Showing posts with label #LA12SCBWI. Show all posts
Showing posts with label #LA12SCBWI. Show all posts

Thursday, September 27, 2012

The 2012 Sue Alexander Most Promising New Work Award Winner (and Honorees!)

Selected from manuscripts submitted for individual critique at the recent #LA12SCBWI, the Sue Alexander Most Promising New Work Award is given to the manuscript deemed most promising for publication. Critiquers at the Los Angeles conference determine the finalists. Until her sudden death in July 2008, Ms. Alexander made the final selection. Now, a three-member panel from Sue's writing group of 20 years makes a final selection after the conference.

The winner receives an expense-paid trip to New York to meet with interested editors.

This year's winner is...

Kat Yeh!

Kat Yeh, the 2012 Sue Alexander Most Promising New Work Award Winner


I had the chance to interview Kat about her win...

Lee:  Hi Kat!  Congratulations!

Kat:  aw, thanks Lee

Lee:  Tell me about finding out that your manuscript was first nominated and then WON the Sue Alexander Most Promising New Work Award!

Kat:  It was pretty surreal. I had first intended to submit a MG for critique at the LA conference. It was something I had written last year during NANOWRIMO. But for some reason, the voice just wasn't resonating with me. I wasn't Feeling It (if you know what I mean.)  At the last minute, I decided to have a new YA critiqued, GIRL OF SHADOW.  It was a work in progress and, even though I knew the whole story, it wasn't close to being finished. But I was Feeling It. I decided that I should have it critiqued to see if I was just talking to myself - or if my critiquer would Feel It too. The first day of the conference, I found out that I was lucky enough to have Josh Adams, of Adams Literary, for my critique. He represents friends of mine and I knew he was a terrific agent with an amazing track record, so I was excited. Josh was so great and supportive. Right away, he let me know how much he liked it and that he was nominating me for Sue Alexander. The funny thing is that when I was nominated last year - I kinda kept thinking that I just might win (which I didn't). But this year, it didn't seem likely to me. It was just a work in progress with a good start. That was all. I was happy - but mostly because I felt that I had gotten reinforcement that I was on the right track. So I was able to relax and not think about it. When I got the call, I was actually screening. I had been getting sales calls all morning and I really wanted to get work done. Then I heard this sweet voice on the answering machine say something about Sue Alexander. Of course I ran to grab it - and when they told me I won, I started jumping up and down and babbling. My daughter was home and we just kept laughing and jumping.

Lee:  Aww, that's so sweet!  So, have you been writing furiously to finish GIRL OF SHADOW?

Kat:  Yes! Actually I've been writing furiously on several different project right now -though furious usually isn't my style.

Lee:  So you win (in addition to all the attention and the huge vote of confidence) a trip to the New York SCBWI winter conference. Have you figured out your plans yet?

Kat:  I'm already in New York, so I was planning on attending the SCBWI Winter Conference anyway. It's a such a great conference and the keynotes are always inspiring and weep-inducing. Right before I won Sue Alexander, I had been working on final revisions for a MG, getting ready to submit to agents. So a lot of things started happening at the same time. But now the agent process is just about finished and I'm very excited that I will be making an announcement soon. With that in mind, I guess The Plan is to keep working on GIRL OF SHADOW - as well as my other projects. Just keep trying to get them all to that next level.

Lee:  Well we're very excited for you and will be cheering you on!  Thanks, Kat!

Kat:  Thanks, Lee :) See you in New York!


There were also three honorees, Karen Bonner for "Oakatee," Barbara Herkert for "Sewing Stories: The Life of Harriet Powers," and Allison Crotzer Kimmel for "Toots."  Additionally, Jenni Bielicki won most promising picture book for "Starry Kalahari."

Congratulations to all!

Illustrate and Write On,
Lee

Tuesday, August 14, 2012

The SCBWI Illustrator Mentorship Program

We find out more...


 The 2012 Mentors are four members of the Illustration Committee: David Diaz, Priscilla Burris, Art Director and VP at Penguin Books For Young Readers Cecilia Yung and Pat Cummings, as well as VP and Publisher of Henry Holt Books For Young Readers Laura Godwin.

The 2012 Mentees (selected from the illustrators at #LA12SCBWI who submitted their portfolios for review) are




Congratulations to all!

Thursday, August 9, 2012

A Twitter View of #LA12SCBWI


"What would 10 year old Tony want that old Tony can make?" -Tony DiTerlizzi inspires me!
 

