Deep Dive with a Merman:
Interview with Paul D Kellam
But before we "dive in," Paul, tell the reader a little about yourself, in your own words.
Your work explodes with color, movement, "flow and rhythm," something I love and am inspired by! You and I have spoken a bit about it, but I would love to hear about your process and what inspires you as an illustrator?
My process is not always streamlined, but I always aim for my art to dance off the page through movement and color. My compositions typically use a lot of “S” and triangle shapes to help lead the eyes of the viewer; as well as gradients with focal points being the most saturated bits. I’m heavily inspired by nature, haute couture, and people that I cherish. A lot of the snarky expression I draw are basically a mirror of me with my younger sisters, haha.
Bursting with color, your books also brim with a range of beautiful, colorful, and diverse characters. What are some of your thoughts and feelings when it comes to representation and why do you think it is important?
I’m a full-time freelance artist based in Florida. I’ve drawn for as long as I can remember, my mom often reflects on how I crayon doodled on my nursery walls and even had the nerve to sign my name. I grew up loving all things animated, with ‘The Little Mermaid’ on constant repeat; but once I discovered ‘Avatar the Last Airbender’ I knew I wanted to work in the creative field. I practiced diligently, filling stacks of sketchbooks with ink and colored pencil before teaching myself to work digitally.
At 16 I bought my first Bamboo Tablet to illustrate my first kids book, which was horrendous but a great learning experience. I later polished my skills in college, earning my Bachelors in Media Arts and Animation; but quickly found myself more at home with book illustrations.
Your work explodes with color, movement, "flow and rhythm," something I love and am inspired by! You and I have spoken a bit about it, but I would love to hear about your process and what inspires you as an illustrator?
My process is not always streamlined, but I always aim for my art to dance off the page through movement and color. My compositions typically use a lot of “S” and triangle shapes to help lead the eyes of the viewer; as well as gradients with focal points being the most saturated bits. I’m heavily inspired by nature, haute couture, and people that I cherish. A lot of the snarky expression I draw are basically a mirror of me with my younger sisters, haha.
Bursting with color, your books also brim with a range of beautiful, colorful, and diverse characters. What are some of your thoughts and feelings when it comes to representation and why do you think it is important?
Representation is beyond important, and I’m glad I’ve had ranging opportunities to depict various ethnicities and disabled folks as well! We have so many unique people in the world who feel invisible still to this day, and it’s amazing especially for children to feel seen in media, truly. It encourages hope and possibility; showing miraculous experiences are not limited to any one specific group.
I believe community is key to a healthy and fulfilling life, no matter what area of your life it appears in. I consider you a big part of my art community or mermaid pod, if you will. Your generous spirit is such a light and I know you've cheered me on when I needed that extra push. Can you speak a bit about community, how it has shaped you and why it is essential to the process?
I believe community is key to a healthy and fulfilling life, no matter what area of your life it appears in. I consider you a big part of my art community or mermaid pod, if you will. Your generous spirit is such a light and I know you've cheered me on when I needed that extra push. Can you speak a bit about community, how it has shaped you and why it is essential to the process?
I’m quite the hermit crab, so finding a sense of community outside of contained spaces like school or work life can be rather difficult. Social media thankfully allowed me to connect with many like-minded creators. Specifically in the ‘Mermay’ community I’ve befriended lots of brilliantly sweet and creative people, like yourself, whom I’ve truly appreciated having in my mer-pod! It’s been such a beautiful experience bonding with artist who’ve uplifted and inspired me with their different approaches to their own art and life. I’ve had many friends show me better creative tactics I hadn’t considered, and I’m glad I’ve been able to help others as well!
To see you occupy the spaces you do, in the way you do, with style, energy and sheer joyfulness, is revolutionary on so many levels. What would you say to younger Paul and how do you think he'd feel seeing you today?
To see you occupy the spaces you do, in the way you do, with style, energy and sheer joyfulness, is revolutionary on so many levels. What would you say to younger Paul and how do you think he'd feel seeing you today?
Honestly one of the greatest parts of working in children’s illustration is rediscovering the warmth and exhilaration I felt when creating as a young artist. To Lil’ Paul I’d say continue to be you, and be so much louder and bolder about it too! The ability to create authentically is such a gift and no one else will do it like you. Your art can change the world for the better, for good, even! I think he’d be overjoyed to see all the lives our work has touched throughout our journey, it’s no-longer just little anime sketchbook doodles. Though, in classic Capricorn fashion he’d wonder what’s next, lol.
Though I know you and I are merpeople in our souls, if you were to sprout a tail right this second, what would it look like?
Though I know you and I are merpeople in our souls, if you were to sprout a tail right this second, what would it look like?
I imagine my natural tail color would be a sort of turquoise-y jade with gold flecks, but my scales would hue shift to varied jewel tones based off my moods. I just love colors so much! What would yours be?
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