The 2017 National Book Awards For Young People's Literature Longlist!

10 books to add to your to-read list!




Congrats to all!

Find out more (and read synopses of each book) at the National Book Foundation's website page for the 2017 National Book Awards here.

The Crystal Kite Interviews: Heather Lang's FEARLESS FLYER: RUTH LAW AND HER FLYING MACHINE wins in the New England Division (Maine, New Hampshire, Vermont, Massachusetts, Connecticut, and Rhode Island)

The Crystal Kite-winning Fearless Flyer: Ruth Law and Her Flying Machine, written by Heather Lang, illustrated by Raúl Colón 

Lee: Please tell us about your Crystal-Kite winning book!

Heather: Every book I write is a new adventure, and this one was packed with exciting discoveries and personal growth. FEARLESS FLYER: Ruth Law and Her Flying Machine tells the true story of a daring early aviator, who made up her mind to fly nonstop from Chicago to New York City in 1916. No one had done it in before. Aviation experts thought the flight was doomed, but that didn’t stop Ruth Law!

I am a fearFUL flyer, so friends were surprised to hear I was writing a book about an early aviator. Actually, exploring my own fears has been the spark for several of my books. When I read about Ruth Law, I couldn’t imagine the courage it took to navigate from an open cockpit in a flimsy flying machine made from bamboo and cloth. And what about the huge obstacles Ruth faced as a woman? Her persistence was remarkable. I especially admired how she immersed herself in her passion, becoming a mechanic and learning every nut and bolt on her machine.

Early on in my research, I read that Ruth kept a scrapbook. I tracked down the enormous book at the National Air and Space Museum archives. It was a gold mine, filled with hundreds of articles, ribbons, photos, and Ruth’s own handwritten notes. With so much material I could really focus the book and bring readers along on Ruth’s thrilling flight.

When it came time to do my experiential research for this book, I knew I needed to dig deep and find my own courage. What was it like to fly in an open cockpit? Since I couldn’t find an early biplane, paragliding seemed like a good alternative. As I stood on the edge of the mountain, ready to jump, I tried to internalize Ruth’s words: “I wouldn’t give a cent for any experience that didn’t scare me a little. The scare is part of the thrill.” Once I recovered from the initial panic, it was a wonderful experience—soaring up and down like a bird. It inspired me to weave the theme of liberty into the story—the freedom Ruth felt as a pilot and sought as a woman. Raúl Colón’s stunning art captured this so beautifully. He lifted my words to a higher level. I am still in awe when I look at the illustrations.

Author Heather Lang

Lee: How long have you been involved with SCBWI, and can you share what you feel you’ve gained by being a member?

Heather: I can honestly say I wouldn’t be a published author without SCBWI. That’s why receiving this award from my New England peers is so incredibly meaningful.

In 2003 when I first started writing children’s books, I became an SCBWI member and joined an SCBWI critique group at the Concord Library in Massachusetts. I immediately gained a community of writers, as well as inspiration and encouragement to keep pursuing my dream. I attended SCBWI conferences and learned invaluable skills that helped me grow as a writer. I began volunteering at our regional conferences. From managing the new members’ table to helping with freebies to organizing critiques, my connections in the community grew. SCBWI gave me the confidence to have faith in myself and take my writing seriously. I am deeply grateful for the many gifts SCBWI has given me.

Lee: Do you have any advice to share with other children’s book writers and illustrators?

Heather: Surround yourself with writers and illustrators. Go to book launches, kid lit events, kid lit drink nights, conferences, and workshops. Go on writing retreats. Join a critique group! You will improve your craft immeasurably by critiquing others’ work and getting feedback on your own.

Just as important is the emotional support you will share with each other. This is a tough business with lots of ups and downs. Whether you are struggling with a revision or discouraged about a tough critique or a rejection, support from peers will get you through the rough patches. And there’s nothing like celebrating each other’s successes. I have made life-long friends during my journey and rely on them tremendously for support.

And don’t forget to treat writing like your profession, not a hobby. Take yourself seriously as a writer, be open to feedback, work hard, and NEVER GIVE UP!

Thanks, Heather, and congratulations again (to you and Raúl) on Fearless Flyer: Ruth Law and Her Flying Machine winning the Crystal Kite Award! 

