Showing posts with label 2016. Show all posts
Showing posts with label 2016. Show all posts

Tuesday, December 20, 2016

And the Jane Yolen Mid-List Author Award Winners Are...

Congratulations to Jan Peck, author of The Green Mother Goose 



and Giant Peach Yodel,



for being the 2016 Winner of the Jane Yolen Mid-List Author Award! Jan is an active member of SCBWI and helped build the vibrant North Texas chapter.

Jan's website


Cheers as well to the two Honor winners, Deborah Trotter and Joan Donaldson.

Jane Yolen, who both funds and chooses the winners, said,
"All of the submissions this year were top rate, and the stories of how these authors—many of them award-winners—who have all had some recent setbacks serves as a warning to all writers. We are at the whim of trends, changes in publishers, consolidation of publishing lists, cutbacks in educational spending and the development of newer ways of storytelling. These three winners are all really good at what they do. My one wish is that this small award will be a way of re-starting their book lives again. Selfish of me, really, I want to read more from each of them. They each have many more books, stories, poems inside that need to be seen by the reading public."

You can find out more about the Jane Yolen Mid-List Author Award and all the SCBWI awards and grants here.

Illustrate and Write On,
Lee

Tuesday, December 13, 2016

Seven things "Best of" Lists can teach us



We are awash in "best books" lists this time of year. NPR's Book Concierge Guide to 2016's Great Reads. The New York Times Notable Children's Books of 2016. The Association of Library Service To Children's Notable Children's Books 2016. I could go on and on and on (but I won't... And heck, if you're reading this, and you want more, you have an internet connection. Go for it.)

Amid all the list-reading, I decided to work out what we can learn from and do with these lists. I've come up with seven, but feel free to add your additional ideas in comments.

And without further ado, here's my list of what to do with these lists:

1. Play the game - a "best of" list is a scorecard of sorts, where we get to ask ourselves, how many of these have I read? The more you read, and liked, on a list, the smarter that list's judging committee. Or isn't that obvious?

2. Play the other game - how many of the authors and illustrators of those books have you met and/or seen speak at an SCBWI conference or book signing?

3. A "best of" list can suggest books we haven't read yet that we simply must check out, helping us build our personal "to read" list.

4. A "best of" list can be aspirational. Are there qualities in the selected books that you see in your own work? As you shape and craft your current work-in-progress, what qualities would have you place it on a "best of" list?

5. It's inspiration to look back on our year of reading and create our own "Best Of" list. What books do we still remember? What books still move us, weeks (or months) after reading them?

6. A reminder that the value of what we create is not solely determined by best of (or best-seller, or award) lists. The value of our work is determined in many ways, including our personal satisfaction with what we've created, the impact on a single reader, the conversations our work sparks... success of our endeavors has many, many definitions, and we can't fall into the fame-or-nothing mindset trap. Creative value is more interesting (and nuanced and complex) than that.

7. The differences between the many lists should remind (and re-assure) us that this is all subjective – and maybe everyone shouldn't take these lists so seriously. But having said that, being included on a "best of" list is absolutely something to celebrate.

Cheers to everyone on a "Best Of" list - even if it's a list of our own design!

Illustrate and Write On,
Lee


Thursday, November 10, 2016

Kathleen Burkinshaw wins the Honor Book Award for the SCBWI Marketing Grant



I caught up with Kathleen to find out more...

Lee: Congratulations on The Last Cherry Blossom being the Honor Book Award-Winner for the SCBWI Marketing Grant! Please tell us about your book.

Kathleen: The Last Cherry Blossom is about a 12-year-old girl's life with her family in Hiroshima during the last year of WWII. She discovers a shocking family secret right before her world becomes a shadow of what it had been. It is through her eyes the reader witnesses the horror and destruction from the atomic bomb. 

Lee: Tell us how you plan to use the grant to spread the word about your book.

Kathleen: My hope is to present my mother’s story to various Japanese societies, middle schools, and nuclear disarmament organizations. I also would like to add my book to school reading lists and being able to visit additional schools, so I have sent proposals to School Library, Social Studies, and Reading Associations for their conferences (in some instances I also have to pay a membership fee to submit a proposal). I'm also working on a teacher's guide that could be downloaded from my website. I recently had to hire someone to help me with website development. And of course, I will also be utilizing SCBWI's Book Blast page opportunity. I am very excited to say that I have also been involved with the Green Legacy Hiroshima program through the United Nations office in Hiroshima. I have partnered Green Legacy and UNC Charlotte, so that a sapling from the seed of a tree that survived the atomic blast in Hiroshima may be planted in front of their Education building. This ginkgo sapling will be dedicated to my mother's family and to all the atomic bomb victims of August 6th and 9th. My husband and I had to travel down to Atlanta to pick up the sapling and bring it to UNCC. 

Lee: Is there something the grant enables you to do that you couldn’t do otherwise?

