Showing posts with label Inspiration. Show all posts
Showing posts with label Inspiration. Show all posts

Thursday, May 29, 2025

The Top 10 All-Time Most Popular Posts At The Official SCBWI Conference Blog

 Since launching in Jun 2010, the Official SCBWI Conference blog (https://scbwiconference.blogspot.com/) has shared more than 2,100 posts with highlights from SCBWI's two annual conferences all about the craft, inspiration, community, and business of illustrating, translating, and writing children's literature. Collectively, those 2,109 posts have earned more than 1,854,000 page views!

screenshot from the stats page of the scbwi conference blog, showing the top ten most popular all-time blog posts


The 10 most popular posts so far are:

#10, with 3.37K page views: Julie Andrews and Emma Walton Hamilton: 'It Takes Two' Keynote, by SCBWI team blogger Martha Brockenbrough, Feb 3, 2013

#9, with 3.42K page views: Last Chance To Register for #LA14SCBWI - The 2014 SCBWI Summer Conference in Los Angeles, August 1-4, by Lee Wind, Jul 12, 2014

#8, with 3.65K page views: By the power of Skype! Tomie de Paola's Virtual Keynote!, by SCBWI team blogger Jaime Temairik, Aug 3, 2014

#7, with 3.87K page views: Laura Rennert: The Building Blocks of a Successful Career - How To Start And Position Yourself Successfully, by Lee Wind, Aug 3, 2014 

#6, with 3.99K page views: Sara Zarr Keynote, by Alice Pope, Jan 30, 2011

#5, with 4.26K page views: #NY15SCBWI - The 2015 SCBWI Winter Conference Registration Opens October 7, 10:00 am PDT, by Lee Wind, Oct 3, 2014

#4, with 4.47K page views: Team Blog's Suzanne Young Hits The New York Times Best-Seller List!, by Lee Wind, May 14, 2014

#3, with 4.56K page views: WHAT A NIGHT! Industry Party and Portfolio Showcase by SCBWI team blogger Justin Campbell, Feb 10, 2023

#2, with 5.62K page views: Diversity Panel: Sharon Flake & Adriana Dominguez, by SCBWI team blogger Jolie Stekly, Aug 1, 2014

and the most popular all-time post on the official SCBWI conference blog is... (drumroll)

#1, with 5.76K page views: Advice From Judy Blume? Martha Brockenbrough Gets That For Us, In This Pre-Conference Interview..., by Lee Wind, Jul 23, 2014

Illustrate, Translate, and Write On,
Lee


Tuesday, January 28, 2025

The American Library Association Announces Their 2025 Youth Media Award Winners

 

screen shot of ALA webpage announcing the winners of their 2025 Youth Media Awards

In addition to being these librarians' picks for the best books in each category, the ALA's 2025 Youth Media Award winners list is also a great way to be 'up' on the acclaimed books in the category you're working in.

And don't just check out the winners - explore the honor books as well.

Oh, and remember, just because a book—maybe your book—isn't on the list, that doesn't mean it doesn't have value. It doesn't mean it's not someone's favorite book. It just means other books rose to the list-makers' attention and delight. More on this here.

Given the millions (no exaggeration) of books published each year, award lists (like bestseller lists, or 'best of' lists) are helpful, but they are not the only fantastic books in each category.

Here's to working on our own fantastic books!

Illustrate, Translate, and Write On,
Lee


Thursday, January 16, 2025

From Spark to Story

Finding Picture Book Ideas in Everyday Moments

The world is brimming with inspiration for stories—if you know how to spot it. Writing for children isn’t about chasing trends or trying to guess what the market wants next. It’s about tuning in to what young readers need: connection, curiosity, and a bit of magic to make sense of their world.

But where do those ideas come from? Sometimes, they start with a tiny spark—a single moment, image, or question that lingers in your mind. The trick is learning to recognize those sparks and follow where they lead.

Why Do You Write for Children?

Before you dive into a story, it’s worth asking yourself two important questions. A story needs two “whys” to resonate:

    Your Internal Why: Why are you writing this story? What does it mean to you?