(regarding agents) Sign with someone who believes in you, not just the first person who offers.
 

Tony DiTerlizzi:Imagination is my mission.  

 
"Sometimes the only solution to a moment [in a picture book] is hand lettering." Melissa Sweet


Patricia MacLachlan: "The first line of a story is where the kernel of truth begins."
 

Please yourself. Don't worry about the market. -Neal Porter
 

Drink on the patio at the Hyatt Century City - $12. Dancing next to in a hippie flash mob - PRICELESS!


separate the writer from the editor and then the editor from the critic and then dump the critic. [Karen Cushman]
 

Three best words: Karen Cushman:"Remake the world."
 

"A book becomes timeless when a story captures a moment of intimacy between author & reader." ~ Arthur Levine,
 

Fav quote was from Chris Rylander: "The only thing that can stop you is stopping."


"NY publishing is not going away, we're going to figure it out, it's all going to be okay." ,  

 
Best quote: "Raise the bar on yourself" Steven Malk- It was the best breakout I went to all weekend!

 
Ruta: I gave SCBWI my $80 and they gave me a best seller, a Carnegie Medal, and a Patriot Award.  

Gary Schmidt - The Writer first must ask...does the writing serve?
  

RT : Tips for writers/illus from : There are no shortcuts. Slow down. Focus on what you can control.
 

"a story without conflict is boring." --Dan Yaccarino 


RT : By pursuing this dream, we enter the realm of creative exploration, shared experience, & emotional honesty.
 

In the spirit of the faculty's one word chosen for , here is one word reflecting my experience: transformative. 
 
 
this summer conference has given me so much energy and inspiration. Now I'm in my hotel room writing/drawing new stories!


Jordan Brown: Write enduring stories. Find the place where the need to belong and the need for independence smack into each other

 
I love this conference. Not only because it create better books, but because it facilitates the return to childhood of the tribe+


Amazing conference. Heading home feeling inspired and empowered. Thank you,

 
After had a breakthrough w/an old pic bk ms. Rewrote from scratch in 20 min & am in LOVE, which NEVER happens. THANK YOU

 
Amazing intensives at . Back home and still in full blown-away mode after 's 'So what' & Gary Schmidt's 'Narrator'

 
Turns out the TSA is not all that impressed with my Golden Kite Award.


Have nearly my entire book trailer nailed down, thanks to and her workshop at . Now I guess I nd to finish the bk!



Completely revamped my website after 's social media workshop at . Thanks, Ellen! 
 

Linda Pratt: "This is not a one-size-fits-all business. Don't think that anyone else's way is the only way."  


From Arthur Levine, : "Great writers use anticipation more commonly than surprise."  


Today in a critique at , I asked a writer what she's gotten from the conference. Her response: "Courage." My heart melts & bursts.


GROOVY!!! Flash mob of 400 dancing to Age of Aquarius at conference!!!!!! (Book people know how to party.)


says there were 3 ppl she would have signed until she checked them out online. BE PROFESSIONAL!  


My most important take-away from : I can do this. 

Did I miss one of your favorite moments?  Add it in comments! 

And of course, for a more in-depth look at the conference, check out The Official SCBWI Conference Blog.

Tuesday, August 7, 2012

#LA12SCBWI: A Taste of the 2012 SCBWI Summer Conference!





Visit The Official SCBWI Conference Blog to see highlights of the entire Summer Conference!


From Arthur A. Levine's opening Keynote on what makes a book "Timeless" to the final autograph party, you can see how we got our groove on...

and experience a bit of the craft, business, inspiration and community yourself!  And the fun!

Of course, if you attended the conference with us, you can check out sessions you missed, comment on your favorite moments, and re-live the highlights!

The next SCBWI International Conference will be February 1-3, 2013 in New York City.  Hope to see you there!

Illustrate and Write On,
Lee

Thursday, August 2, 2012

Your Conference THRIVE-al guide: A Dozen Tips for Four Days Made Of Awesome!

 You're packing.  You're flying.  You're driving.  You're arriving...



But more than just SURVIVING the 2012 SCBWI Summer Conference, you need to know how to THRIVE and get the most out of it.  To that end, some tips:

1.  When you get it, take the time to read your packet.  There's a lot of material there, but if you wait until you get home to check it all out, you may miss some important things - be informed, and read your packet.

2.  First time at the conference?  Attend Jolie Stekly's Friday Morning New Attendees Orientation.  It's in room Olympic 1 at 7:45am.  Get up early and go to it!  Jolie's a member of Team Blog, a former Regional Advisor, and SCBWI's 2009 Member of the Year... She's a treasure, and you'll be in good hands!