You can find out more about Heather at her website here.

Illustrate and Write On,
Lee

The Crystal Kite Interviews: Cynthia Jenson-Elliiott & Christy Hale's ANTSY ANSEL: ANSEL ADAMS, A LIFE IN NATURE wins in the California, Hawaii Division

Antsy Ansel: Ansel Adams, A Life In Nature

by Cynthia "Cindy" Jenson-Elliott & Christy Hale

Lee: Please tell us about your Crystal-Kite Winning book!

Cindy: I’ve been an environmental educator most of my adult life. In recent years, I have worked as a garden educator and as a science teacher, looking for nearby natural spaces to help children explore the outdoors on a small, intimate, personal scale. Away from the classroom, away from screens and test scores, kids’ hands and feet help them connect with the planet through whole-body learning. Their eyes and ears, hearts and minds open up. They become healed, healthy and whole through outdoor play. 

Taking children outside doesn’t have to mean going someplace special --- to mountains or ocean, or a national park with spectacular scenery. It may just mean going out the back door, examining a weed growing out of a crack in the sidewalk, or a bird balancing on a telephone wire. It can mean finding the life in a pile of dirt, or in a spring puddle of snow melt. Connecting children with the outdoors, and with their own lively curiosity is my purpose as an author, educator and human being. 

In 2009, I interviewed Richard Louv, author of Last Child in the Woods: Saving Our Children from Nature Deficit Disorder for an article in a local parenting magazine. I was teaching science and gardening at the time, and had already sold my first picture book about the outdoors -- Weeds Find a Way, --though it had not yet been published. In one of Louv’s lectures, he spoke about Ansel Adams, his self-described hyperactivity, and how Adams’s father had pulled him out of what he described as a “grimly brown” school in the early 1900s, and had let him explore nature. As I listened, the words “antsy Ansel” spun through my punning mind, and the idea for the book was born. 

As I researched, I discovered I had a lot in common with Ansel Adams. I first visited Yosemite with a school group when I was 14 – the same age as Ansel Adams on his first visit. And every summer since my daughter was 4 months old, my family has camped in Tuolumne Meadows in the High Sierra. It is my favorite place to be. I also had the good fortune to have had a mother and father who let us explore outdoors when my siblings and I were very young and living in Cody, Wyoming. As I wrote, I tried to help readers feel what antsy Ansel must have felt, both when he was trapped in a school room, and when he encountered nature in all its manifestations -- big and loud, and quiet and shimmering. 

I worked with two mentors in our SCBWI chapter – Andrea Zimmerman and Joy Chu – who helped me polish the manuscript. My agent Stefanie von Borstel of Full Circle Literary helped me connect with editor Christy Ottaviano with her eponymous imprint, and the rest is history. 

Christy: It’s tricky to illustrate a book about an artist. In Antsy Ansel I wanted to nod to Adams while maintaining my own artistic style. I am not a photographer, but I wondered, since Adams is primarily known for his black and white photography, if I should I forgo the use of color. I was not happy with my experiments in black and white though. Nature needed a starring role too. In my earlier book The East-West House: Noguchi’s Childhood in Japan, I evoked the natural world through collage work with textured papers. I decided to use this approach again, but this time to selectively add photographic elements to convey one who saw the world through a photographic lens. My first piece was the scene of young Ansel playing on the beach. To create the waves and clouds I manipulated existing public domain images in Photoshop. I de-saturated photos, exaggerated the contrast then added limited color back in. I printed out these altered photographs, cut, and adhered them along with other collage papers.

I adore research. Since I live close to San Francisco I was able to do some primary research. I walked by Ansel’s boyhood home, along Lobos Creek, and down to Baker Beach (which now includes a view of the Golden Gate Bridge). I also went to an exhibit marking the 100-year anniversary of the Panama-Pacific International Exposition. There, looking at a scaled model of the buildings and grounds I imagined Ansel experiencing the fair.

I was able to peek inside Ansel’s boyhood home via the Ken Burns documentary on Ansel Adams. The fireplace, window, and furniture of his living room appear in one illustration. My photo research turned up a picture of young Ansel with his calico cat, Tommy. Tommy makes an appearance too. Research brought many treasures, including actual footage of Ansel climbing Half Dome: https://www.youtube.com/watch?v=C41s5N8_fCc/.