    Your External Why: Why are you writing this story? Why will it matter to your readers?

Answering these two questions ensures your story has depth and authenticity. It also helps you connect more powerfully with your audience, making you the right person to tell this particular story.

Learning from the Classics: Disney, Wicked, and Reimagined Tales

Many Disney movies find their origins in classic fairy tales, like Beauty and the Beast and Sleeping Beauty. These stories have stood the test of time, but Disney always seems to find a way to infuse them with fresh perspectives to make them resonate with modern audiences.

Similarly, Wicked—based on Gregory Maguire’s novel, which itself reimagines The Wonderful Wizard of Oz—takes a familiar story and shifts the lens. By exploring the perspective of the so-called Wicked Witch of the West, it reframes her as misunderstood, expanding our empathy and understanding while staying true to the spirit of the original.

Children’s literature is full of similar examples. Eric A. Kimmel’s The Runaway Tortilla reimagines The Gingerbread Man with a Southwestern twist, infusing new cultural elements and humor to make the story fresh and engaging.

What classic tales have left you with unresolved questions? For me, it’s characters who have a mysterious wisdom surrounding them, like the three Mrs. in A Wrinkle in Time, or like the Cheshire Cat. Why are they so wise? Where do they go when they disappear? Or Merlin—what’s his backstory, and what drives him? Exploring these questions can open up entirely new stories that honor the originals while offering something fresh.

Mining these unresolved questions can be a powerful way to generate new ideas. Look for characters or moments that captivate you and imagine the story told from a different angle. This approach not only honors the original but also allows you to address themes and questions that resonate with today's readers.

“Use your imagination.  If your story doesn’t go the way you want it to, you can always stretch the truth.  You can. ask, ‘What if?’  and make up a better story.”  - Nothing Ever Happens on 90th Street, Roni Schotter

Living the Questions: Mining Your Life for Stories

Rainer Maria Rilke once wrote, “Try to love the questions themselves as if they were locked rooms or books written in a very foreign language. Don't search for the answers... Live the questions now.”

This advice relates to storytelling in such a deep way for me. Instead of seeking fully formed ideas, I like to start with questions. What would make a child care worry about a balloon? What if the ducks in the local pond had a secret? How does soap make things clean? 

Write down any questions that come to you as they happen, even if they seem small or incomplete. Questions are richer than answers because they lead to exploration, discovery, and originality. The stories that arise from them are often the most authentic.

Noticing Sparks in Everyday Life

Finding sparks doesn’t require grand adventures. It happens in ordinary moments—on a walk, in a conversation, or while observing children at play.

Pay attention to what catches your eye or makes you wonder. That little moment might hold the seed of a story only you can tell. And once you have the spark, start asking, “What if?” 

Carry a journal to capture these sparks or keep an open note on your smartphone. Not all sparks will have the power to become stories, but they’ll train you to notice the world in ways that fuel your creativity.

Picture book ideas don’t come fully formed—they start as sparks, small and fleeting. By staying curious, asking questions, and reflecting on your own “whys,” you can turn those sparks into stories that resonate with young readers.

“The joy of writing is that my way-too-many feelings, fears, and dreams often weave their way into stories,” celebrated children’s author Roni Schotter told me in a recent conversation about finding story sparks. Her most recent book, Dragon Dreams, which is coming out on January 28, 2025, by Astra Books For Young Readers, came from a combination of sparks over time that included sibling rivalry and revelry between her granddaughters as well as her own childhood dreams. “I’ve always wished to fly. As a child, I’d race down the sidewalk—arms extended--hoping for take-off.  Sadly, I failed to fly, but in my writing, I can easily imagine flying on the bumpy back of a dragon to a ‘Secret Gathering’ in the sky.” 

