Register Now For "Celebrating Asian Voices" - Free for SCBWI Members

This is going to be awesome! SCBWI #OwnVoices: Celebrating Asian Voices will take place on Thursday May 20, from 1pm-2pm Pacific.

Six children's book creators will discuss the role their Asian or Pacific Islander identity plays in the writing and art they create as well as the importance of overcoming stereotypes and providing positive representation.

The amazing panelists will be:

Julie Abe

Julie writes middle grade fantasy and YA romance, with the most recent book out being book two in the series, Eva Evergreen and the Cursed Witch

Eva Evergreen has fulfilled her dream of earning the rank of Novice Witch, and discovered the chilling truth behind the mysterious Culling -- the violent magical storm wreaking havoc across Rivelle Realm.

Revealing the truth, however, proves to be a difficult task and soon the culprit is at large. To make matters worse Eva learns what might be the horrible truth behind her pinch of magic and her mother's own mysterious connection to the Culling and rogue magic.

With her spirits at an all-time low, Eva must muster up the courage to prove her mother's innocence and learn to believe in her own magic, if she wishes to put a stop to the Culling once and for all.

Samira Ahmed

Samira's latest book is Mad, Bad, and Dangerous to Know

It’s August in Paris and 17-year-old Khayyam Maquet—American, French, Indian, Muslim—is at a crossroads. This holiday with her parents should be a dream trip for the budding art historian. But her maybe-ex-boyfriend is probably ghosting her, she might have just blown her chance at getting into her dream college, and now all she really wants is to be back home in Chicago figuring out her messy life instead of brooding in the City of Light.

Two hundred years before Khayyam’s summer of discontent, Leila is struggling to survive and keep her true love hidden from the Pasha who has “gifted” her with favored status in his harem. In the present day—and with the company of a descendant of Alexandre Dumas—Khayyam begins to connect allusions to an enigmatic 19th-century Muslim woman whose path may have intersected with Alexandre Dumas, Eugène Delacroix, and Lord Byron.

Echoing across centuries, Leila and Khayyam’s lives intertwine, and as one woman’s long-forgotten life is uncovered, another’s is transformed.

Mike Jung

Mike's most recent book is The Boys in the Back Row

Best friends Matt and Eric are hatching a plan for one big final adventure together before Eric moves away: during the marching band competition at a Giant Amusement Park, they will sneak away to a nearby comics convention and meet their idol-a famous comic creator. Without cell phones. Or transportation. Or permission. Of course, their final adventure together is more than just that-really, it’s a way for the boys to celebrate their friendship, and their honest love and support for one another.

Emily X.R. Pan

Author of the New York Times bestseller, The Astonishing Color of After

Leigh Chen Sanders is absolutely certain about one thing: When her mother died by suicide, she turned into a bird.

Leigh, who is half Asian and half white, travels to Taiwan to meet her maternal grandparents for the first time. There, she is determined to find her mother, the bird. In her search, she winds up chasing after ghosts, uncovering family secrets, and forging a new relationship with her grandparents. And as she grieves, she must try to reconcile the fact that on the same day she kissed her best friend and longtime secret crush, Axel, her mother was taking her own life.

Alternating between reality and magic, past and present, hope and despair, THE ASTONISHING COLOR OF AFTER is a novel about finding oneself through family history, art, bravery, and love.

Dow Phumiruk

Dow has illustrated picture books including "Counting on Katherine: How Katherine Johnson Saved Apollo 13" and "Maya Lin, Artist-Architect of Light and Lines." Check out illustrator's Dow's website for some amazing art. 

Paula Yoo

Paula's latest book is the nonfiction YA "From a Whisper to a Rallying Cry" 

A groundbreaking portrait of Vincent Chin’s life and death and the civil rights case that took America’s Asian American community to the streets in protest of injustice. Vincent Chin’s legacy inspires today’s generation to continue speaking out and fighting back in solidarity against hatred and racism. Because our history, our stories, our contributions – and our voices – matter.

and the session will be moderated by Alvina Ling, VP and Editor in Chief, Little, Brown Books for Young Readers.

Some details: Any current SCBWI member can register for a workshop. The first 5,000 people to sign up will receive a confirmation email with a Zoom link and instructions on how to attend the webinar live. Once registration has reached the 5,000-person limit, the workshop will be closed. Members who cannot attend live will be able to watch a video recording of the webinar on the SCBWI website twenty-four hours after the conclusion of the event.

Get all the details, and register for the workshop here.