I was surprised and delighted at this peer-selected award. Writing and/or illustrating books is mostly a solitary activity, so the award is a lovely reminder that I’m part of a supportive community of creators.

Lee: How long have each of you been involved with SCBWI, and can you share what you feel you’ve gained by being a member?

Cindy: I have been a member of SCBWI since around 2005. I had written two books for the school library market when I brought a manuscript to an adult writers conference, and met agent Steven Malk, who suggested I join SCBWI to understand the market better. Since then I have published 12 more nonfiction books in the school-library market, and three trade pictures books. 

Cindy Jenson-Elliott

At SCBWI I have found my tribe of nerdy nonfiction writers, the kindest tribe of people on the planet. At my very first SCBWI conference, a few months after I joined, I went to our local conference to get an editor’s critique on an early nonfiction picture book manuscript – my first attempt at writing a PB. The manuscript, about allergies, received an unkind critique from an editor who wondered/suggested I stop writing all together. As a teacher, I knew this was no way to treat a learner, so I did not take it to heart. Even better, however, was the response of my RA. She stepped in immediately, apologized, and sent my manuscript to Stephen Mooser, who sent me an extremely helpful and kind critique. That kindness, and the focus of SCBWI on teaching and learning, changed my life. Now I try to give back to the writing community by teaching Nonfiction and Informational Writing for Children through the UCSD Extension Program in Writing and Illustrating for Children. I hope I never forget that we are here to help each other grow. 

Christy: I have been a member since 1991, the year SCBW changed to SCBWI! As art director for Macmillan/Four Winds Press, I was invited to give a keynote address and review portfolios at a SCBWI conference in Pasadena, CA. Over the years I have presented for additional SCBWI events and attended others for my own growth. 

Christy Hale

Currently I teach an online “Writing for Picture Books” course through the illustration department at the Academy of Art in San Francisco. I encourage all students to join the SCBWI. The organization is a tremendous resource to both those aspiring to enter the industry, and to professionals. 

Lee: Do you have any advice to share with other children's book writers and illustrators?

Cindy: Take any opportunity you can find to learn. Focus less on getting published and more on learning to write well. The publishing industry can be fickle. Even well-published writers go through dry spells when nothing sells. Keep the focus on your own values as a creator, your own joy in writing and exploring, and find new ways to grow. That is the way to have a personally satisfying career. 

Christy: Read. If you want to create picture books, immerse yourself completely in them. Analyze what you read from both writing and illustration angles. Understand what verbal and visual languages each accomplish separately, and how they work together. 

Know your target audience. Spend time with children. Learn about their developmental phases and universal themes important to them at different ages. 

Join a critique group of children’s book creators. The SCBWI can help with this. Regular meetings will give you deadlines to keep producing. A support network will help you understand your own strengths, give you ideas to get unstuck, and help you work through problems. Learning to provide this kind of support to others will also help you understand your own work better. 

Thanks, Cindy and Christy, and congratulations again on Antsy Ansel winning the Crystal Kite Award! 

You can find out more about Cindy Jenson-Elliott here and about Christy Hale here. 

Illustrate and Write On, 
Lee

The Crystal Kite Interviews: Dian Curtis Regan's SPACE BOY AND THE SPACE PIRATE wins in the SouthWest Division (Nevada, Arizona, Utah, southern Idaho, Colorado, Wyoming, New Mexico)

Space Boy and the Space Pirate

by Dian Curtis Regan

Lee: Please tell us about your Crystal-Kite winning book!

Dian: The Space Boy books are my “back in the saddle” books. In the 80s, I stopped teaching school to write full time. Writing became my identity and passion, and I’ve been doing it ever since. 

My husband always said he envied the fact I had something in my life that gave me a “fire in the belly.” Something that got me out of bed in the morning, eager to get back to it. 

Then, in 2010, after an unexpected and devastating tragedy, I stopped writing. I did not have the heart for it, nor the motivation. My days were spent dealing with the aftermath, clearing out my house to sell, and moving home to Colorado. 

Luckily, the fire in the belly refused to die. I tiptoed back into that wonderful place of creating. I was very fortunate to receive an offer for publication for my Space Boy picture book, plus a request to write two more titles. 