Kathleen: Because of this grant I will be able to travel and present to Peace Action Staten Island, New York, and do a presentation at the Japanese Embassy in Washington DC in Spring 2017! The actual dates are still being worked out. The grant will help me with travel expenses, since I live in Charlotte, NC. 

Thank you, Kathleen. And congratulations again! 

You can learn more about Kathleen and her novel The Last Cherry Blossom here. 

Illustrate and Write On, 
Lee

Thursday, October 27, 2016

Nancy Bo Flood Guest Post On Winning the 2016 SCBWI Marketing Grant

Nancy Bo Flood won the 2016 SCBWI Marketing Grant. Nancy wanted to use the grant to share her book, "Soldier Sister, Fly Home" with Native American students through book talks and writing workshops. As Nancy wrote, "I want to encourage and support students' own writing. Less than 1% of books published for children are about contemporary American Indians. Every child should see themselves - their stories, their landscape, their people - in a book." 

 Here's Nancy's Guest Post about what she's done with the grant... 




Recently, early one morning I drove across the northern part of the Navajo Nation from Canyon de Chelly to Chilchinbeto Elementary School. The sky glowed scarlet and then gold as the sun rose. I scooted horses off the sandy road, slowed when two coyotes crossed, stopped and pulled off to the side to watch a grandma on horseback deftly guide her sheep from one pasture to a further one.

Canyon Des Chelly

I drove until I came to the school surrounded by piƱon and salmon-colored cliffs. There I began my day, sharing books and stories with students. We performed cowboy poetry together, imagining ourselves at a Navajo rodeo, riding bucking broncos and roping wild calves. We read about and then talked about the wonders of water – all the uses, forms, sounds and smells of water. Together we wrote a group poem, “Seven Ways of Looking at Water.”

 I read the beginning of Soldier Sister, Fly Home, and then we shared how it feels to have a sister or brother deployed. As I began my drive back home I took a photo of the Chilchinbeto sign to remind me about that sky, that horizon, that school full of students with stories to share, waiting to be written.



How could I return and guide students to do just that, to write their own stories?

This what I learned: Grant support was needed. As I wrestled with creating a successful SCBWI marketing application, I learned this - I needed to answer three critical questions. These questions are important to all authors as we prioritize how to spend time, energy, and money to market our books. And market we must if we want our books to thrive.

Why did I write this book?

Who do I hope will read it?

How do I reach those readers?

Why did I write this book? –So children who are Navajo or Native American can see themselves in a book. Fewer than 1% of children’s books are written about Native Americans. We need Native stories that are accurate, positive, and contemporary. Educators, librarians, and READERS need to know about these books.

Who do I hope will read it? –Native children as well as children who have never hiked to the top of a mesa or down into the depths of a canyon – or heard silence broken by the whoosh of raven’s wings - can open this book and step into this landscape.

Another reason I wrote Soldier Sister, Fly Home, is because the worries and cares of the heart are universal. When a sister, brother, father or mother is deployed, we all feel the same anger, frustration, worry and fear - how do we keep a loved one safe? How do we figure out who we are and who we want to be?

How do I reach those readers? –What’s my marketing plan and how do I implement it?

For the SCBWI grant application, I described the traditional tools – book launches, blog tours, and conference presentations. These are all important.

But I also wanted to reach readers where there are trading posts and tourist information centers, but few libraries and no bookstores. Marketing for these readers was less about selling but more about sharing. I wanted to excite these students about reading and then encourage them to write their own stories, their own books.

My marketing journey has begun. At Many Farms Elementary School, Navajo Nation, there are 500 students and no librarian. The school’s dynamo principal, Cheryl Tsosie, invited me for a return visit to share the excitement of books, the importance of reading.

I read the prologue of Soldier Sister, Fly Home to a room full of antsy seventh and eighth grade students. As I began to read, the room became quiet. Silent. I finished reading the first chapter. No one said a word, no one moved. Then one student raised her hand, “Could you read more?” Other students chimed in, “Please keep reading.”

I asked them, “What do you think this story is about?” Students began voicing ideas, “The story is about sisters, about rifles, shooting rifles, maybe about death … about deployment.”

My next question was, “How many of you have someone in your family deployed?” Over a third of the students raised their hands. A third.

Then I asked, “How does that feel?” Students began talking at once. They had many feelings they wanted to share, and stories they wanted to tell, their stories.

This is where this marketing grant has taken me.

Thank you, SCBWI.

Author and SCBWI Marketing Grant winner Nancy Bo Flood

Congratulations, Nancy! 

You can find out more about Nancy at her website here.

Thursday, October 13, 2016

Awards! The SCBWI 2016 Work-In-Progress Grant Winners and the Karen Cushman Late Bloomer Award Winner

SCBWI Grant and Award Logos



Congratulations to...

Work-In-Progress Young Adult Fiction Winner:

The Edge of the Miraculous by Beth Navarro
 While mourning for her father, a bipolar teenager is interrupted in her suicide attempt by a strange boy who happens to be an alien. 

