Showing posts with label Portfolio. Show all posts
Showing posts with label Portfolio. Show all posts

Thursday, May 29, 2025

The Top 10 All-Time Most Popular Posts At The Official SCBWI Conference Blog

 Since launching in Jun 2010, the Official SCBWI Conference blog (https://scbwiconference.blogspot.com/) has shared more than 2,100 posts with highlights from SCBWI's two annual conferences all about the craft, inspiration, community, and business of illustrating, translating, and writing children's literature. Collectively, those 2,109 posts have earned more than 1,854,000 page views!

screenshot from the stats page of the scbwi conference blog, showing the top ten most popular all-time blog posts


The 10 most popular posts so far are:

#10, with 3.37K page views: Julie Andrews and Emma Walton Hamilton: 'It Takes Two' Keynote, by SCBWI team blogger Martha Brockenbrough, Feb 3, 2013

#9, with 3.42K page views: Last Chance To Register for #LA14SCBWI - The 2014 SCBWI Summer Conference in Los Angeles, August 1-4, by Lee Wind, Jul 12, 2014

#8, with 3.65K page views: By the power of Skype! Tomie de Paola's Virtual Keynote!, by SCBWI team blogger Jaime Temairik, Aug 3, 2014

#7, with 3.87K page views: Laura Rennert: The Building Blocks of a Successful Career - How To Start And Position Yourself Successfully, by Lee Wind, Aug 3, 2014 

#6, with 3.99K page views: Sara Zarr Keynote, by Alice Pope, Jan 30, 2011

#5, with 4.26K page views: #NY15SCBWI - The 2015 SCBWI Winter Conference Registration Opens October 7, 10:00 am PDT, by Lee Wind, Oct 3, 2014

#4, with 4.47K page views: Team Blog's Suzanne Young Hits The New York Times Best-Seller List!, by Lee Wind, May 14, 2014

#3, with 4.56K page views: WHAT A NIGHT! Industry Party and Portfolio Showcase by SCBWI team blogger Justin Campbell, Feb 10, 2023

#2, with 5.62K page views: Diversity Panel: Sharon Flake & Adriana Dominguez, by SCBWI team blogger Jolie Stekly, Aug 1, 2014

and the most popular all-time post on the official SCBWI conference blog is... (drumroll)

#1, with 5.76K page views: Advice From Judy Blume? Martha Brockenbrough Gets That For Us, In This Pre-Conference Interview..., by Lee Wind, Jul 23, 2014

Illustrate, Translate, and Write On,
Lee


Thursday, October 5, 2017

Continuity of Subject: A Portfolio Checklist from Rosanne Kakos-Main courtesy of Harold Underdown's

Getting out of the Art File over at Harold Underdown's The Purple Crayon website has lots of great advice for illustrators.

Harold's amazing resource, Writing, Illustrating, and Publishing Children's Books: The Purple Crayon website


What struck me most was the list of tips from designer Rosanne Kakos-Main for illustrators to consider when putting together their portfolios, that included:

Continuity of Subject: Can you illustrate the same subject from different points of view, in different situations, showing different feelings?
It's a point well-worth considering, because it can prove to an editor and art director that you're ready to handle a project where we visually follow the same character in different circumstances.

Read the full article here.

Thanks, Rosanne and Harold!

Illustrate and Write On,
Lee

Tuesday, June 27, 2017

#LA17SCBWI Portfolio Showcase Advice from Jennifer Laughran of Andrea Brown Literary by Guest Team Blogger Susie Ghahremani



One of the most thrilling parts of attending #LA17SCBWI as an illustrator is an opportunity to show your work alongside your peers at the Portfolio Showcase. Find the guidelines for submission here.

In addition to the satisfaction of putting your hard work together and sharing it with the world, the showcase also presents opportunities to win awards and scholarships — for all levels of experience, from student to seasoned professional.

As a former mentorship winner, I can’t speak highly enough about this opportunity. A portfolio mentorship entails the opportunity to get detailed, focused feedback from the conference Illustration Faculty during the conference. Consider more than just the technical specifications when you enter your portfolio in this show; each judge and visitor comes to the portfolio show with her own sense of what she is looking for.

To find out a bit more, I interviewed Jennifer Laughran of Andrea Brown Literary about what an agent attending the conference might be looking for, and for her feedback and advice for illustrators entering this show:

Jennifer Laughran of Andrea Brown Literary

Susie: Please tell us a little bit about yourself.

Jennifer: I'm a senior agent at Andrea Brown Literary Agency. I rep authors and author-illustrators for books from PB through YA. 

Susie: How much of your roster is made up of illustrators (as opposed to authors, and author-illustrators)? If you’re primarily interested in author-illustrators, do you want to see a book dummy?