3.  Stretch.  Challenge yourself to attend one session that's outside your current focus (a plot talk if you're an illustrator, or a session on picture books if you write YA.)

4.  In the words of Fred Ebb (lyricist for "Cabaret")

"What good is sitting alone in your room?  Come hear the music play..."

Don't just attend keynotes and workshops and then retreat to your room.  Hang out in the lobby bar and by the outside tables - even if you don't drink. Talk to your fellow writers and illustrators...  Lots of magical connections and moments happen this way.  Leave yourself open to that magic!

5.  Keep your nametag on.  Even at dinner, or drinks afterwards (see tip #4.)  Your conference name tag helps others know you're part of the tribe, and helps them remember your name, too.  You can even stash some of your own business cards in the back so they're handy.

6.  Speaking of business cards, when you get one, or that evening, jot a quick note to yourself about who the person was and what you discussed.  It's not so much for your biographers, but there will be over 1,000 other attendees... and in a couple of months (or years), it will be remarkably useful to have something brief to jog your memory.

7.  Maximize the experience:

Friday night there are a bunch of Optional activities, including:  Yoga, an Illustrator Social, a Nonfiction Social, an International Social, an LGBTQ Q&A (with publisher and editor Arthur A. Levine, assistant agent Natalie Lakosil, and award-winning author Sonya Sones) and Moderated Peer Group Critiques.

Saturday night there's the Hippie Hop Gala (and Dance Party!)  Will YOU be wearing Tie Dye or Fringe or ...? 

Sunday night, after the Autograph Party, Los Angeles Kid Lit Drink Night will fill the lobby bar, and lots more networking and schmoozing and fun will be had with whoever's still around from the conference, plus we'll add in a group of Los Angeles' kid lit hooligans.  The joint will be jumping!  (On the other hand, if you need to get your shavasana on, there's also another Yoga session that night.)

The world of SCBWI's Summer Conference is your oyster, from sun-up to sun-down and around again to sun-up.  Partake.

8. Take care of yourself and your creative fire.  If you're feeling overwhelmed, it's okay to take a break (despite tip #7.)  Chat with a fellow conference-goer by the pool.  Sketch.  Outline that new picture-book idea.  Visit the conference attendee hospitality rooms -  Bel-Air and Malibu (on the California Level) - to recharge and have a snack in a quiet place.  Remember that this is YOUR conference, your time, and you get to make it your own.

9. If you're on twitter, tweet conference moments/quotes/shoutouts with the hashtag:

#LA12SCBWI

Even if you're not on twitter, you can follow along at this twitter search.

10.  When tweeting or blogging the conference, remember our Team Blog guidelines...  A taste but not a transcript.  It is not respectful to the presenters to share their material in its entirety, so let's all be respectful.

11.  Keep in mind that you want to be fun and have fun, but you also need to be professional.  After all, this kind of thing is not going to make a good impression:


(My thanks to Arthur A. Levine and Paula Yoo for illustrating that point so beautifully.)

12.  Do your homework.  Particularly excited to meet a certain faculty member?  Read a couple of their books first (that they wrote, or illustrated, or agented, or edited), and you'll have something to talk about, and maybe questions to ask to make it a great discussion.

and let's make this a Baker's Dozen...

13. Bookmark the SCBWI Conference Blog at http://scbwiconference.blogspot.com/ to follow along and comment on the experience!

Those are your tips, now go THRIVE! (And have a blast!)

Illustrate and Write On,
Lee




Do you have MORE tips for your fellow conference-goers?  Add them in comments!

Tuesday, July 31, 2012

The 2012 SCBWI Summer Conference (#LA12SCBWI) Is Sold Out!


Hopefully you'll be joining us here in Los Angeles starting this Friday.

If not, follow along and get a taste of the craft, business, inspiration and community here at the Official SCBWI Conference Blog and on twitter at #LA12SCBWI.

Illustrate and Write On,
Lee

Tuesday, July 24, 2012

#LA12SCBWI is 10 days away... Check out these Team Blog pre-conference Interviews!

With the 2012 SCBWI Summer Conference (August 3-6, 2012) coming up, Team Blog has been hard at work, conducting pre-conference interviews to give you a glimpse into the craft, business and inspiration awaiting attendees.