 Work-In-Progress Nonfiction Winner:

Nikola’s Visions: The Extraordinary Life of Nikola Tesla by Cindy Jenson-Elliott
 Follow the life of the visionary scientist Nikola Tesla, as expressed through vibrant poetry. Short poems alternate point-of-view from Tesla to significant people in his life. 

 Work-In-Progress Multicultural Fiction or Nonfiction Winner:

Finding Ma by DoanPhuong Nguyen
 Set during the Vietnam War, eleven-year-old Con endures abandonment, kidnapping, and abuse, before finally finding a loving home. 

 Work-In-Progress Picture Book Text Winner:
 A Father’s Love by Hannah Holt
 A colorful celebration of fathers in the animal kingdom, from penguins to lions to seahorses. 

 Work-In-Progress Middle Grade Fiction Winner:
Ruby in the Sky by Jeanne Zulick-Ferruolo
 A shy young girl befriends the neighborhood eccentric, a mysterious recluse called the Bird Lady. 

Work-In-Progress Chapter Books/Early Fiction Winner:
How To Be a Bad Guy, By Dallas Bottomley by Lauren LeBlanc
 Fed up with his friends’ obsession with superheroes, 8-year-old Dallas decides to become a villain instead. But when he discovers he would rather stand up for the underdog, he must redefine what villainy means to him. 

 Don Freeman Illustration Grant Winners: 
 Published Award: Rongyuan Ma (See Rongyuan’s illustrations: www.rongyuanma.com)
 Pre-published Award: Alison Farrell  (See Alison’s illustrations: www.drawdrawdraw.com)

Karen Cushman Late Bloomer Award Winner:

Stephen Baker: Prayers to Broken Stone
 Fourteen-year-old Milana lives in the Democratic Republic of Congo with her mother studying the wild gorillas in Virunga National Park, but soon Milana must save both her family and the gorillas from an oil company bent on destroying the habitat. 

 This grant was established by Newbery Award winner and Newbery Honor Book recipient Karen Cushman and her husband, Philip Cushman, in conjunction with the Society of Children’s Book Writers and Illustrators. Karen published her first children’s book, Catherine Called Birdy, in 1994 (Newbery Honor Book), at the age of fifty-three and has gone on to become one of the field’s most acclaimed novelists. “The writing [in Prayers to Broken Stone] is very good, the setting unusual and intriguing, and there is the promise of a corporate villain we can root against,” said Karen. “I hope someday I get a chance to read the book and find out what happens.”


 The SCBWI will propel the winning manuscripts on the path to publication by exposing their work to hand-selected acquiring editors on a secure website for a period of time. This is an opportunity for the winners to gain exclusive access to some of the most sought after professionals in the business. The winners of the Don Freeman Grant will each receive $1,000 to further their understanding, training, and work in the picture book genre.

Find out more about all the SCBWI grants and award programs here.

Tuesday, August 23, 2016

John Parra tells us about his Golden Kite Award-Winning Illustrations for "Marvelous Cornelius: Hurricane Katrina and the Spirit of New Orleans"

In which John talks about the palate and his color choices for illustrating "Marvelous Cornelius"...


Thanks, John! And cheers again on winning the Golden Kite Award for your illustrations!

And congratulations also to blog reader Lois, for the great question. Lois, please email me your mailing address at leewind (at) roadrunner (dot) com and I'll send you the copy of "Marvelous Cornelius" that John signed right before recording our interview.

Illustrate and Write On!
Lee

Thursday, August 18, 2016

Margarita Engle tells us about her Golden Kite Award-Winning "Enchanted Air: Two Cultures, Two Wings"

Margarita Engel's memoir won the 2016 Golden Kite Award for Nonfiction.



Blog reader jpetroroy's question for the author:
Did you find yourself self-censoring while writing this memoir to protect others' feelings?

Margarita writes in response,
"Yes, I did censor myself while writing Enchanted Air, Two Cultures, Two Wings. I made the decision to omit anything that would embarrass or endanger a family member. I did not include certain anecdotes about my sister that I regard as her stories to tell, not mine. I did not include any stories about relatives who are still in Cuba if I felt that their activities or attitudes a long time ago might still cause problems for them.

At the time when I wrote Enchanted Air, I worried about how it might be received by Miami relatives, but I did not censor my plea for peace and reconciliation. The time felt right for publicly admitting that I am against travel restrictions and the trade embargo."

Thanks, Margarita, and congratulations again on your award!

And cheers as well to jpetroroy for the the great question, and for winning a copy of "Enchanted Air: Two Cultures, Two Wings!"


Tuesday, August 16, 2016

Kate Hannigan tells us about her Golden Kite Award-Winning "The Detective's Assistant"

In which Kate tells us about how she first heard of the first female detective to work for the famous Pinkerton's National Detective Agency...