Jennifer: My own list is primarily authors - I do rep about 15 author-illustrators. I'd be open to somebody who was "just" an illustrator, but might have goals to be an author as well. As an agency we rep about 100 illustrators - you can see our roster here. 

If you are querying an author-illustrator piece, I'd want to see the text, a sketch dummy, and a couple of finishes. 

Susie: When browsing the portfolio show, what are some of the key things you look for (as an agent, or as a judge)?

Jennifer: I like a strong sense of MOVEMENT in illustration - dynamic pictures, rather than static. I like a picture that really tells a story, rather than just being a beautiful image or decoration. The thing is - lots of people are good at design and good at drawing, and might make swell editorial artists, or be great at surface design, textiles, cards, etc... but that DOESN'T automatically mean that they will be awesome at children's book illustration. 

Photo of the SCBWI LA Portfolio Showcase by Debbie Ridpath Ohi / @InkyElbows from the KidLitArtists blog


Susie: What’s something you recommend for the portfolio that illustrators might not think of doing?

Jennifer: It can be very helpful to see a couple of page turns. If you aren't an author, consider doing a couple of spreads from a well-known fairy or folk tale in your own way. 

Don't forget - illustration isn't JUST for picture books! It can be fun to see how an artist might approach book jackets and/or b+w interior spot art. If these are things that appeal to you, you might find your own way to interpret a "classic" book jacket or iconic literary scene. 

Susie: What are common portfolio or book dummy missteps you recommend illustrators avoid?

Jennifer: I think sometimes illustrators put in everything and the kitchen sink just so the portfolio is "big" but some pieces are obviously of lesser quality, or in a more amateur style, etc. I'd rather have fewer pieces of higher quality, than a portfolio bursting with filler. 

Susie: What subjects would you like to see appear more in portfolio pieces?

Jennifer: For illustrators doing humans, I'd like to see diversity. 

Susie: As an agent, what do you look for in a takeaway promo piece?

Jennifer: I look for pretty art and contact information. And if you are already agented PLEASE put your agent info on there, too. 

Susie: Any other general SCBWI conference advice?

Jennifer: Have fun. Stay sober. Drink lots of water. 

Susie: Thank you, Jennifer! Good luck to all the illustrators working hard to be part of this amazing show!

Grand Prize winner at #LA16SCBWI, Oge Mora, a student of the Rhode Island School of Design

For more portfolio advice, visit the SCBWI conference mentorship alumni blog, KidLitArtists here. And this post on the SCBWI site, Portfolio Tips From SCBWI Mentorship Winners.

Registration is still open - get all the details on the 2017 SCBWI Summer Conference, July 7-10, here.

Thursday, May 4, 2017

Illustrators: Must-Read Advice on Your Portfolio from Art Director & Illustrator Giuseppe Castellano



There's a lot of great advice in this article, The Illustrator's Portfolio, including:

"When I look at portfolios, I don’t look for kids or cats. I look for your voice as an illustrator (“The Who”), and how well you execute your illustrations (“The How”). What should you put in your portfolio? Good art. That’s the answer. You should display art that’s executed at a high level. No matter what your visual handwriting is—from realism to abstract art—it must be done well. Show that you can convey a feeling or a narrative with a strong understanding of your medium." 

Giuseppe also covers whether you should show one style or multiple styles, presentation (like how many pieces to include) and much more. Oh, and this smart tip:
"Straighten Out! Do yourself a favor: remove all of the factory-inserted pages and burn them. You’re already printing your work, right? So why not create a Photoshop template at the actual size of the plastic sleeve? Make the background black (or a neutral, or whatever you want). Then you can place your art digitally onto this template. Hit PRINT. VoilĂ ! Every page will fit perfectly in the sleeve, and you’ll never again need to tape one piece of paper crookedly onto another piece of paper."
He's even included a page template as a springboard for how you might organize your portfolio more like a book.

Go read the whole thing. And while you're at it, bookmark Giuseppe's Art Tips blog.

Illustrate and Write On! 
Lee

Tuesday, September 3, 2013

Portfolio Tips from SCBWI MidSouth Members Susan Eaddy and Mary Uhles

Illustrators, check out this excellent (under 7 minute) video on putting together your portfolio.

 

Finding this video is a great example of the wonderful content packed every two months in SCBWI's Bulletin. This "Portfolio Tips" video was highlighted in the Sept/Oct 2013 Bulletin "Art Tips" column, edited by Alison Davis Lyne. (On page 12.)

You can find out more about Susan and Mary at their websites, Susan Eaddy and Mary Uhles.  

Illustrate and Write On,
Lee