If you're already all set to attend, these make for some good doing-your-homework reading.  If you're thinking of making a last minute decision to come to Los Angeles next weekend, these might just hold the nuggets of go-for-it inspiration you're looking for!  (You can still register here.)

And if you can't attend this summer's conference, they still make for very interesting reading... with great tips and information!

Enjoy,

Martha Brockenbrough talks with Editor and Publisher Arthur A. Levine

Suzanne Young interviews Executive Editor Arianne Lewin

Martha Brockenbrough's interview with multiple-Newbery-Honoree, author Gary Schmidt

My interview with Award-winning author Sonya Sones

Jaime Temairik's hysterical two-part interviw with award-winning author Deborah Underwood, part one (the very quiet interview) and part two (the louder interview!)

Martha Brockenbrough's discussion with agent Jill Corcoran

Jolie Stekly's interview with author of over 100 books for kids, Dan Gutman

Jaime Temairik's chat with Senior Editor Jarvis Braun... err, Jordan Brown

My interview with Assistant Agent Natalie Lakosil





Illustrate and Write On,
Lee




Tuesday, July 3, 2012

17 Intensives for #LA12SCBWI Still Have Room for YOU!



As of today, there are only 17 intensives on Monday August 6th (directly after the main three-day conference) that still have space available.  These are incredible opportunities that won't be blogged by Team Blog, and are a chance to really dig deep!



AM • - Emma Dryden - Independent and Self Publishing: Best Practices

Designed for Authors and Illustrators who are already independently or self published or considering alternate publishing options for their work, this intensive offers reminders and guidelines to use as to best practicies to use to ensure you're publishing your work as professionally as possible.  It explores ways in which independently or self published authors and illustrators can recreate some of the best principals of traditional publishing (editing, design, marketing, sales); defines author/illustrator and publisher responsibilities; discusses various publishing platform options for picture books and fiction/non-fiction; considers the differences between print, e-, and POD; and explores the benefits and drawbacks of independent publishing.

And Emma's the Expert...

Emma D Dryden, the founder and principal of the children’s book editorial and publishing consulting firm, drydenbks provides editorial and consultancy support to authors, illustrators, agents, foreign and domestic publishers, and eBook and app publishers. Her children’s publishing career began at Viking and Random House, followed by a position with Margaret K. McElderry Books. After McElderry retired, Emma became VP, Editorial Director of McElderry Books, and in 2005, VP, Publisher of Atheneum Books for Young Readers and Margaret K. McElderry Books. Emma has edited over 500 books for children,from board books and picture books to poetry, novelties, non-fiction, MG, and YA fiction and fantasy.  As publisher, she oversaw the annual publication of over one-hundred hardcover and paperback titles. Authors and illustrators she has edited include Ellen Hopkins, Karma Wilson, Susan Cooper, Alan Katz, Raul Colon, Lee Bennett Hopkins, David Diaz, and Paul Zelinsky. Emma is also the leader of the Editorial Quality Panel for picture eBook platform uTales and is on the Society of Children's Book Writers & Illustrators Board of Advisors.


AM •- Ellen Hopkins - Building a Career Through Self Promotion 

No matter how you publish, self-promotion is an integral tool for developing broad readership.

And Ellen's the Expert...

Ellen Hopkins is a poet and the award-winning author of 20 nonfiction books for children and eight NY Times Bestselling young adult novels-in-verse. Her first novel for adults, Triangles, published in 2011. In the fall of 2012, her ninth YA novel, Tilt (a companion to Triangles) will publish, along with a crossover novel, Collateral. Ellen lives near Carson City NV with her husband and teenage son, a bottomless well of inspiration for her YA fiction.

 
AM •- Ann Whitford Paul - The C.P.R. — Character, Plot, Rhythm of Picture Books

Apply techniques to revise your manuscript to be the best it can be.

And Ann's the Expert...

Ann Whitford Paul has published many award winning picture books—both fiction and non-fiction—poetry and early readers for children, including Tortuga in Trouble, Word Builder, If Animals Kissed Good Night and recently a book for adults titled WRITING PICTURE BOOKS:  A Hands-on Guide from Story Creation to Publication.   


AM •  Melissa Stewart - Four Steps To A Stronger Nonfiction Manuscript  

After discussing how to focus a nonfiction topic in a way that will interest editors, we will practice a four-step method for transforming a manuscript from okay to outstanding.

And Melissa's the Expert...