Thanks, Kate! And cheers for winning the Golden Kite Award for fiction for your MG historical novel, "The Detective's Assistant."

Congratulations also to blog reader Christina Wilsdon for the great question! Christina, please email me your mailing address at leewind (at) roadrunner (dot) com so I can mail you the copy of "The Detective's Assistant" that Kate signed right before recording our interview!

Illustrate and Write On,
Lee

Thursday, August 11, 2016

Molly B. Burnham tells us about her Sid Fleischman Award-Winning "Teddy Mars: Almost a World Record Breaker"

In which Molly reveals her comedy secret...


 Thanks, Molly! Cheers to your winning the coveted Sid Fleischman Humor Award!

And congratulations to blog reader Laurie Theurer for coming up with the winning question! (Laurie, email me your mailing address to leewind (at) roadrunner (dot) com and I'll send you the copy of "Teddy Mars" that Molly signed right before we did this interview.)


Illustrate and Write On,
Lee

Tuesday, August 9, 2016

Neal Shusterman tells us about "Challenger Deep" and answers a blog reader's question

Here's my interview with Neal...


And cheers to jpetroroy for asking the winning question, and for winning the copy of "Challenger Deep" that Neal signed just before our interview.

And of course, congratulations to Neal for winning the Golden Kite Award For YA Fiction!

Illustrate and Write On,
Lee

ps - jpetroroy, please email me your mailing address at: leewind (at) roadrunner (dot) com.

Thursday, July 28, 2016

"MARVELOUS CORNELIUS: HURRICANE KATRINA AND THE SPIRIT OF NEW ORLEANS" Golden Kite Illustration Award-Winner Giveaway and Conference Countdown

#LA16SCBWI starts tomorrow!

To celebrate, we'll be giving away a copy of the Golden Kite Award-Winning book for picture book illustration, Marvelous Cornelius by John Parra, written by Phil Bildner (Chronicle Books)


In this inspiring book about a real garbage man, John Parra depicts the story of a humble man and the heroic difference he made in the aftermath of Hurricane Katrina.


To enter, just leave your best question for John about the illustrations in this picture book in the comments below, and I'll choose one winning question to ask John at the conference. The author of that winning question will also win a copy of "Marvelous Cornelius: Hurricane Katrina and the Spirit of New Orleans."

Ready to play?

Okay, Go!

Wednesday, July 27, 2016

"TEDDY MARS: ALMOST A WORLD RECORD BREAKER" Sid Fleischman Humor Award-Winner Giveaway and Conference Countdown

Only two more days until #LA16SCBWI!

To celebrate, we'll be giving away a copy of Teddy Mars: Almost a World Record Breaker by Molly B. Burnham (HarperCollins)



Told in short sections for young readers, this hilarious new series is about a determined ten-year-old boy from a big family who dreams of making it into The Guinness Book of World Records.


To enter, just leave your best question for Molly about the book for young readers in comments below, and I'll choose one winning question to ask Molly at the conference. The author of that winning question will also win a copy of "Teddy Marx: Almost a World Record Breaker."

Ready to play?

Okay, Go!

Tuesday, July 26, 2016

"ENCHANTED AIR: TWO CULTURES, TWO WINGS" Golden Kite Award-Winner Giveaway and Conference Countdown

Only three more days until #LA16SCBWI!

To celebrate, we'll be giving away a copy of the Golden Kite Nonfiction winner, Enchanted Air: Two Cultures, Two Wings: A Memoir by Margarita Engle (Atheneum)



In this poetic memoir, acclaimed author Margarita Engle tells the story of growing up as a Cuban-American child, balancing two different cultures during the Cold War.

To enter, just leave your best question for Margarita about the memoir in comments below, and I'll choose one winning question to ask Margarita at the conference. The author of that winning question will also win a copy of "Enchanted Air: Two Cultures, Two Wings."

Ready to play?

Okay, Go!

Monday, July 25, 2016

"THE DETECTIVE'S ASSISTANT" Golden Kite Award-Winner Giveaway and Conference Countdown

Only four more days until #LA16SCBWI!

To celebrate, we'll be giving away a copy of The Detective's Assistant by Kate Hannigan (Little, Brown)



Based on the extraordinary true story of America's first-ever female detective, this fast-paced adventure recounts feats of daring and danger, including saving the life of Abraham Lincoln!  


To enter, just leave your best question for Kate about the novel in comments below, and I'll choose one winning question to ask Kate at the conference. The author of that winning question will also win a copy of "The Detective's Assistant."

Ready to play?

Okay, Go!

Thursday, May 26, 2016

And the 2016 Crystal Kite Winners Are...