There is great healing in getting back to doing what you love. To receive a Crystal Kite Award for Space Boy gives me the validity that this is still who I am and what I do. I could not be more honored that Space Boy received this recognition. 

Lee: How long have you been involved with SCBWI, and can you share what you feel you’ve gained by being a member?

Dian: I can’t believe I’m typing this number: 35. That’s how many years I’ve been a member of SCBW/SCBWI. 

Dian Curtis Regan

Going to those early National Conferences in Santa Monica meant gathering with a small group of writers, illustrators, editors, and agents. I’m still good friends with many who were just starting out as well. 

Knowing that today, attendance at National runs over a thousand is quite startling. It’s been pure pleasure to watch this supportive organization grow in leaps and bounds—and become international. 

When people ask how I got my start, I answer, “SCBWI.” And a huge part of that is thanks to the Rocky Mountain Chapter. 

When my husband’s job moved us to other states, the first thing I did was find “my people.” In one case, no local chapter of SCBWI existed—so I started one. 

SCBWI’s guidance and education, plus opportunities to meet editors and agents, is equal to the amazing friendships in my life today, all thanks to this organization. 

Lee: Do you have any advice to share with other children’s book writers and illustrators?

Dian: I don’t recall a time in the world when there were this many distractions pulling us away from our creative work. The constant and ever-startling barrage of news, plus social media in all its many forms, can be all-consuming. 

You will never “find time to write someday.” You must guard your time and your focused attention in order to do the important work of your life you were meant to do. Resist and persist! 

Thanks, Dian, and again, Congratulations on Space Boy and the Space Pirate winning the Crystal Kite Award!

You can find out more about Dian here and about the Space Boy books here.

Illustrate and Write On,
Lee

The Crystal Kite Interviews: Carme Lemniscates' El Jardín Mágico wins in the Internationals Other Division

El Jardin Magico

by Carme Lemniscates

Lee: Please tell us about your Crystal-Kite winning book!

Carme:  El jardín mágico is a little story for the very young where poetry and information converge with the aim of awakening children’s interest and love for nature. Chloe lives in a magic garden, but she does not know that. Most of the time she goes over her garden absent-minded. But one day, she stops and listens. She seems to hear a voice whispering in her ear: “Marvelous things happen in this garden…!” —Is the voice of the wind, inviting her to discover all those extraordinary things that continuously happen around without her notice. Things as mysterious as the transformation of caterpillars into butterflies, and as marvelous as the passing of seasons in an endless cycle of life: “From the flowers, fruits grow, and from the fruits, new seeds. And if a seed falls on the ground, with the passage of time, it will grow into a new tree; and all begins again… just magic!” 

This way, like in a dream, Chloe awakens to the mysteries of the natural world and when the wind voice disappears, she decides to know as much as possible about all these amazing things. The picture book ends, with a didactic informative non-fiction section where children find easy but scientific explanations of the previous events. 

As you may guess I love nature and I am constantly inspired by it. I believe we need nature to support our lives in the same way we need it to feed our spirit with its beauty and mysteries. This book says: Stop and listen, pay attention! Nature is much more interesting and magic than what it seems at first sight! 

I had a great time working on this book and I am very happy with this award. It has been a great honor to receive it from SCBWI, because I admire the task that SCBWI does for authors and children’s literature, and specially so because it is an award decided upon by its members, the only peer-chosen award in our field. Thanks so much to all members and congratulations to the other award winning authors. 

Carme Lemniscates

Lee: How long have you been involved with SCBWI, and can you share what you feel you’ve gained by being a member?

Carme: Living and working in Barcelona, I only discovered SCBWI when I was first published in the US. This happened four years ago and since then I am a fan, and a member! 

As I said before, I admire the work SCBWI does for authors. From the first moment I had the support of my regional chapter coordinator in Spain. SCBWI not only provides really useful information to its members, it really also promotes their work. Thanks to the SCBWI Illustrator’ Dossier, my actual agency Full Circle Literary had notice of my work. 

