Thursday, December 4, 2025

2026 Virtual Winter Conference

 


With the In-Person Conference gearing up, don't forget that SCBWI offers a Virtual Winter Conference as well! February 6-7, you can join in the fun with exclusive industry panels, hands-on sessions on writing and illustrating, as well as networking opportunities to meet other creators. 

My very first conference was a virtual conference, and it was perfect for me! I was new to the community and being able to Zoom in from the comfort of my home allowed me to easy my way into children's publishing. That is where I met some of my long time creator friends, it allowed me to connect with people all over the world. 

So whether it is expenses or distance that is your obstacle, don't let that stop you from experiencing the chance to boost your children's book career!

"Whether you’re looking to sharpen your skills, gain insider knowledge, or connect with other talented authors and illustrators, this event is for you! If you can't make it to the live sessions, video replays will be available to view through March 15th."


Register HERE for the 2026 Virtual Winter Conference! 

Tuesday, December 2, 2025

SCBWI 2026 In-Person Winter Conference | Giving Tuesday

It's December, so you know what that means! The holiday spirit is in full effect and with that, the gift of giving! Yassss! Why not gift yourself or someone you love with the gift of children's book magic!

Registration for the SCBWI 2026 In-Person Winter Conference in New York is open!

My mother actually was the one who purchased my very first conference admission fee! Thanks, mama! And it was the conference that changed the trajectory of my career and life! I found community, purpose and so much joy, and that is what I hope for all those who attend!

Register HERE and join the SCBWI community this January!

ALSO! Today is officially GIVING TUESDAY!

Consider donating this year to one of the many causes below!

Impact and Legacy Fund

The SCBWI Impact and Legacy Fund, launched in 2022, is a division of SCBWI created to support the charitable activities and community purposes of SCBWI. Its programs and initiatives are not limited to SCBWI members but are available to the entire children’s book community.

The Society of Children’s Book Writers and Illustrators Impact and Legacy Fund is committed to creating, implementing, and supporting programs that center children’s books and their creators as a driving force behind equity, literacy, and freedom of expression for readers and storytellers alike.

Amber Brown Grant

The Amber Brown Grant commemorates author and beloved school speaker Paula Danziger. One school is awarded each year with an author or illustrator visit and new books to continue Paula’s love of connecting children with creative influences.

Disability Fund Application

The SCBWI Disability Fund gives grants to disabled members for anything that would help them create children’s literature. For nonmembers with disabilities, the funds may support memberships and/or registration to events.

Emergency Fund

The SCBWI Emergency Fund provides a grant of up to $1,500 to a member for anything that would help them create children’s literature. For nonmembers with disabilities, the funds may support memberships and/or registration to events.

Thursday, November 27, 2025

Giving Tuesday! SCBWI Impact & Legacy Fund, Awards & Grants, etc.

Happy Thanksgiving to all those who celebrate. 

To close out our month of activism, community action, and celebration, I want to invite you to check out some of SCBWI's charitable programs, awards, and grants as well as our book ban champions. In the spirit of gratitude, and with Giving Tuesday around the corner, please consider donating to help the KidLit community survive and thrive.


Impact and Legacy Fund

The SCBWI Impact and Legacy Fund, launched in 2022, is a division of SCBWI created to support the charitable activities and community purposes of SCBWI. Its programs and initiatives are not limited to SCBWI members but are available to the entire children’s book community.

The Society of Children’s Book Writers and Illustrators Impact and Legacy Fund is committed to creating, implementing, and supporting programs that center children’s books and their creators as a driving force behind equity, literacy, and freedom of expression for readers and storytellers alike.

Amber Brown Grant

The Amber Brown Grant commemorates author and beloved school speaker Paula Danziger. One school is awarded each year with an author or illustrator visit and new books to continue Paula’s love of connecting children with creative influences.

Disability Fund Application

The SCBWI Disability Fund gives grants to disabled members for anything that would help them create children’s literature. For nonmembers with disabilities, the funds may support memberships and/or registration to events.

Emergency Fund

The SCBWI Emergency Fund provides a grant of up to $1,500 to a member for anything that would help them create children’s literature. For nonmembers with disabilities, the funds may support memberships and/or registration to events.