In the Atlantic division (Pennsylvania/Delaware/New Jersey/Wash DC/Virginia/West Virginia/Maryland), the winners are Laurie Wallmark, illustrated by April Chu - Ada Byron Lovelace and the Thinking Machine (Creston Books)



In the Australia/New Zealand division there was a tie! The winners are FranƩ Lessac for A is for Australia (Walker Books Australia) and Peter Carnavas for Blue Whale Blues (New Frontier Publishing/Scholastic Australia)



In the California/Hawaii division, the winner is Stacey Lee for Under a Painted Sky (Penguin BFYR)



In the Canada division, the winner is Margriet Ruurs for A Brush Full of Colour (Pajama Press)



And in the International Other division, the winner is Angela Cerrito for The Safest Lie (Holiday House)



In the Mid-South division (Kansas/Louisiana/Arkansas/Tennessee/Kentucky/Missouri/Mississippi), the winner is Stephanie Bearce for Top secret Files of History – WWII (Prufrock Press)



and in the Middle East/India/Asia division, the winners are author Melanie Lee and illustrator David Liew for their The Adventures of Squirky the Alien #3: Who is the Red Commander? (MPH Group Publishing)



In the Midwest division (Minnesota/Iowa/Nebraska/Wisconsin/Illinois/Michigan/Indiana/Ohio), the winners are author Pat Zietlow Miller and illustrator Eliza Wheeler for their Wherever You Go (Little, Brown)



And in the New England division (Maine/Vermont/New Hampshire/Connecticut/Massachusetts/Rhode Island), the winner is Lynda Mullaly Hunt for Fish in a Tree (Nancy Paulsen Books)



In the New York division, the winner is Kat Yeh for The Truth About Twinkie Pie (Little, Brown)



and in the Southeast division (Florida/Georgia/South Carolina/North Carolina/Alabama), the winners are author Rob Sanders and illustrator Brian Won for their Outer Space Bedtime Race (Random House)



and in the Southwest division (Nevada/Arizona/Utah/Colorado/Wyoming/New Mexico), the winner is Melanie Crowder for Audacity (Philomel Books)



In the Texas/Oklahoma division, the winner is Don Tate for Poet: The Remarkable Story of George Moses Horton (Peachtree Publishers)



In the UK/Ireland division, the winner is Teri Terry for Mind Games (Orchard Books)



and in the West division (Washington/Oregon/Alaska/Idaho/Montana/North Dakota/South Dakota), the winner is Elise Parsley for If You Ever Want to Bring an Alligator to School, DON’T! (Little, Brown)



Congratulations to all!

You can find out more about the Crystal Kite Awards here.

Tuesday, May 24, 2016

The Asian Festival Of Children's Content 2016 starts tomorrow!






This year, Japan is the country of focus at the Asian Festival of Children's Content. Among the many tracks will be one on translation, and SCBWI International Translator Coordinator Avery Fischer Udagawa has a great roundup of the Japanese children's literature "dream team" that will be presenting at the conference here. That "dream team" includes Akiko Beppu, editor; Cathy Hirano, translator; Kazuo Iwamura, author-illustrator; Kyoko Sakai, editor; Naomi Kojima, illustrator; and Holly Thompson, Mariko Nagai, and Trevor Kew, authors who write from and about Japan in English.

There's also a pre-conference interview you can check out at Cynthia Leitich Smith's Cynsations, (Cynthia will also be presenting at the conference.) In the interview with award-winning translator Cathy Hirano, Cathy explains how she focuses on the author's voice in her process,
"With literary translation ... I find the translation process more personal and subjective. The author has written the book for me and I’m translating it so that others can enjoy the same experience. In the initial stages in particular, I don’t worry about the readership and instead focus far more on the author, on his or her style, choice of words, rhythm—on the voice. I’m quite faithful to the original. It is only when I go back and reread it, that I regain some objectivity and become rather ruthless. But I am still trying to convey an experience rather than just content or meaning." - Cathy Hirano
Sounds like an amazing event - I'll be following along on social media with the hashtag #AFCC2016. Join me there, and in cheering on all our SCBWI members in Singapore!

Illustrate and Write On,
Lee

Tuesday, March 29, 2016

Laurisa White Reyes' THE STORYTELLERS wins the SCBWI SPARK Award! -- And Your Chance To WIN a copy!


The Spark Award-winning middle grade novel


Award-winning author Laurisa White Reyes

Lee: Congratulations on The Storytellers winning the 2015 SPARK Award! Please tell us about your award-winning book!

Laurisa: Set in the early 1990s, 12-year-old Elena Barrios' father has AIDS. Rather than face certain ridicule and ostracism, Elena tells her friends anything but the truth, fabricating stories about him being a writer and researcher. But the reality is Elena resents her father’s illness and can’t face the fact that he is dying. 

When Elena is befriended by an older woman named Ang, who tells stories about her own father and the history of prejudice against African Americans in the years before the civil rights movement, Elena is transported into these stories, allowing her to experience them first hand.With Ang's help, Elena gains the courage to stand up to the bully at her school, mend her relationship with her father, and finally say goodbye.  

Lee: What's the story behind the non-traditional publishing of The Storytellers?