Roni shared her sparks for some of her other books as well. The Boy Who Loved Words, which has a treasured place on my own family’s bookshelf, was inspired by her love for the sound, feel, & power of words. And another favorite, Nothing Ever Happens on 90th Street, was sparked by her realization that stories are all around us, just waiting to be told, and by her deep love of community. In fact, her next book coming out in the summer of 2026, called Step out! Step Up!was also inspired by that same love of community. The take-home here is that sparks are a reusable and a renewable resource and can be used in different ways across different stories, so don’t cross a spark off your list if it keeps igniting ideas!

Your next story might be waiting in a park, in a question you’ve carried for years, or in a moment that feels too small to notice. Pay attention. Ask, “What if?” And follow the spark wherever it leads.

Tuesday, December 31, 2024

Creative Gifts You Can Give Yourself in 2025: Inspiration (both External and Internal)

The Playbill for Hamilton: an American Musical

I remember seeing the musical Hamilton years ago and being blown away. It was so creative, and made history feel very current and relatable and pretty cool, too.

And then for a while afterwards, I felt kind of stuck creatively. As much as I loved the music, I didn't listen to the cast album again for weeks. I felt overwhelmed, and got stuck in my own creative work, thinking: well, how can I compete with that?

I finally figured out that I don't need to compete with Lin-Manuel Miranda, and certainly I don't need to be him creatively. He's doing a swell job of being himself creatively.

My job is to be ME creatively.

To take inspiration from outside, things like the musical Hamilton, and consider how I might make history feel current and relatable and pretty cool in my own way. (Editors often call this our "voice" - the thing that makes OUR telling of a story uniquely ours.)

The other thing I've discovered is that inspiration works from the inside, too. One way I do this is by making a list of the things I LOVE and that inspire me about my current work-in-progress. 

I've found this is a great way to fall in love with a project again, and a useful strategy to get past feeling stuck.

So as we move into 2025, I hope you'll give yourself the gift of Inspiration -- both external and internal. And let your creative work be a celebration of the things that most inspire you!

Illustrate, Translate, and Write On,
Lee

PS: If you haven't seen them yet, you can catch up on the other creative gifts you can give yourself in 2025 series; Community, Time to Play, and Education on the Craft and Business of Children's Books.

Wednesday, August 21, 2024

Inspiration and a Craft Tip from Kate DiCamillo

Looking over my notes from the recent SCBWI Summer conference, the keynote by Kate DiCamillo held two gems I wanted to share...

The Inspiration

It took Kate 473 submissions before she got a YES towards getting published. And after telling us that, she said, "What if I'd stopped at 472?"

The Craft Tip

When progressing from one draft to the next, Kate prints and then re-types the entire draft. (She shares the 5th draft with her beta reader friends.)

While not every craft strategy will work for everyone, this approach was new to me, and I'm excited to try it for my work in progress. Thanks, Kate! (And thanks to SCBWI for having Kate give a keynote!)

Kate DiCamillo author photo
Newbery-medal winning author Kate DiCamillo

Illustrate, Translate, and Write On,
Lee

Saturday, August 3, 2024

10 Highlights from #SCBWIsummer24 So Far (a.k.a. part 1)

The SCBWI Summer Virtual Conference logo


The SCBWI Summer 2024 virtual conference Saturday is about to start, and I thought it was a good time to share some highlights so far. Remember, you can use the hashtag #SCBWIsummer24 and keep up with the live-blogging at the Official SCBWI Conference Blog, with insights, inspiration, and tastes of the conference by Debbie Ohi, Don Tate, Jaime Temairik, Jolie Stekly, Justin Campbell, and me, Lee Wind.

Ten moments that are still resonating for me:

Often picture book memoirs are less about the external actions (not so much the hero's journey) and more about the internal growth - "the character arc becomes the plot arc." - Andrea Wang, author of Watercress

Andrea Wang, telling us to "lean in" when approaching picture book memoir, answering my question on advice to counter the feeling that it's self-indulgent: "Don't write it for the reader – write it for you, first... Make it as personal and emotionally honest as you can."

Advice from Pamela Harris, on facing insecurity: “I may not be a household name, but I’ve done a lot of awesome things.”

Advice from Amy Kumph, looking back on lurking rather than engaging and putting work out there: “I wish I had feared less.” 