I experienced again this same collaborative spirit when I attended the last Winter Conference in New York, and met so many people helping and contributing to its success. To attend a SCBWI Conference is a great opportunity to know first hand the reality of our profession, to know about the industry and its professionals, to meet other authors, to exchange information and open our minds to other ways of working and creating. You can also promote your artwork participating in the Illustrator’s Portfolio Showcase. 

Finally, I would like to remark that SCBWI is an international professional organization, bringing opportunities and connecting authors from all parts of the globe. I am happy to have been for the first time an author from the Spanish division selected among the 15 winners. 

Lee: Do you have any advice to share with other children’s book writers and illustrators?

Carme: Well, I would say: work, work and work with joy, as well as to look at everything with curiosity, and be flexible and open to others’ opinion; and I would add do not intent to please anybody but you. 

Thanks, Carme, and again, Congratulations on El jardín mágico winning the Crystal Kite Award!

You can find out more about Carme here.

Illustrate and Write On,
Lee

The Crystal Kite Interviews: Debbie Levy's I DISSENT: RUTH BADER GINSBURG MAKES HER MARK wins in the Atlantic Division (Pennsylvania, Delaware, New Jersey, Washington D.C., Virginia, West Virginia, Maryland)

I Dissent: Ruth Bader Ginsburg Makes Her Mark 

by Debbie Levy 

Lee: Please tell us about your Crystal-Kite Winning Books!

Debbie: I Dissent begins like this: "You could say that Ruth Bader Ginsburg's life has been . . . one disagreement after another." 

The book tells RBG's story, from childhood to her tenure on the U.S. Supreme Court, through the lens of her many disagreements--disagreements with unfairness, with discrimination, with inequality. The theme here is that disagreeing does not make you disagreeable--and that important change can happen one disagreement at a time. 

From objecting to school rules that required girls to take sewing and cooking while boys got to learn how to use tools, to arguing in court as a lawyer for the ACLU in the 1970s against rules and policies that treat women and men differently for no good reason, RBG has used dissent as a force to change society. Her example shows kids (and adults): go ahead and say no. Dissent. Push back. But: do it in a way, if possible, that causes people to join with you. Listen to the arguments on the other side of your position. Choose your battles. Think before speaking. 

Is it any wonder that I thought she was a great person to introduce to young people in a picture book? When we--the people at Simon & Schuster, my agent Caryn Wiseman, me, and the illustrator Elizabeth Baddeley--realized in 2015 that there wasn't yet a picture book about RBG, we were surprised. And then we worked really hard and really fast to make our picture book the first one. 

A couple of other things that were intentional in creating this book: Early on, once I realized the "I dissent" theme for telling RBG's story, I also realized that this presented a fun opportunity to fill the book with lots of great vocabulary words. So I Dissent stresses lots of vivid synonyms for "dissent," and they are rendered in Elizabeth's strong, bright hand lettering. I also realized that RBG, known as a very serious person, is so much more--she can be quite funny, and she certainly appreciates humor. So while the book doesn't portray her cracking jokes, both text and illustrations include humorous touches, to capture the humor and fun of Ruth Bader Bader Ginsburg. 

Having I Dissent recognized by my SCBWI colleagues through the Crystal Kite Award, in a field of many outstanding books and in a vote by so many talented writers and illustrators, is so meaningful and rewarding.

Author Debbie Levy

Lee: How long have you been involved with SCBWI, and can you share what you feel you’ve gained by being a member?

Debbie: I have been a member of SCBWI for many years--at least fifteen, maybe more. When I started writing for children, SCBWI offered information, instruction, and advice through its publications, conferences, and informal gatherings. It offered a community and new friends. And as I've gained more experience as an author, you know what--those same offerings still make SCBWI an indispensable part of my writing life! 

Lee: Do you have any advice to share with other children’s book writers and illustrators?

Debbie: If they're reading this, presumably they're SCBWI members, so they've already taken the first piece of advice I would have given them!

Thanks Debbie, and again, Congratulations on I Dissent winning the Crystal Kite Award!

You can find out more about Debbie at her website, debbielevybooks.com

Illustrate and Write On,
Lee

The 2017 Sid Fleischman Humor Award Goes To Chris Grabenstein for "Welcome To Wonderland: Home Sweet Motel"

I caught up with Chris right after he accepted the award at the 2017 SCBWI Summer Conference in Los Angeles...


Congratulations again, Chris!