Illustrate, Translate, and Write On,
Lee

The Diversity Social At #LA17SCBWI

The Diversity Social -- a partnership between We Need Diverse Books and SCBWI -- is another great reason to attend SCBWI's 2017 Summer Conference in Los Angeles, CA, this July 7-10.

Here's Linda Sue Park, Miranda Paul, and Alex Gino, all of whom will attend, with some thoughts to share:

Lee: Why is this so important to you?

Linda Sue: I am on the Board of Advisors for both SCBWI and WNDB. They are the two organizations nearest and dearest to my heart. I firmly believe that together, we're an unstoppable force for helping young readers grow up to save the world.

Alex: Children are learning what's in the world and what to think of it. Kids who are marginalized for their gender, race, religion, disability, language, sexuality, socioeconomic status, and/or family structure deserve to see themselves represented well in literature. And kids with privilege in any of those areas who read diversely are more likely become adults with compassion, which we as humans sorely need more of. I appreciate WNDB's broad vision of diversity, and our approach of addressing the need for increased diversity at every level of the publishing industry, from writers to publishers to booksellers and librarians to readers. And the more good diverse literature is available, the more those readers will turn into writers and publishers and booksellers and librarians.

Miranda: The diversity social is important to me because diversity is an important issue, period. Representation in books is a matter of social justice. Event after event from diversity campaigns lead to connections, and opportunities, and ultimately books that build empathy in our citizens. As a child, I grew up with characters who looked like me, but what about creators who are still overcoming a lack of childhood representation? The creators who will attend this event are making books for my children, who unfortunately don't have the same random chance to see themselves represented as I did. Every event WNDB and SCBWI does can help turn the tide, even if it's only a small amount. The audiences we write for are young and forming their identities. Our literature needs to honor and reflect the lives, stories, and experiences of all young people. Every event that helps to support diverse book creators ultimately helps children be more able to find books that speak to them or open their minds to others' experiences.

Lee: Why it should be important (or should it?) for every creator of content for kids and teens attending the conference?

Linda Sue: The goal is for children's books to accurately include and reflect the glorious diversity of children in this country. Until then, creating, publishing, bookselling, and sharing books will always be fraught with questions of representation and fairness. Only when we reach the point of true inclusion will we ALL be able to create and publish with total freedom. The long game: Creating a diverse landscape in children's literature BENEFITS EVERYONE.

Miranda: I don't think it's important for every creator of content for kids and teens to attend this event. I do think that diverse writers and illustrators, outspoken and considerate allies, and publishing professionals who are looking to acquire more #ownvoices material should definitely come. You're not alone!

Lee: What are your hopes for the social?

Linda Sue: It's my fervent hope that the 'Diversity Social' will be THE gathering to attend at the conference! I hope all such gatherings will grow and grow until they're so inclusive that we won't need them any longer. Every facet of children's literature--creators, readers, teachers, librarians, booksellers, publishers, SCBWI members!--should be as diverse as the world we live in. It's the first step toward the ultimate dream of 'liberty and justice FOR ALL.'

I also hope it will be REALLY REALLY FUN. ;-D

Alex: My hope is that the social will connect burgeoning and unpublished diverse writers and illustrators with information about WNDB and our programs, including our grant and mentorship programs, as well as with authors and illustrators working in the field. I also hope that writers and illustrators interested in learning more about WNDB and possibly getting more involved with what we do will take this opportunity to drop in, meet us, and ask questions about what it's like working with WNDB.

Miranda: I hope the diversity social at SCBWI's Summer conference helps attendees to kickstart new relationships or bolster previous acquaintances. Writing or illustrating books and navigating the publishing industry are not easy feats, but especially so if you're someone who is consistently in the minority at writer's events. Most creators work in isolation, and have questions about craft or business that are best answered or explored through relationships with experienced professionals. But how does one gain access to professionals who might have been through similar experiences or be writing from a similar viewpoint? The idea of gathering like-minded individuals in one room will allow some of those relationships to naturally begin through shared experience, heritage, or identity. SCBWI and WNDB, among many organizations, have been working to change the dismal diversity statistics in children's publishing. We've moved beyond hosting panels stating that we need diversity—we all know and agree. Our initiatives have shifted to taking action. I have no doubt that POCs, writers with disabilities, or those from or focused on underrepresented populations in children's literature will benefit from making connections in this casual setting.

We hope to see you there!

Get all the information about #LA17SCBWI here, and learn more about We Need Diverse Books at their website, here.

Illustrate and Write On,
Lee