Careful about writing to a trend: “I can tell when a story's gimmick outshines its emotion." - agent Saba Sulaiman

“We work with authors, not books.” - agent Josh Adams, speaking about how an agent wants to work with a client over their career, not just for one book.

Betsy Gomez: Support challenged diverse books: Circulation numbers matter, so if you can't buy a book for whatever reason, check it out from the library. (This one was posted to Bluesky by Don Tate - thanks, Don!)

Shamar Knight-Justice sharing that it takes him 300 hours to illustrate a picture book.

Jan Mitsuko Cash's advice for published translators: Be careful about scheduling - "I've had to learn how to say 'no' to things." Think about what you want to prioritize and what you really want to pursue.

"You do you." - Laurent Linn. This was quoted a few times, and then spoken by Laurent himself. What it means to me: It's about finding your voice (as an illustrator and an author), and understanding you're not trying to be someone else with your creative work, or even competing with anyone else. No one else can do you. You can't really "do" someone else. So, "you do you." Really, really wise. 

Remember, even if you're not attending this year's summer conference, you can check out social media (especially Bluesky) for #SCBWIsummer24, and glean some conference wisdom, craft, and inspiration at the SCBWI Conference Blog.

Illustrate, Translate, and Write On,
Lee

Tuesday, April 30, 2024

Is Your Picture Book Exhibit-Worthy?

Those of us who create picture books are probably just as excited as the lucky kids who get to visit The Rabbit Hole, a new museum in North Kansas City, Missouri that “brings countless works of children’s literature to life.” —That's from their website, which goes on to explain:

Visitors become explorers in an immersive, multi-sensory, narrative landscape... you can catch a ride with Nana and CJ on the bus to the Last Stop on Market Street; whisper “Goodnight Moon” in the quiet dark of the great green room; outshine Mr. Sun with Sam and the Tigers; feed jum-jills to The Funny Thing, or find yourself scaling the cliffs of My Father’s Dragon.

My favorite of the museum profiles I've seen so far is this video tour by the amazing librarian, blogger, and children's book author herself, Betsy Bird (a.k.a. A Fuse #8 Production) which you can watch here on Betsy's Instagram.

France's house welcomes visitors to view the wonders inside...  Frances series written by Russell Hoban and illustrated by Lillian Hoban. Photo from this The Rabbit Hole Instagram post.


As someone who writes picture books myself, I found myself daydreaming... what would it be like to see one of the worlds of MY picture books brought to 3-dimensional, tactile life in this way? 

The 1990s Montana town celebrating both Christmas and Chanukah so shimmeringly created by Paul O. Zelinsky for Red and Green and Blue and White. Or the pre-unification China of 500 B.C.E. where Yuan, Duke Ling of Wei fell in love with Mi Zi Xia, so lovingly fashioned by Jieting Chen for Love of the Half-Eaten Peach.

And I thought about how that's a pretty great exercise for all of us. Is the idea we're working on worthy of our time? The page? Does it have enough whimsy, or gravitas, or special sauce to make it a world of characters readers love so much they'd want to walk around inside that world and explore?

Maybe it's a litmus test for our passion. 

Is your current work in progress something you'd want to see built into a museum exhibit?

Hopefully this is both motivating and inspiring. If nothing else, it's a beautiful daydream...

Illustrate, Translate, and Write On,
Lee

Tuesday, December 19, 2023

Inspiration Quote: "Art is the highest form of hope"

I saw this brilliant quote by Gerhard Richter in the Phaidon Press book by the same title, 

cover of the book titled "Art is the Highest Form of Hope" with those words in silver on a dark blue background

The quote citation: Gerhard Richter: documenta 7, vol. 1 (Kassel, Germany: D + V Paul Dierichs, 1982), 443, exhibition catalog.