Melissa Stewart is the award-winning author of more than 150 nonfiction books for children, a member of the SCBWI Board of Advisors, and the PAL Cordinator for SCBWI's New England region. Her recent picture book Under the Snow was a Junior Library Guild Selection, a Charlotte Zolotow Award Honor Book, and a Bank Street College Best Children’s Book of the Year. It was also nominated for thirteen state book awards.


AM • Sonya Sones - Writing the Verse Novel (Should Your Tomes be Written in Poems?  Crafting the Novel in Verse)

Thinking of writing a novel in verse?  In the middle of writing one already?  This session will be jam-packed with info, tips and secrets about using poetry to tell your stories.

And Sonya's the Expert...

Sonya Sones has written four YA novels in verse, which have received many honors, including a Christopher Award, the Myra Cohn Livingston Award for Poetry, the Claudia Lewis Poetry Award, and a Los Angeles Times Book Prize nomination. She’ll be the first one to tell you that in 2010 her novel in verse, What My Mother Doesn’t Know, made the ALA’s list of the “Top 100 Most Challenged Books of the Decade.” Sonya’s latest book, the Los Angeles Times bestseller The Hunchback of Neiman Marcus, is her first novel in verse for grownups—a coming of middle-age story about learning to grow old disgracefully. She is this close to finishing her fifth YA novel in verse.


AM • Dan Yaccarino: From Inspiration to Publication: The Essentials of A Picture Book 

This intensive covers the basic mechanics of picture books.  A picture book isn't just drawings depicting text, but images and words uniquely combined to create a story.  Learn the fundamentals, from format and character development through basic storytelling.

And Dan's the Expert...

Dan Yaccarino has written and illustrated over fifty children’s books, most notably, The Fantastic Undersea Life of Jacques Cousteau, Unlovable, Every Friday and Go Go America. His bold, stylized illustrations add wit and energy to the work of such prestigious authors as Margaret Wise Brown, Jack Prelutsky, Kevin Henkes and Patricia MacLachlan in addition to his own stories. He is also the creator and producer of his own animated television series Oswald and the Emmy Award-winning Willa’s Wild Life, as well as the designer behind Nick Jr's Emmy-winning The Backyardigans. Dan lives in New York City with his family and vintage toy collection.
 
  
AM • L - A Morning With 8 Agents  

With these powerhouse literary agents:
Josh Adams, Adams Literary;  
Jamie Weiss Chilton, Andrea Brown Literary Agency;  
Stefanie Von Borstel, Full Circle Literary;
Jill Corcoran, Herman Agency;  
Natalie M. Lakosil, Bradford Literary Agency;
Karen Grencik, Red Fox Literary Agency; 
Linda Pratt, Wernick & Pratt Agency;  
Deborah Warren, East West Literary Agency; 
Ken Wright, Writers House


PM •  Jill Corcoran - How to Write a Query Letter  

Hands-on workshop in which you will walk away with a query letter that will get agents and editors salivating for your work.

And Jill's the Expert... 

Jill Corcoran is an agent with The Herman Agency representing PB, CB, MG & YA. Her current interests include high concept Young Adult and Middle Grade Thrillers, Mystery, Romance, Romantic Comedies, and Adventure manuscripts. With an English degree from Stanford University and an MBA in Finance and Marketing from the University of Chicago, Jill has marketed everything from sneakers to cereal at Leo Burnett Advertising, LA Gear, Mattel, and at her own consulting company, LAUNCH! New Product Marketing. Clients include Robin Mellom, Janet Gurtler, Martha Brockenbrough, Kelly Milner Halls, Ralph Fletcher, & Jen Arena. Jill is also the editor of Dare to Dream-Change the World (Kane Miller, 2012), a poetry anthology which includes Ellen Hopkins, Jane Yolen, J. Patrick Lewis, & Lee Bennett Hopkins.  


PM • - Eddie Gamarra - Adapting Your Work for Film or Television   

• What kinds of books are best suited for adaptation? 
• How does the adaptation process work? 
• What’s the author/illustrator’s role in that process and who else is involved? 
• How to market your book and its adaptation to the entertainment industry
• Some tips on creating truly cinematic stories with words or illustrations 

And Eddie's the Expert...

