette Noland, about the launch of her debut picture book (illustrated by Alicia Teba and published by Cardinal Rules Press) is well worth reading!

The book, Evie's Field Day
"features a competitive girl set on winning her school’s field day events. The book’s release was scheduled to coincide with end-of-the-school-year activities. In March, when the pandemic caused us to shelter at home, we thought it would soon be over. Then reality set in. Schools, bookstores, and parks closed. Suddenly, my calendar was empty. But the book was being released and I wasn’t going to give up on my dream of it reaching children. It was time to make a new plan..."


Their solution was innovative, creating an “At Home Field Day” that children and their families could celebrate that tied into the book.

For all of us, it is definitely a moment to, as Claire puts it, "Call on Community," "Be Flexible," and "Step Out of Your Comfort Zone."

Illustrate and Write On,
Lee

Thursday, August 6, 2020

Community-Sourced Highlights of #SCBWISummerSpec

Hello community! What an amazing four days - and for everyone who registered, the recordings of every Conversation and Panel will be available for the entire month of August. (Amazingly, you can even register after-the-fact, and gain access to those recordings. More info on that here.)

And for everyone, here are a few of the most popular social media snapshots of the #SCBWISummerSpec:















Thank you, Sandra!


And a special shoutout to Susie Ghahremani's summing-it-up post:



Were there other take-aways and/or moments of resonance that you want to share? Feel free to do so in comments or on social media with the #SCBWISummerSpec hashtag.

Illustrate and Write On,
Lee

Tuesday, August 4, 2020

Today is the Final Day of the #SCBWISummerSpec

So go check out the Official SCBWI Conference Blog, for live blogging from the virtual conference floor. And check out #SCBWISummerSpec on Twitter and beyond for community-sourced highlights!



And it's not too late to get the full conference experience - recordings of all the main conversations and panels will be available to watch the entire month of August 2020! Find out more here.

Illustrate and Write On,
Lee

Thursday, July 30, 2020

Listen to the Latest SCBWI Podcast: A Conversation with Alex Slater



Agent Alex Slater of Trident Media Group speaks with Theo Baker about his career journey, his passion for representing historically underrepresented authors, building his own client list, and much more. (49:20)

Listen to the episode trailer here.

Current SCBWI members can listen to the full episode here (log in first).

Illustrate and Write On,
Lee

Tuesday, July 28, 2020

The SCBWI Online Summer Spectacular Starts This Friday, July 31, 2020!


There's still time to join in on all the keynotes, panels, socials, and online fun of gathering with your community of children's content creators!

Click here to check out the full lineup and schedule.

And follow along on the official SCBWI Conference Blog here.

We hope you'll join us!

Illustrate and Write On,
Lee

Thursday, July 23, 2020

Sticks and Stones and the Stories We Tell: Ten BIPOC Creators Discuss Turning Racism Into Art

In this free-to-all panel from SCBWI, sparked from an idea from renowned illustrator, author, and teacher Pat Cummings, ten also renowned children's book creators share their experience with racism and how they've aimed to transform those experiences into art.

In the opening minutes, Lin Oliver also introduces SCBWI's brand new Chief Equity and Inclusion Office, April Powers.

Lin Oliver (top left) introduces April Powers (center), SCBWI's Chief Equity and Inclusion Officer, while sign language interpreter 
In her introduction, Pam Cummings said,

“Talking about the problem is one thing, but how do you use it? How do we get constructive with this? How does this turn up in our work?”

Answers and stories and so much more are shared by Crystal Allen, Floyd Cooper, Lamar Giles, Rafael Lopez, Meg Medina, Linda Sue Park, Christian Robinson, Shadra Strickland, and Lisa Yee.

It's well-worth watching.

Illustrate and Write On,
Lee

Tuesday, July 21, 2020

In Support of SCBWI's Trans Members, Youth, and their Families

From SCBWI's Instagram Feed


“ SCBWI strives to provide a safe space for all creators of content for children. Today, we specifically choose to unequivocally acknowledge that Trans youth, their families and Trans creators are an important part of our organization whose stories must be told. We choose to support your truth. As a nonprofit that supports creative people everywhere, we value the contributions that Trans people have added to the story of our human family everywhere around the world. Your stories matter. You matter to us. As always, SCBWI welcomes you. #TransLivesMatter ”

July 9, 2020
As posted to SCBWI's social media, as well as the SCBWI website here.

Thursday, July 16, 2020

BookBub Curates "35 Authors Using Pinterest for Book Marketing & Inspiration"

Diana Urban has done another roundup of how authors are using social media - this time, how 35 Authors use Pinterest, with lots of YA authors included. Some standouts:

Dhonielle Clayton shares inspiration for the hairstyles of her characters in The Belles

Sarah J. Maas mixes inspiration and fan art on the boards for her books.

Marissa Meyer pins links to blog posts she's written as a guest at different outlets, making this board a media page.

Tomi Adeyemi has boards with writing prompts and advice

The inspiring roundup is well-worth checking out.

Are you on Pinterest? Feel free to leave a comment with how you use Pinterest and include a link!

Illustrate and Write On,
Lee

Tuesday, July 14, 2020

Tiff Liao: DW 2.6



Tiff Liao: DW 2.6
Straight Through the Heart: How to Make Readers Fall in Love with Your Characters 

Tiff Liao, senior editor at Henry Holt Books for Young Readers, does so much more for her writers than just make sure they make it to pub day. “Character drives plot - not the other way around,” she tells us in DW 2.6. “If we don’t care about the character, we don’t care about what happens to them.” Tiff encourages her writers to develop characters that readers will fall in love with. “Your goal as a writer is to find the universal through your specific story.” Empathy does not mean that your reader should always love your character - your goal is to create a character that is interesting enough for your reader to engage with. “If we don’t care about the character, we don’t care about what happens to them.” 





So: the question is how? How do you get your reader to fall in love? One, might seem initially obvious: building intrigue. Characters with the most intrigue are immediately interesting because they have conflict immediately built into who they are. In order to achieve this, Tiff asks herself three questions when opening a manuscript: Who is your character? What does your protagonist want? What does your protagonist need? 


Readers are more likely to fall in love with characters who have dimension -- real, living, breathing characteristics, instead of flat personalities on the page. Tiff advises adding: quirks, flaws (humanizing qualities to make them more relatable), charm and talents. She advises to stay consistent, as your reader must believe it is all encompassed under one persona. 







This Thursday, please join us in a special free webinar we are opening up to both non-SCBWI members and members - Sticks and Stones and The Stories We Tell: Children’s Book Creators and Random Acts of Racism. 



All the best, 
Your loyal HQ admin assistant 
Avery 
@a.very.fast reader on IG 
@averyfastreader on Twitter