So here's to us each creating our own art, our own highest form of hope, this season and onwards, into 2024 and beyond,

Illustrate, Translate, and Write On,
Lee

Thursday, November 2, 2023

Salman Rushdie's Inspirational Words On Accepting the German Book Industry's Peace Prize

As reported by John Mutter in Shelf Awareness, Rushdie said at the prize ceremony held during the recent Frankfurt Book Fair:

“Counter bad speech with better speech, counter false narratives with better ones, respond to hate with love and don't give up hope that the truth can prevail even in a time of lies.”
—Salman Rushdie

Inspiration for us all.

Illustrate, Translate, and Write On,
Lee


Thursday, July 13, 2023

Dungeons & Dragons & Dollmakers in Writing

 

By J.S. Puller

 

Captain Superlative

When I say “Dungeons & Dragons,” I suspect one of two images comes to your mind:  Either, you picture Chris Pine looking dashing and debonair, as in the recent movie Dungeons & Dragons: Honor Among Thieves, or else you imagine a cluster of pimply-faced, socially-inept teenagers, sitting around a table wearing capes and funny hats.  Neither correctly encapsulates the world of Dungeons & Dragons—or the larger world of role-playing available.  Write this down: NEITHER IS CORRECT.  Despite the myopic rep they sometimes get, role-playing games are tools with an incredible power to bring people together, forging lifelong friendships and bonds.  More importantly, for the purposes of this essay at least, they are tools to bring people together for the act of creation.  Players and dungeon masters (those are the players running the game) alike are engaged in populating a rich and vibrant world.  As a lifelong role-player myself, I’ve participated in exciting and emotional gaming over the years that has stuck with me, resonating through my life and shaping my writing.

And that’s how we get to the good part: Writing.  Role-playing games provide some extremely helpful tools that can quickly be adapted to suit an author’s needs.  Here, I’ll share just a couple of them.

CHARACTER SHEETS

Character Sheet

Most role-playing games can’t even begin until the players fill out their character sheets.  These are more or less worksheets, individualized to different games and players in those games, that define who a character is and what they’re capable of doing.  More than that, though, character sheets often serve as helpful cheat sheets to outline character personalities and interests.  For example, take a look at the Dark Ages: Vampire character sheet above.  It describes a character named Scarlet.  As you can see, Scarlet doesn’t have much Charisma, as indicated by the single dot beside the word.  She does, however, possess a great deal of Stamina, with four dots beside the word.  Scarlet’s going to be much likely to run away from the evil sheriff, rather than flirting her way out of danger.

And now for the plot twist.  Perhaps you’ve already spotted it, since I’m no M. Night Shyamalan.  A writer or illustrator can use character sheets like this to assist with the planning and development of the characters in their stories.  Our friend Scarlet is actually a character from a play that I wrote a couple of years ago (see Ellen in THE DEATH OF ROBIN HOOD).  I created similar sheets for each character in the story, which helped me to shape their actions and dialogue, which helped me to make choices about how they would respond to the situations coming at them.

Perhaps filling out the whole sheet for every single character is a little much to ask.  At the very least, I would draw some attention to the top of the sheet, where you can read the words “Nature” and “Demeanor.”  Nature is who someone is on the inside, the core of their personality that guides their choices.  Demeanor, meanwhile, is the face they present the world.  Scarlet pretends to be a tough-as-nails survivor who will meet challenges with stoicism and determination.  But secretly, she has the nature of a caregiver.  So, every action she takes is driven by her desire to protect others.  And that's how I wrote her.

An activity as simple as filling out a character sheet is the perfect way to start figuring out who populates the world of your book.

PRACTICE MAKES PERFECT

A little-known, yet highly-valuable world on the internet is the Dreamwidth Role-Playing community.  This collective of imaginative writers engages in daily interactions between fictional characters.  Often, players try to tackle writing from the point of view of established pop culture icons, such as Elphaba from Wicked or Captain America from the Marvel movies.  Increasingly, though, the player base is flirting with using Dreamwidth as a way to test out original characters.