Eddie Gamarra is a literary manager/producer at The Gotham Group, which represents screenwriters, directors, animators, authors, illustrators, publishers, and animation studios.  He specializes in children’s & family entertainment, including animation, live action and literature ranging across picture books, novels, anthologies and graphic novels.  His clients include numerous New York Times best-selling authors and illustrators as well as Oscar, Emmy, Caldecott, Newbery, and Geisel award winners and develop and sell projects for all platforms ranging from online shorts to live action feature films.  In addition to his work at The Gotham Group, he has consulted for Teen Magazine, National Geographic's TV series HOLLYWOOD SCIENCE, and MANswers on Spike.  He has lectured at Vassar, North Carolina School of the Arts, and University of Arkansas, Little Rock.  He received his BA in Psychology from Vassar College, a Masters in Cinema Studies from NYU and a PhD in Psychoanalysis & Film from Emory University.


 PM • - Ellen Hopkins - Creating the Really Truly Real Teen Characters     

The quickest way to turn off a YA audience is to write teen characters who little resemble teens.

And Ellen's the Expert...

Ellen Hopkins is a poet and the award-winning author of 20 nonfiction books for children and eight NY Times Bestselling young adult novels-in-verse. Her first novel for adults, Triangles, published in 2011. In the fall of 2012, her ninth YA novel, Tilt (a companion to Triangles) will publish, along with a crossover novel, Collateral. Ellen lives near Carson City NV with her husband and teenage son, a bottomless well of inspiration for her YA fiction.


 PM • - Ann Whitford Paul - Rhyme Time in Poetry and Picture Books    
  
Editors have a love-hate relationship to rhyme.  Learn how to avoid the pitfalls that make them throw up their arms and plead, "NO RHYME!"

And Ann's the Expert...

Ann Whitford Paul has published many award winning picture books—both fiction and non-fiction—poetry and early readers for children, including Tortuga in Trouble, Word Builder, If Animals Kissed Good Night and recently a book for adults titled WRITING PICTURE BOOKS:  A Hands-on Guide from Story Creation to Publication. 


 PM • - Dan Yaccarino - How To Do Successful School Presentations  

The Fundamentals of how to create a successful live presentation for both children and adults.

And Dan's the Expert...

Dan Yaccarino has written and illustrated over fifty children’s books, most notably, The Fantastic Undersea Life of Jacques Cousteau, Unlovable, Every Friday and Go Go America. His bold, stylized illustrations add wit and energy to the work of such prestigious authors as Margaret Wise Brown, Jack Prelutsky, Kevin Henkes and Patricia MacLachlan in addition to his own stories. He is also the creator and producer of his own animated television series Oswald and the Emmy Award-winning Willa’s Wild Life, as well as the designer behind Nick Jr's Emmy-winning The Backyardigans. Dan lives in New York City with his family and vintage toy collection.
  
 
 PM • - An Afternoon with 8 Agents   

With these powerhouse literary agents:

Stefanie Von Borstel, Full Circle Literary; 
 Jamie Weiss Chilton, Andrea Brown Literary Agency;  
Natalie M. Lakosil, Bradford Literary Agency;  
Karen Grencik, Red Fox Literary Agency;  
Julie Kane-Ritsch, Gotham Group;  
Linda Pratt Wernick, Pratt Agency;
Deborah Warren, East West Literary Agency;  
Ken Wright, Writers House


 PM • - Bonnie Bader - Leveled Readers   

This hands-on intensive will not only give you a greater understanding of Leveled Readers, but it will also give you effective writing tools to become an author for this growing market.  In class activities to include:  paging out manuscripts, writing art notes, writing your very own reader, and more!

And Bonnie's the Expert...
Bonnie Bader, Editor-in-Chief of Early and Beginning Readers at Grosset & Dunlap is also the head of the U.S. arm of Fredrick Warne, which publishes Beatrix Potter’s Peter Rabbit, Flower Fairies, and Spot. At Grosset, Bonnie oversees all of Penguin’s leveled readers, which fall under the imprint, Penguin Young Readers. In addition, she is starting up an 8x8 picture book program, and a beginning/early chapter book program which will launch in 2013. She continues to edit and oversee several series including Hank Zipzer by Henry Winkler and Lin Oliver, Katie Kazoo Switcheroo and George Brown, Class Clown by Nancy Krulik, and Frankly Frannie by Amanda Stern. Upcoming series include Almost Identical by Lin Oliver (Fall 2012) and The Magic Bone by Nancy Krulik (Summer 2013). Bonnie is also a member of the SCBWI Board of Advisors.


 PM • - Ari Lewin - First Pages: An In-depth Analysis of the Very Best Ways To Start A Novel      

A hands-on workshop where we analyze the first pages of successful YA and middle grade novels, then apply what we've learned to YOUR stories.

And Ari's the Expert...