Laurisa:  The idea for The Storytellers began twenty-two years ago while I was working at Huntington Hemophilia Center in Pasadena, CA. The office was also an AIDS clinic, and its doctors were on the cutting edge of developing treatments for the disease. In the early 1990s, there was a huge stigma attached to HIV and AIDS, and society's pervasive fear and ignorance often led to victims of the disease being ostracized. Working in that clinic allowed me to see the human side of AIDS. Men and women, fathers, mothers, children. I saw the devastation of AIDS in their faces. My mother taught me that every person has value; every person has a story. I knew I had to tell their story. 

I began writing the book in 2007, and it took eight years and more than a dozen drafts to complete. I worked with a leading developmental editor and several beta-readers to get it right. Yet submissions resulted in nothing but rejection. One agent even replied by saying, "Why would today's kids want to read about AIDS in the 90s? It doesn't apply to them." This took me off guard. To me, she was essentially saying that people being mistreated thirty years ago is of no interest to today's generation. But if that is true, why do authors still write about the Holocaust, or the Civil Rights Movement, or slavery? 

Since there didn't seem to be a place for The Storytellers in the traditional marketplace, I decided that I would self-publish it. It didn't matter to me if a single person ever read it, this story deserved to be told. And if I was going to tell it, I was going to create the best quality book I possibly could--not because I hoped to sell it, but for the sake of the story itself. 

Lee: What do you see as the biggest challenge of publishing outside the ‘traditional publishing’ structure?

Laurisa: I think the biggest challenge to self-publishing is the temptation to cut corners and minimize costs in a book's production. As the Editor-in-Chief of Middle Shelf Magazine, thousands of books crossed my desk, including titles from the biggest houses, indie publishers, and self-publishers. The biggest problem I saw with too many self-published titles was their sub-standard quality. The covers were often amateurish, and the texts were in dire need of professional editing. It's a shame because many of the stories were great, but when a book screams "self-published," who wants to open the cover and read it? 

This is not meant as a criticism but as a wake up call. When it comes to adult and young adult self-published books, it's often hard to distinguish them from traditionally published books. I would love to see self-published middle grade books reach that same level of quality. This is one reason why I founded Skyrocket Press, a cooperative publishing venture that connects authors to professional artists, editors and designers, so that the end results are top quality books. 

Lee: What’s the biggest advantage?

Laurisa:  Control. Of everything. For example, I had an idea of what I wanted the cover of The Storytellers to look like, but I don't have an artistic bone in my entire body. So first, I researched other middle grade books with silhouette covers. Then I hunted for the right artist. I found Jessica L. Barnes via her Etsy shop, iillume, and hired her. The result was exactly what I'd hoped for and more. 

With self-publishing, it's important to distinguish the difference between being in control and doing it all ourselves. Being in control means we, as the authors, have the final word on how the book is executed. But we can't and shouldn't do it all ourselves. To create a quality book requires teamwork, just like in traditional publishing. 

Lee: Anything else you’d like to share?

Laurisa: Receiving the Spark Award came as a huge shock (I can still hardly believe it), but it also validated my decision to self-publish The Storytellers, a story that didn't quite "fit" in the traditional publishing world. I am deeply grateful to those who had a hand in bringing it to life: Jessica Barnes, Katie Reed, Deborah Blum, Dorine White, Cheryl Sena, Carissa Reyes, Pat Brown, and Emma Michaels. And of course, I'm so thankful to SCBWI, not only for choosing The Storytellers for the Spark Award, but for also being my biggest support through every stage of my writing career. 

Thanks, Laurisa!

To find out more about Laurisa and The Storytellers, visit Laurisa's website here. 

Want to win a copy of THE STORYTELLERS? Leave a comment in the next two weeks, and we'll randomly select a winner!

Thursday, March 17, 2016

The 2016 Golden Kite Award, Sid Fleischman Award and Lee Bennett Hopkins Award Winners!

Here are the winners! Look for interviews with them here in the coming months, leading up to the 2016 SCBWI Summer Conference in Los Angeles, where they will be honored--and we'll get to hear them speak when they accept their awards!

For FICTION, The Golden Kite Award goes to...

Challenger Deep by Neal Shusterman (HarperCollins)



Caden Bosch is on a galleon that's headed for the deepest point on Earth: Challenger Deep, the southern part of the Marianas Trench. Alternatively, Bosch is a brilliant high school student dealing with schizophrenia...and as fantasy and paranoia begin to take over, his parents have only one choice left.


For MIDDLE GRADE/YOUNG READER FICTION...

The Detective's Assistant by Kate Hannigan (Little, Brown)



Based on the extraordinary true story of America's first-ever female detective, this fast-paced adventure recounts feats of daring and danger, including saving the life of Abraham Lincoln! 


For NONFICTION...

Enchanted Air: Two Cultures, Two Wings: A Memoir by Margarita Engle (Atheneum)



In this poetic memoir, acclaimed author Margarita Engle tells the story of growing up as a Cuban-American child, balancing two different cultures during the Cold War.