Banned Book Resources
Here are some resources to continue the fight beyond Banned Book Week!
  • SCBWI Banned Book Video Playlists
    • Check out SCBWI's Banned Book Playlist, full of panel discussions with industry professional, censorship activists and more!

Tuesday, November 25, 2025

The Holidays are Here!

    Hi friends, it’s me, Sibu TP, and happy happy happy Thanksgiving week! It’s the holidays, and that means different things for different people. For some, it’s a time of warmth and reflection spent with loved ones, full tables, and a heap of traditions. For others, the season is a bit lonelier, a bit quieter, and many of the traditions we may take for granted are experienced from the outside looking in. 

So first note, if you can, please consider those who are unable to enjoy this time, and take a moment to appreciate all you have. If you’re able, please also donate to those who may have a bit less on their table through local food banks, drives, pantries, etc. I included some links below to start, but definitely try contributing locally where you can. And finally, again if you can, maybe send a text to someone you haven’t spoken to for a while who may need a bit of human connection this time of year. 

The holidays usually make me reflect a lot, I get a bit sad, I really feel the time passing on and I start thinking about old friends and family. But of course it’s fun too. Time off, traditions, turkey. My wife and I visit both our families so we’re lucky in that way. I try not to lose sight of that. 

But let’s talk about art.



What do the holidays really mean in the context of art making? For me it’s guilt, haha. First off, we’re nearing the end of the year and I’m always thinking I could have done more and asking if what I did this year was enough. I always try to squeeze in some more work before the year ends, whether that be a new portfolio piece or an update to the manuscript I was working on. 



But the thing that’s at odds with that thinking is that living is one of the most important things you can do to help you make art. 


You absolutely have to experience life without the encumbrance of commodifying those experiences by crystalizing it in the amber of a new piece of art. The best thing you can do for your mind and heart is to get rest and to open the metaphorical shutters. Clear out the cobwebs, let in some light and fresh air. Recirculate, refill. If you’re thinking of skipping out on the family gathering or friendsgiving because you feel bad about being away from your work desk, I really wholeheartedly suggest reconsidering. 


I mean, please make your deadlines. Let me reiterate, I’m definitely not telling you to miss your deadlines! But if you’re on deadline, try to make both. You may even find the break a nice source of clarity that helps you get through the finish line quicker. 


And if you’re going to the function and are hoping to be inspired, don’t let the prospect of a new idea color your time at the event. Trust me, I know the impulse to think that everything and everyone put in front of you is only there to potentially be a book. But, it’s not. You’re actually short-changing yourself and depriving yourself of rest and fun by not fully being present. So as an artist and a person, the best thing for you to do is to be present where you are. Then, when you get home later, try to recall what you felt and what you saw to provide something you’re working on with a little home-inspired specificity. 


Be kind to yourself. This work is alienating at times and you’re often the only person who truly believes in what you’re making. Don’t add to those feelings by thinking you don’t deserve a break. Clear your mind, eat, be present in spaces with people you love, or with people you’re meeting for the first time. Take time to reflect on your year and on all the wonderful things you are blessed with. Then, for the love of God, please make your deadlines. :) 


This is my last post as a guest blogger. It’s been really fun to talk these ideas out and share them with you all. Have a wonderful holiday and New Year. I’ll be at the SCBWI Winter Conference, maybe I’ll see you there? Until then, happy art-making, friends!


https://www.feedingamerica.org/ 

https://robinhood.org/ 

https://foodforthepoor.org/help-now/ 

https://www.habitat.org/



If this post interested you, please reach out and let me know!

You can find me as @sibutp on all the things, mainly Instagram.

Sibudraws.com

sibup.art@gmail.com 


About Me

I'm a storyteller. I make cultural and societal picture books that are rich, colorful, and touch on universal stories. I work through the belief that we're all connected by those small moments in life that I try to capture in my illustrations.

Born and raised in New York, I am a first-generation child of immigrants from Kerala, India. I spent a great deal of my childhood years scribbling and sketching, dreaming and imagining. I studied English Literature at Stony Brook University and received my MFA in Illustration at the Hartford Art School.



Thursday, November 20, 2025

Interview with Jennie Mayfield from the New York Pubic Library

Continuing our theme this month, I had the pleasure to connect with Jennie Mayfield, a Children's Librarian, currently working on the Children’s Programs and Services team at The New York Public Library. With so much changing in the children's literature landscape, we are thankful for Jennie's insight and expertise! Check out her interview!