Arianne Lewin is an executive editor at G. P. Putnam’s Sons, a division of Penguin Young Readers Group.  She edits all kinds of books, with an emphasis on young adult novels and fantasy. Ari has worked with Mike Rex, Cinda Williams Chima, Rachel Hawkins, Katie Alender, Marie Lu and Jessica Spotswood.  


 PM • - Jen Rofe - The ”So What” Factor  

When reading manuscripts, Jen Rofé asks herself “So What? Why should I care about these characters and their story?” In this three-hour intensive, we will examine the plots of successful books to uncover how the author made us care, and we will discuss techniques for developing your own “So What?” factor in your manuscript or work-in-progress. Be warned: Side effects of this intensive include: Torturing your- self with “So what?”; looking for the “So What?” factor in books you read; and writing strong, compelling stories.


And Jen's the Expert...

Jennifer RofĂ© handles children's fiction projects at Andrea Brown Literary Agency ranging from picture books to young adult. Middle grade is Jennifer's soft spot and she's open to all genres in this category, especially the tender or hilarious. She is always looking for fresh and distinct voices; stories that simultaneously tug at her heartstrings and make her laugh out loud; and "adorkable" heroes. As for YA, Jennifer is drawn to contemporary works; dramatic or funny romance; and urban fantasy/light sci-fi. She's especially interested in mind-blowingly smart projects that are layered, complex, and unexpected, and she appreciates big, developed worlds. In terms of picture books, early readers, and chapter books, she is interested in character-driven projects and smart, exceptional writing. 



The Illustrator Intensive: Writing For Illustrators

Do you have a vivid picture demanding to tell a story? Do you have a lively character struggling to find a voice? Are you ready to be an author-illustrator? If you are an illustrator with an original idea and you are looking for the right shape and format, this day-long intensive will help you create a story that is as personal, compelling and imaginative as your art.  

A full day of talks (check out the schedule here) from successful illustrators, editors, agents, publishers and art directors is followed by a panel review of book proposals to illuminate what it takes to put together a successful proposal for your story and art.  

With these Experts:

Tony DiTerlizzi is a new York Times bestselling author and illustrator who has been creating books with Simon and Schuster for over a decade. From his fanciful picture books like, Jimmy Zangwow’s Out-of-this-World Moon Pie Adventure, G is for One Gzonk! and The Spider & The Fly (a Caldecott Honor book), to chapter books like Kenny and The Dragon and The Search for WondLa, Tony always imbues his stories with a rich imagination. His middle-grade series, The Spiderwick Chronicles (with Holly Black), has sold millions of copies, been adapted into a feature film, and has been translated in over thirty countries.

Arthur A. Levine is Vice President and Publisher of his own imprint, Arthur A Levine Books, which is celebrating its 15th Anniversary at Scholastic Inc. While Levine has edited and published exceptional books for children of all ages including Shaun Tan's Lost and Found, Jonah Winter's Just Behave Pablo Picasso! !, Dan Santat’s Sidekicks! and Lisa Yee’s Warp Speed,  he is perhaps most recognized as co-Editor of the Harry Potter series by J.K Rowling. Levine is the author of Monday is One Day , illustrated by Julian Hector, All the Lights in the Night (a Sidney Taylor Honor Books) illustrated by James Ransome, and the forthcoming A Very Beary Tooth Fairy  illustrated by Sarah Brannen. Arthur takes special pleasure in launching the careers of authors he’s met through SCBWI including Martha Brockenbrough (Devine Intervention), Mike Jung (Geeks, Girls and Secret Identities) and many others.


Bryan Collier is the author and illustrator of the Coretta Scott King Award-winning book Uptown. He received Caldecott Honors for the books Martin's Big Words by Doreen Rappaport, which was also a Coretta Scott King Illustrator Honor book; Rosa by Nikki Giovanni, which received the Coretta Scott King Illustrator Award; and, most recently, and Dave the Potter by Laban Carrick Hill. Mr. Collier lives in New York.

Laura Godwin is Vice President and Publisher of Henry Holt Books for Young Readers (a division of Macmillan Children’s Publishing Group), where she has worked for over twenty years. Jackie Kelly, Eugene Yelchin, Deborah Heiligman, Eric Carle, Peter McCarty, Dave Milgrim, Bryan Collier, Denise Fleming and William Low are some of the many authors with whom she works.  Laura likes nothing better than working with an author or illustrator at the beginning of his or her career, and has been thrilled to see five such newcomers go on to become either Newbery or Caldecott honor recipients. She grew up in Alberta, Canada and now lives in Manhattan.