You can find out lots more about Chris at his website here.

And learn more about the Sid Fleischman Humor Award here.

The 2017 Golden Kite Award for Middle Grade Goes To Eugene Yelchin for "The Haunting of Falcon House"

I caught up with Eugene at the autograph party at #LA17SCBWI...


Congratulations, Eugene.

You can find out more about Eugene Yelchin at his website here.

And learn more about the SCBWI Golden Kite Awards here.

The 2017 Golden Kite Award For Picture Book Illustration Goes To "The Music In George's Head," Illustrated by Stacy Innerst

I caught up with Golden Kite Winner Stacy Innerst at the #LA17SCBWI book signing...


Thanks, Stacy, and again, congratulations!

Learn more about Stacy Innerst here. His winning book, "The Music In George's Head," was authored by Suzanne Slade.

Curious to learn more about The Golden Kite Awards? Here's that link.

The 2017 Golden Kite Award For Picture Book Text Goes To "The Christmas Boot" by Lisa Wheeler - The Interview

I caught up with Golden Kite Winner Lisa Wheeler at the #LA17SCBWI book signing...


 Thanks, Lisa, and again, congratulations!

Learn more about Lisa Wheeler here.

Curious to learn more about The Golden Kite Awards? Here's that link.

The 2017 Golden Kite Award For Nonfiction Goes to "We Will Not Be Silent" by Russell Freedman - The Interview

I asked Russell to please share the spark of inspiration that became "We Will Not Be Silent: The White Rose Student Resistance Movement That Defied Adolf Hitler.."

Here's his response: 

Over the years I’ve had the opportunity to write about some of the major historical events of my time. Looking back, I’ve recaptured forgotten memories and, through research, gained a deeper understanding of the forces that have shaped my generation. Along the way, I wanted to add my voice to the massive body of literature about the holocaust without simply repeating what has already been said. I was searching for an approach that would convey a redeeming theme of hope and human decency amidst the ruins of history. My eureka moment–my spark of inspiration—resulted from a chance encounter with an amazing movie. A friend gave me a DVD of Sophie Scholl, a German film nominated in 1985 for an Academy Award as the year’s best foreign language film. A powerful story about youthful courage and idealism, the film introduced me to the White Rose student resistance movement in Nazi Germany—an episode of youthful courage and idealism. This was the story I had been searching for. I immediately began the research that would take me to Munich, Germany, birthplace of both the Nazi party and the anti-Nazi student resistance movement, a city dedicated today to the memory of the fearless young activists who defied Adolf Hitler.

Russell's editor Dinah Stevenson was kind enough to answer some questions as well...


Lee; What made you say “Yes!” to “We Will Not Be Silent”?

Dinah: I always say yes to Russell. Sometimes he proposes a couple of different book ideas and I choose between them. This time he didn’t offer alternative projects, and I immediately agreed that this should be his next project. I shared his vision that this book, with its young protagonists, would be fascinating and inspiring to young readers. Further, I responded to the subject on a personal level, since both Russell and I are Jews.

Lee: Did the book change throughout the process of working with Russell, and if so, how?

Dinah: Not noticeably. Russell’s manuscripts are invariably well thought out and complete, and this one was no exception. I asked him to clarify and provide context for some of the content. There were no substantive changes.

Lee: Do you have thoughts to share on Russell winning the Golden Kite for this book — the book you edited?

Dinah: I’m thrilled to see this book recognized by SCBWI, his fellow writers, and to know that you share my belief in this book. Of course I like it when discerning groups like you and the Sibert Award committee agree with me. But many editors are shy, nocturnal creatures and don’t welcome the spotlight. I’m one of them. I credit Russell’s brilliant writing and thorough professionalism with the success of his work, and I’m delighted that he dedicated this book to me—honoring our long-term author-editor relationship and our close friendship.

Thank you, Dinah!

And thanks and congratulations again to Russell!

Curious to learn more about the Golden Kite Awards? Here's that link.

Only One More Day To Vote For Your Favorite Illustration For The Bologna Illustration Gallery Member's Choice Award!

It's a new award! Out of 500 entries, 43 finalists (selected by Simon and Schuster Art Director and Author/Illustrator Laurent Linn, Author/Illustrator Naomi Kojima & Author/Illustrator Doug Cushman) were displayed at the SCBWI booth at the 2016 Bologna Book Fair.