Dreamwidth journals are free.  Once you create a journal for your character, you can engage with other characters, through communities of memes and PSLs and games (I know many are scratching their heads at these vocab words, but it's all spelled out neatly and better than I could possibly explain, here).  This is a fantastic place to discover a character voice, hear what they sound like and hear how their voices differ from those of other characters.  Not only is it a great writing exercise, but it can be loads of fun.  You never know what could happen or what situation you could find your character facing.  The weirder, the better I think.  It really shows you how they respond to stress.  What would your character do if they were trapped on in an elevator with Darth Vader?  Or Captain Kirk?  Or Sailor Mars?

ENTER THE DOLLMAKER

If you’ve ever seen any media depicting a game of Dungeons & Dragons, you know that much of the action is acted out by moving little figurines that represent characters on a gridded map.  There are a lot of websites available to create and personalize a figurine for your game.  I myself recently purchased my first-ever figurine for my first-ever game of Dungeons & Dragons.  The website I used is called Hero Forge and it’s available to anyone.  In the process of creating my bard, however, I had something of an epiphany.  Websites like Hero Forge (and other dollmakers) are excellent tools for writing.

If you take a look at the top of this post, you'll see a reproduction I made of the title character from CAPTAIN SUPERLATIVE.  Great for me, as a keepsake of my debut novel, but how does a dollmaker help you?  Let’s say you’re creating characters that inhabit a slightly fantastical world.  There aren’t easy reference pictures available to you if you're making up a whole new species, flipping through a magazine or book of photography.  Well, now you can use Hero Forge to, quite literally, build your characters from the ground up.

Hero Forge

The novel that's been taking up a lot of my writing time these last few months has been one set in a supernatural world, with a distinct villain.  One whose features are so "out there" that I found I kept having to reread his introduction over and over again to remember all the details.  Then I got wise.  I built him in Hero Forge and saved the image (see above).  Now when I need to describe him in a scene, I simply pull up that image and have it sitting on my desktop, reminding me that his jeans are ripped, that the cuffs around his wrists are yellow, that he wears his green hair in a gravity-defying ‘do.

Don’t worry if Hero Forge isn’t right for you.  There are hundreds of dollmakers out there.  You can always find the one that you like best.

All you need to do is Google the term "dollmaker" and roll the dice.

(That was also a Dungeons & Dragons joke.)

ABOUT THE AUTHOR

J.S. Puller Headshot

J. S. Puller is a playwright and author from the Windy City, Chicago. She has a master’s degree in elementary education and a bachelor’s degree in theatre from Northwestern University. She is an award-winning member of the American Alliance for Theatre and Education. When not writing, she can usually be found in the theatre. She is the author of two novels, CAPTAIN SUPERLATIVE and THE LOST THINGS CLUB. She also has several published plays, including: WOMEN WHO WEAVE (Playscripts, Inc.), PERSEUS AND MEDUSA - IT'S ALL GREEK TO ME! (Lazybee Scripts), and THE DEATH OF ROBIN HOOD (Stage Rights).

Website: pullerwrites.wordpress.com

Twitter: twitter.com/pullerwrites

Facebook: facebook.com/puller.writes

Thursday, July 6, 2023

How I Learned to Stop Panicking and Give Actual Advice

By J.S. Puller

Five Stages of SCBWI

Psychiatrists say that the five stages of grief are denial, anger, bargaining, depression, and acceptance.  Lesser known are the five stages of being invited to be a guest blogger for the SCBWI blog.  These include surprise, elation, abject terror, PANIC!!!, and finally an oddly restful sense of calm, similar to, although not quite the same as, the aforementioned acceptance.  Truthfully, I didn't know any of these stages existed until I received the immensely gracious invitation from Lee Wind, to whom I'm so very grateful.

ABJECT TERROR AND PANIC

I won't walk you through all of these stages, as I hope they somewhat speak for themselves.  Suffice it to say that after the shock and delight of the invitation wore off, I was left with the horror of asking myself two questions (over and over and over...).  First: Do I have any actual advice to offer other writers?  Second: Just who am I to offer in the first place?