For PICTURE BOOK ILLUSTRATION...

Marvelous Cornelius by John Parra, written by Phil Bildner (Chronicle Books)


In this inspiring book about a real garbage man, John Parra depicts the story of a humble man and the heroic difference he made in the aftermath of Hurricane Katrina.


For PICTURE BOOK TEXT...

Boats for Papa by Jessixa Bagley (Macmillan)


In this stunning debut, author/illustrator Jessixa Bagley explores the subtle and deep emotions associated with loss in a heartwarming tale about a boy, his mother, and the boats he carves for an absent father.



The Winner of THE SID FLEISCHMAN HUMOR AWARD is...

Teddy Mars: Almost a World Record Breaker by Molly B. Burnham (HarperCollins)



Told in short sections for young readers, this hilarious new series is about a determined ten-year-old boy from a big family who dreams of making it into The Guinness Book of World Records.



And the inaugural LEE BENNETT HOPKINS POETRY AWARD WINNER is...

Forest Has a Song by Amy Ludwig VanDerwater, illustrated by Robbin Gourley (Clarion)


VanDerwater makes a stunning debut with twenty-six inviting poems leading readers through a vibrant tour of forest-wonders---ferny frondy fiddleheads, a grandfather fossil, a fawn, an owl's first flight. Poetry filled with metaphors, imagery, alliteration and personification show what poetry for children of all ages is about.

Congratulations to all the winners!

Thursday, January 21, 2016

Sallie Wolf also wins this year's Jane Yolen Mid-List Author Grant

Critically acclaimed children's book author Jane Yolen created this grant to honor the contribution of mid-list authors. The grand awards $3,000 to mid-list authors and aims to help raise awareness about their current works-in-progress. There are two winner this year, and here's an interview with winner Sallie Wolf!

Author/Illustrator and Jane Yolen Mid-List Author Grant Winner Sallie Wolf

Lee: You’ve written and illustrated - when you’re working on a project, does it evolve visually first, or does it come to you in words?

Sallie: When I first decided I would write children’s books, I hoped to illustrate as well. But the writing came more easily than the art, although I could always see my story in my head. After the publication of Peter’s Trucks, in 1992, illustrated by Cat Bowman Smith, I went to the School of the Art Institute of Chicago and eventually earned a BFA in drawing and painting. I consider myself an artist and writer, but not a traditional illustrator. My second book, Truck Stuck, I dabbled in making a dummy, but it seemed like more work than fun. That book is illustrated by Andy Robert Davies in wonderful, child-friendly, scribbly drawings with great humor. 

For The Robin Makes A Laughing Sound: A Birder’s Journal, the art inspired the writing. I was looking at 12 collages of birds I had made on an old calendar, and I realized that I had almost half of a children’s book—all I needed was text to go with the bird imagery. Simple, right? I began to write down in prose everything I knew through observation about each of the birds on my calendar. One thing led to another—the prose became poems. I switched from collages to the sketches that were the sources for my collages. I decided to focus by season rather than by month, and that opened up possibilities for different kinds of poems and other birds. But the art inspired me to write about the birds, and in the process create more art until the book was complete. The pages were designed by a barista at my local Starbucks, where I went to write every day. Micah Bornstein is also an artist, writer, and bookmaker who knows Photoshop and could work with scans from my journals. His wife is a children’s librarian so he was familiar with quality children’s books. The whole creation of this book was very unconventional, and I was amazed that Charlesbridge would let the two of us, both inexperienced in illustration, work so freely. And I am extremely pleased with the end result. We designed the book to resemble a journal, including “cursive” rough drafts, journal excerpts, and bird lists as well as printed poems and sketches. 

Lee: Can you share about a project that you hope will be your next published book?

Sallie: I have two projects under way for which I would also like to create the art. The first is a collection of poems, (working title—Old Moon, New Moon), about my 20+ years of observing the moon and making art from those observations. The poems begin by wondering why the moon is out in the daytime and lead the reader from that question, through the muddle of not knowing, to understanding. This is a book that encourages the reader to focus on an interest of his or her own, observe over time, and record in words and images what he or she is learning. I intend to use imagery derived from my Moon Project art installations to illustrate the poems. You can learn more about the Moon Project, and even listen to “Moon Song,” a Gregorian Chant created by translating observed movements of the moon into musical notes, on my website, www.salliewolf.com. Old Moon, New Moon is not exactly about the moon, but more about my relationship with the moon. As in the Robin book, I intend to provide a window into my creative process through the writing and the illustration. And here again, the art came first and is inspiring the writing and the creation of a book. 

My other project, Summer Upside Down: A Day on Bear Camp Pond, is the story of a day spent by a parent and child canoeing on a secluded New England lake. It is told in prose and haiku, much the way Basho, the Japanese haiku master, wrote journals of his travels in prose and haiku. I have been working on watercolor sketches for this story as I develop the manuscript. Observation of nature is important to this story, but it is also about the loving relationship of parent and child played out against the backdrop of a sudden storm.