Now, members get to choose our winner from those 43 finalists. SCBWI members, go here to vote (you'll need to log in first.) Voting end May 31st.

And for everyone interested in seeing some wonderful children's book illustrations, check out all the entries.

Good luck to all the finalists!

Illustrate and Write On,
Lee

The 2017 Crystal Kite Winners!

Congratulations to the 2017 Crystal Kite winners!

The Crystal Kite awards are a peer-voted honor bestowed for excellence in children’s books. SCBWI members vote in 15 regions across the world to recognize outstanding books written and illustrated by their peers. Over 1,000 books across all categories including picture books, middle grade, chapter books, young adult and nonfiction were entered in the competition.

And the winners are...

Atlantic (Pennsylvania, Delaware, New Jersey, Wash DC, Virginia, West Virginia, Maryland)

I Dissent: Ruth Bader Ginsburg Makes Her Mark by Debbie Levy

Australia, New Zealand

Smile Cry by Tania McCartney & Jess Racklyeft

California, Hawaii

Antsy Ansel: Ansel Adams, a Life in Nature by Cynthia Jenson-Elliott & Christy Hale

Canada

Dot to Dot in the Sky, Stories in the Stars by Joan Marie Galat

Internationals Other

El jardín mágico by Carme Lemniscates

Mid South Division (Kansas, Arkansas, Tennessee, Kentucky, Missouri, Mississippi, Louisiana)

Salt to the Sea by Ruta Sepetys

Middle East, India, Asia

Somewhere Among by Annie Donwerth-Chikamatsu

Mid West Division (Minnesota, Iowa, Nebraska, Wisconsin, Illinois, Michigan, Indiana, Ohio)

The Quickest Kid in Clarksville by Pat Zietlow Miller (& Frank Morrison)

New England (Maine, New Hampshire, Vermont, Massachusetts, Connecticut, Rhode Island)

FEARLESS FLYER: Ruth Law and Her Flying Machine by Heather Lang (& Raul Colon)

New York

Saving Kate's Flowers by Cindy Sommer (& Laurie Allen Klein)

SouthEast Division (Florida, Georgia, South Carolina, North Carolina, Alabama 

Wish by Barbara O’Connor

SouthWest Division (Nevada, Arizona, Utah, southern Idaho, Colorado, Wyoming, New Mexico)

Space Boy and the Space Pirate by Dian Curtis Regan

Texas, Oklahoma

Tiny Stitches – The Life of Medical Pioneer Vivien Thoms by Gwendolyn Hooks

UK, Ireland

More of Me by Kathryn Evans

Western Division (Washington, Oregon, Alaska, northern Idaho, Montana, North Dakota, South Dakota)

The Charmed Children of Rookskill Castle by Janet Fox

Want to enter your book in next year's Crystal Kite competition? Go here for all the info.

The 2017 SCBWI Spark Award Winners are...

The SCBWI Spark Award recognizes excellence in a children’s book published through a non-traditional publishing route.

 The 2017 illustrated book winner is Soldier by Kara Van Kirk Levin.

Soldier tells the story of a lonely young porcupine who feels isolated from his community, and the friends that band together to help him feel valued. The rich illustrations were created by Vlada Soshkina and Polina Doroshenko. Drawing on themes of compassion and inclusivity, Soldier is Levin’s debut book. Find out more about Kara’s independent publishing company Little Wooden Flute at www.littlewoodenflute.com.

The 2017 book for older readers winner is Through the Barricades by Denise Deegan.

Deegan’s romantic young adult novel brings to life turn-of-the-century Dublin, as two teenagers, Maggie and Daniel, confront issues of class and privilege during the 1913 workers strike. Deegan has also published contemporary YA with Hachette and adult family drama novels under the pen name Aimee Alexander. You can find more of her writing at www.denisedeegan.wordpress.com.

Congratulations to both Kara and Denise! Both winners will be invited to take part in a book signing at an SCBWI conference this year. They will also receive free conference attendance, a Spark seal for their books, a press release and publicity through the SCBWI media networks.

You can find out more about the Spark Award here.

Illustrate and Write On,
Lee