Rubin Pfeffer launched his career as a designer for Macmillan in 1974 after which he joined Harcourt Brace Jovanovich serving for more than 27 years with responsibilities spanning from entry level designer to President of the Trade division.In 2001, Rubin joined Pearson, Inc.as SVP and Chief Creative Officer of the Pearson Education companies where he coordinated cross-company product development.  He served as SVP and Publisher for Simon & Schuster Children’s Books.  Imprints reporting to Rubin included S&S Books for Young Readers, Atheneum, McElderry Books, and Aladdin Paperbacks.His imprints achieved the Newbery Medal and Honor and the Caldecott Hono. In 2008, he launched Beach Lane Books, a commercial children’s picture book imprint. Rubin joined the East West Literary Agency in December, 2009, as a partner and works with talents as David Diaz, Patricia MacLachlan, Richard Jesse Watson, Susan Cooper, Michael Hague, Jeff Mack, and a host of other published and new talents. He served as a judge of NAPPA’s annual round-up of best children’s books for the years 2010 and 2011and has consulted for the digital publisher Ruckus Media Group where he executive produced Ruckus’ first original story app for children, A Present for Milo, which quickly became a bestselling children’s app on iTunes.
Jon Klassen, 

Antoinette Portis graduated from the UCLA School of Fine Arts and then––since being a video performance artist paid her the nice round sum of nothing whatsoever––she worked as a graphic designer and advertising art director. She was a creative director at Disney for many years before she bolted to do what she had always wanted to do: be left alone in a room to write and make pictures. Her first book was the best-selling Not A Box, a New York Times Best Illustrated Book and a Theodore Seuss Geisel Honor Book. A Penguin Story was also a New York Times Best Illustrated Book. She was one of four recipients of the 2010 Sendak Fellowship. Antoinette lives in Southern California with her husband, Michael. They have a daughter who is also an artist.

Melissa Sweet has illustrated many award winning children’s books from board books to nonfiction and jacket covers.  Her collages and paintings have appeared in the New York Times, Martha Stewart Living and for eeBoo Toys. She has written and illustrated Tupelo Rides the Rails, Carmine: A Little More Red,  a New York Times Best Illustrated Children’s Book, 2005  and the 2012 Sibert Medal winner, Balloons Over Broadway :The True Story of the Puppeteer of Macy’s Parade. Melissa illustrated A River of Words: The Story of William Carlos Williams by Jen Bryant, a 2009 Caldecott Honor book and a New York Times Best Illustrated, among other awards. When she is not in her studio, she can be found taking in an art class, hiking with her dogs or riding her bicycle. She lives with her family in Rockport, Maine.

Eugene Yelchin is a Russian-born author and illustrator of children’s books. In 2012, Breaking Stalin’s Nose, his first illustrated novel, received a Newbery Honor award. That same year, Won Ton, A Cat Tale Told In Haiku, which Yelchin illustrated, became an American Library Association Notable Book, among numerous other awards. In 2010, his illustrated picture book Rooster Prince of Breslov received the National Jewish Book Award. Yelchin received a Tomie de Paola award in 2006 at the SCBWI winter conference. Since then his books received starred reviews and were included in the Best Books of the Year lists.

Pat Cummings is the author and/or illustrator of over 35 books for young readers.  She also edited the award-winning series, Talking With Artists, which profiles prominent children's book illustrators. She teaches at Parsons and Pratt, and her children's book illustration class has a growing number of notable illustrator/authors among its graduates.  Pat serves on the SCBWI board as well as on the boards of the Authors Guild, the Authors League Fund, The Authors Guild Foundation and the Eric Carle Museum of Picture Book Art. Along with visiting schools, universities and organizations to speak about children’s books, she conducts a summer Children’s Book Boot Camp that brings writers and illustrators together with top editors and art directors from major publishing houses.


and 

Cecilia Yung is Art Director and Vice President at Penguin Books for Young Readers where she oversees illustration and design for two imprints, G. P. Putnam's Sons and Nancy Paulsen Books. She is fortunate to have worked with some of the major illustrators of children’s books, but the highlight of her work is to discover and develop new talent. She is on the Board of Advisors of SCBWI (Society of Children’s Book Writers and Illustrators) as well as a member of its Illustrators Committee.


To find out more about these intensives, the assignments for attendees, and to register,  go here.

Illustrate and Write On,
Lee