Tuesday, April 21, 2026
Resources: SCBWI Podcasts
Thursday, April 16, 2026
My Author Origin Story Pt.2: Pursuing Serenity and Finding My Voice
Last week in My Author Origin Story, I told you a bit about what made me think I could become an author. It started with a broken leg and ended with finding a wonderful community at the SCBWI conference. Now, let’s see what happens next.
I left the SCBWI 2024 winter conference empowered by the affirmation of my peers and equipped with new knowledge and advice. Now it was time to put it all together and write. I sat down to apply my first piece of advice: write what you know. It only took me a moment to decide on a rhyming picture book. It only made sense. I’d read so many of them. Actually, that’s an understatement; I don’t just read rhyming picture books, I perform them. My voice undulates with the rise and fall of the rhythm. My face contorts playfully to interaction with the text. I feed off of children’s expressions and gleeful voices as they chant a clever repeating phrase. Without a shadow of a doubt, rhyme is an important part of my voice, and stanza after stanza flowed from my fingertips. That was until I remembered another piece of advice from the conference: If you can tell the story without rhyming, do so. UH OH! For me, these two pieces of advice conflict, so I had to think about this thing. In fact, the more I thought about it the more I remembered that it seemed every time someone mentioned rhyming books, there was a hesitation, sometimes a pause accompanied by a stutter and an explanation that boiled down to rhyme needing to be almost, if not, perfect. The very thought of perfection as an onramp to being published intimidated me. I began to spiral: What if my rhymes aren’t strong enough….What if I do all of this writing and no one wants to sign me....Publishing is a business…and on and on and on. My writing was stifled.
Then in a moment of sobriety, I remembered another piece of advice in the form of a prayer. “God, grant me the serenity to accept the things I cannot change, courage to change the things I can and wisdom to know the difference.” And I started talking to myself again, “Okay, settle down, Tischa. You cannot control the publishing industry, BUT you can control your attitude about it. You cannot control if someone decides to sign you BUT you can prepare and go through the process. You cannot control whether or not someone likes your rhymes, BUT you can make strong rhymes and YOU CAN publish them. With that certainty, I got back to work. I watched webinars and wrote. I shared with critique partners and revised. I recorded beta readers, noted the hiccups, and revised some more. There was only one thing left to do, take it to a professional. That professional was Autumn Allen.
At the 2024 Kweli Color of Children’s Literature Conference, I pushed aside the delicate parts of my ego and signed up for a critique. I asked for and was paired with author, editor and professor, Autumn Allen. I was delighted that I got Autumn, because I knew as an editor at Barefoot Books she had a pulse on early childhood rhyming books. Also, I was fangirling over her YA novel, All You Have To Do, so with giddy nervousness, I was eager to hear what Autumn had to say about my rhymes. Autumn handled me with great care. Initially, she didn’t mention anything about my rhymes. Instead she told me that my ending was unsatisfying, and even gave me an idea for a sequel. I could see her point about the ending and took note of the suggested sequel, but what I really wanted to know was if the rhymes were good, so I asked. Without hesitation, stutter, wary tone or qualifier, she said my rhymes were strong. I felt my shoulders go down. Autumn corroborated what I believed, that I could write a rhyming picture book, and that’s just what I had done.
Every publisher knows that a strong manuscript is just the beginning of a book. I had mine, but there was so much more to do, and I’ll tell you about that next week. Hope to see you there!
For over 30 years Tischa D. Brown has enjoyed working in early childhood education. It’s been an adventure filled with laughter, tears and extraordinary ideas. That’s why in Tischa’s debut picture book, Got Ideas, Anyone?, she highlights the classroom in all of its glory! Currently she juggles marketing and promoting her recent release while preparing for the next one and writing new material for querying agents.
You can contact her through her website: tischadbrown.com
And follow her on Instagram:@tischastake.
Tuesday, April 14, 2026
Crystal Kite Member Choice Awards
Thursday, April 9, 2026
My Author Origin Story: It All Started With A Broken Ankle
Hello. My name is Tischa Brown, and I get to be your guest blogger for April! Three years ago releasing a book was NOT on my radar, but that’s exactly what happened on January 21, 2026. I, along with illustrator Felipe Blanco, debuted our first picture book, Got Ideas, Anyone? “How did it happen?” you ask. Well, that’s a story involving a broken ankle, an inspiring librarian, a supportive community, and a bit of money. I’m excited to tell you all about it over the next four weeks.
A month later, I found myself in a hotel teeming with throngs of lanyard laden conference goers. I imagined everyone knowing a lot more about writing and publishing than I did. Imposter Syndrome was trying to make a home in my soul, so I employed an old friend, Self-Talk. It went something like this: “Tischa, you might not know what they know, but you have skills that can help you here. You know how to observe, listen and learn. You know how to find common ground and build community. Focus on that and you’ll get through this weekend” Armed with that little boost of self-esteem and knowledge, I spied my target and approached. I don’t know if Jen Steiner remembers that first interaction, but it was quick and kind. It broadened my understanding of kidlit, but more than that, it gave me a face that smiled back as we passed in the hallways. The day went on much like that, with me spying out willing conversationalists between craft honing workshops, but it really began to click for me on Saturday night.
A day of learning did not leave much gas in the proverbial tank, and that old Imposter Syndrome was trying to settle in again, so when I entered the BIPOC Mingle, I was grappling with how a neophyte like myself fitted in. However, my insecurities dissolved as authors, agents and editors shared their experiences, empowering and affirming each other. I sat in a room next to people sharing a lens on what bound us together, no matter where we were on the journey. It was there that Federico Erebia told me I should look into 12x12. It was there Lisa Y. told me about Kweli. It was in that room I heard and owned the phrase “pre-published author" for the first time, and coming from that group, it felt like a title bestowed upon me and acceptance as a peer. Yeah, I entered feeling like an imposter, but I left an empowered peer.
Okay, empowerment is good, but only if you are going to do something with it. Next week, I’ll tell you what I did. Hope to see you there!
Tuesday, April 7, 2026
Don Freeman Grant: NOW EXTENDED!
Don Freeman was a renowned illustrator and an early supporter of SCBWI. He established this award to enable picture book illustrators to further their understanding, training, and work in the picture book genre. Two grants of $1,000 each will be awarded annually. One grant to a published illustrator and one to a pre-published illustrator. The money may be used in any way to help you complete your project. Acceptable uses include: purchasing art supplies, enrollment in workshops or conferences, courses in advanced illustrating or writing techniques, travel for research or to expose work to publishers/art directors, or childcare. In any given year, the SCBWI reserves the right to withhold either or both of the grants for that year.
Thursday, April 2, 2026
SCBWI at the Bologna Children's Book Fair
"The 63rd edition of the Bologna Children’s Book Fair (BCBF) is set to take place at the Bologna Exhibition Centre from 13 to 16 April 2026: a sixty-three-year commitment to scouting for new talent and promoting the best publishing content for children and young people, with a progressively broader outlook to include more and more sectors of the publishing world and beyond, in order to ensure new business opportunities." - A 2026 BCBF Preview