Lee: How long have your been a member of SCBWI, and what do you feel you’ve gained by being part of this community?

Sallie: I joined SCBWI in 1992 when the wonderful Illinois region was fairly new and under the nurturing care of Esther Hershenhorn. Esther set a wonderful example of being welcoming and generous, and I soon became involved various programs. I have attended most of the Illinois region writing retreats, which evolved into Prairie Writers and Illustrators Day, and I have been a network co-rep for years. I also help organize “Food For Thought” programming for published members. 

Being a member of SCBWI has given me so much—the programming in Illinois is outstanding, and I’ve had numerous opportunities to meet with editors for critiques as well as hear wonderful keynote speeches. I have attended the LA conference once and will go to the NYC conference for the second time this February. I’ve applied for several grants in the past, and even though I did not win one—until now—the process of submission was very helpful in pushing my manuscripts forward and making me formalize my career goals. 

Most important is the friendship and community of fellow writers. When people ask me how to publish a children’s book I tell them to join SCBWI. Anyone who is serious about getting published belongs in this organization. 

Congratulations, Sallie!

You can find out more about Sallie at her website here.

Thursday, January 14, 2016

Karen Coombs wins this year's Jane Yolen Mid-List Author Grant

Critically acclaimed children’s book author Jane Yolen created this grant to honor the contribution of mid-list authors. The grant awards $3,000 to mid-list authors and aims to help raise awareness about their current works-in-progress. There are two winners this year, and here's a spotlight on winner Karen Coombs!

Author and Jane Yolen Mid-List Author Grant Winner Karen Coombs


Karen writes,

 In the 1970s, I spent my first SCBW conference (no “I” back then), zombie-ing around with my mouth agape.

Sid Fleischman. Jane Yolen. James Cross Giblin. Frank Sloan. Sue Alexander. Eve Bunting. Plus, the featured presenters. In person! In the same room! I silently blessed Lin Oliver and Stephen Mooser for founding the organization and tried to close my mouth so as not to appear a total greenhorn, or to say something obsequious and appear a sycophant. I had, after all, been published in magazines. And I knew other well-known children’s writers, such as Barbara Williams, Gloria Skurzynski, and Ivy Ruckman, who had mentored me and introduced me to the organization. I returned home inspired, motivated—and filled with the realization that I was meant to write for children.

At another conference in 1986, now living near San Diego and missing my old critique group, I hopefully posted a notice on the conference bulletin board: Published writer seeks critique group in North San Diego County. Into my life walked Edith Hope Fine and Judith Josephson. We held our first meeting soon after and have met twice a month ever since—thirty years this coming summer.

SCBWI has surrounded me with colleagues who keep me writing, who gently tell me my manuscript is ho-hum and offer suggestions on how to make it sing, who squeal with glee at successes, who pick me up and give me a swift kick when I toy with never writing another word, colleagues who “get it” when no one else does. SCBWI gave me “my people.”

While SCBWI gave me my people, Emerson gave me my favorite quotation: “May the work that you do be the play that you love.” What I love best about writing is that it allows me to follow my interests no matter where they lead. I’ve published both fiction and nonfiction for young children to young adults, which means no one can say, “Oh, she writes MG magical realism/PB biography/YA dystopian,” etc. I don’t fit into a slot. When an idea calls to me, I write that book, no matter the genre. Ships that brought women to Virginia to marry settlers in the 1600s. Animals used for research. Confronting a bully when I was six. Talented people I admire. The loss of a child’s toy. All these inspired books in different genres. Ideas are like my “to be read” stack of books—they continue to pile up, waiting patiently for me to get around to them, until the one that calls the loudest gets my attention.

Currently, I have underway or ready to submit a middle grade historical novel set in the West in the late 1800s and a number of picture book manuscripts. One humorous picture book deals with a character’s reluctance to face new experiences, even though it means spending all his time alone. When an unfortunate event forces him to leap headlong into the shunned activities, the experience is a revelation.

Moving can be wrenching for a young child, especially moving away from beloved grandparents. In another picture book manuscript, a young boy—with subtle help from loving grandparents and his single dad—discovers a satisfying way to stay in touch.

Can a reluctant cricket save the bees’ honey hive and turn an enemy into a friend? In a world where peace seems precarious and differences divide, young readers of this manuscript will be reassured to learn about natural adversaries who find an amicable solution, and who, with a nod to American folk hero Davy Crockett, discover that even one small creature can make a difference.

To qualify for the Jane Yolen grant, the applicant must be a traditionally published writer with no book published in the past five years. I find it bittersweet to have qualified, but thrilling to be a recipient. I am exceedingly grateful to Jane Yolen for recognizing this mid-list author. Her grant will inspire me to hold on until an editor once again says, “Yes.”

Congratulations, Karen!

You can find out more about Karen at her website here.