Well, spoiler alert, I'm not going to be able to answer that second question ever.  The imposter syndrome is strong with my generation, and I have not escaped its dark clutches.  The wonderful thing is, this blog post isn't about me.  It isn't about my resume or my accomplishments (or lack thereof).  Rather, it's about what I have to offer as a writer.

I struggled a lot in answering the first question though.  What advice could I possibly give other human beings, many of whom are probably more accomplished, more secure in who they are, more successful than I'll ever be?  In the weeks leading up to July, I went back and forth a lot with how to begin my stint as guest blogger, rejecting multiple ideas.  And just like something out of a story, the answer came from the last place I expected.

CHILD’S PLAY

The Box of Stories Logo

I began my writing career as a playwright, absolutely determined to win the Tony Award for either Best Play or Best Book of a Musical.  The truth was a hard pill to swallow: The American Theatre Wing doesn't really acknowledge children's theatre.  Or any theatre that doesn't make it all the way to Broadway.  Nevertheless, I had some tremendous experiences in my playwriting career with some incredible theatre companies.  One of them was the Growing Stage Theatre in New Jersey, where I was fortunate enough to have my first production in an Equity House, a play called THE BOX OF STORIES.  I loved working with the Growing Stage.  And I still do.

The Growing Stage Logo

Since the beginning of their Playwriting Festival for Young Writers, I've been afforded the honor of serving as a mentor playwright for one of the four students chosen to develop a script with the company, each festival.  Helping young people take their scripts to the next level is a wonderful experience.  The thrill of parenting, the thrill of being a teacher, all without any of the long-term responsibilities required of these roles.  Which is probably a good thing, since I can't even keep a plant watered in the long term.

When I was wrapping up my work with this year's student, I asked her if she had any questions.  She told me she was nervous about finding the right tone for her play.  She wanted to write something raw and real, with sharp language and a hard-to-swallow message.  But she was afraid that it would scare away what she considered the most likely audience, young people.  Throughout the process, she toyed around with toning down the language, playing up messages that ended with hope for the future.  This would make her show educational and informative, something middle school students could perform or watch, paired with lesson plans about environmental science or extinction.  The problem was, it didn't feel like her play.  She lost her passion for the story and the storytelling.

"Well," I told her, "That's your answer right there.  You have to write the play that you want to write, tell it your way.  Forget about the audience.  The right audience will present itself.  Your job is to tell the story."

She nodded, feeling encouraged and excited to keep writing.

TELL YOUR STORY

I walked away from the conversation with my own answer about how to begin my stint writing for this blog.  Ultimately, the advice that applies to a child applies just as much to the adult, when it comes to writing.  You have to tell the story you want to tell.  That's always going to be the first step.  Tell your story.

This isn't earth-shattering advice, but there's probably someone reading this now who needed to hear it.  So I'll say it again, once more with feeling, as we say in the theatre: WRITE YOUR STORY.  Don't worry about the audience, don't worry about what the publishing industry looks like, don't worry about what you think an agent wants to see.  

Say it with me now:  WRITE YOUR STORY.

Sing out, Louise:  WRITE YOUR STORY.

One more for the cheap seats:  WRITE YOUR STORY.

With that, I'll exit stage left.  And hope that as you read my next few posts, you keep this advice in your mind and heart, and apply it always, in every context, along every step of your writing journey.

ABOUT THE AUTHOR

J.S. Puller Headshot

J. S. Puller is a playwright and author from the Windy City, Chicago. She has a master’s degree in elementary education and a bachelor’s degree in theatre from Northwestern University. She is an award-winning member of the American Alliance for Theatre and Education. When not writing, she can usually be found in the theatre. She is the author of two novels, CAPTAIN SUPERLATIVE and THE LOST THINGS CLUB. She also has several published plays, including: WOMEN WHO WEAVE (Playscripts, Inc.), PERSEUS AND MEDUSA - IT'S ALL GREEK TO ME! (Lazybee Scripts), and THE DEATH OF ROBIN HOOD (Stage Rights).

Website: pullerwrites.wordpress.com

Twitter: twitter.com/pullerwrites

Facebook: facebook.com/puller.writes