- Q1: How long have you been a librarian? Tell us a bit about your journey.

I have been a Children's Librarian since 2021. I started at NYPL in 2019 as a Children’s Librarian Trainee in the Bronx and completed my MSLIS degree from University of Illinois at Urbana-Champaign.

-Q2: What inspired you to become a librarian and tell us what you find the most rewarding

I came to libraries a bit circuitously, as my undergraduate degree was a BFA in Acting. After being on the audition grind and working a million part time jobs I decided that I needed to take space and decide what came next by moving to Paris, France to be an au pair. While in Paris, I thought a lot about what drew me to acting, and I realized I loved sharing stories and experiences with people, and another great way to do that is by sharing books. From there I became a volunteer in the Children’s Department at the American Library in Paris and realized I wanted to become a Children’s Librarian.

I find our work within the community incredibly rewarding. Getting to know children and helping them develop their reading tastes is such a great feeling. One of my favorite memories from working in the branches was handing a copy of Stella’s Stellar Hair to a parent and their child after they had asked for books similar to Hair Love. They brought the book back three days later, and I asked if they enjoyed it and the parent said, “Oh we loved it so much that we bought a copy, so we’re bringing it back so other kids can enjoy this one.” Truly, there is no better feeling than nailing a book recommendation.

-Q3: In your opinion, what role do you think libraries play in supporting education, equality, and access to information?


Libraries play a major role in supporting education, equality, and access to information, and we do so holistically, supporting our communities from birth through adulthood. One major way we support education and equity is by supporting parents and caregivers. Parents or caregivers are often a child’s first and most important teachers, and the library supports these teachers. We offer storytimes to introduce books and early literacy strategies that grown-ups may not be aware of, we introduce concepts that are really important to a child’s development like playing or singing. We provide resources like toys, third spaces for socializing, and information on other community initiatives and resources.

We also continue this support through school with our free, drop-in tutoring service NYPL After School, allowing kids to access high-quality homework help regardless of socioeconomic status. We also offer KidsLIVE programming, introducing kids to authors, so they can learn from the creative people that shaped the stories they like to read. These programs are hybrid (meaning they are in-person and livestreamed online), to create equity so the talks aren’t just limited to the children that are able to show up to a particular branch. Our KidsLIVE talk this month was attended by children in Staten Island, the Bronx, and Manhattan, and focused on the anthology You Were Made for this World: Celebrated Indigenous Voices Speak to Young People. We not only provided access and equity to kids throughout the system, but we were able to celebrate and amplify Indigenous voices.

-Q4: As you are well aware, there is a growing trend of book bans and challenges that is sweeping the nation. Would you share some thoughts about this and how you feel it impacts our community and readership?

I feel like the homogenizing of literature will have negative impacts on kids and their interest in and ability to read. Kids need mirrors, windows and sliding glass doors when they are reading! They need to see their own experience reflected back at them, a mirror. They need to read about what others experience, a window. They also need to read about what could be possible for them to experience, a sliding glass door. Making sure children have access to all three types of reading experiences is important for creating well-rounded, empathetic, global citizens. It also helps children develop their own taste and interest in reading because every child is different. If we are banning books, we’re providing less options. You never know exactly what will get a kid to become a lifelong reader and library user, so having a multitude of high quality options is important. Think of all the times you were told, “everyone should read this book” and the book wasn’t for you? If we are limiting options, children may give up the hunt for their next favorite book.


-Q5: What would you like to say to those who want to fight back against the freedom to read? How have you kept your hope up during this time?

Keep on fighting! For every book challenge that I hear about, I remember the joy that kids find when they find the right book for them. I am also doing my best to uplift and empower authors whose work I’m excited about. That comes in many forms, whether it’s recommending new books to children, inviting authors for author talks, or supporting the purchase of a title for our collections.


-Q6: If you could share one message with people who may not visit libraries often, what would you want them to understand about why libraries are still vital in our society?

Libraries are a great equalizer. Information used to be reserved only for the elite, but public libraries take information, and make it accessible to people from all walks of life. Whether it’s a service you use or not, having access when or if you need it is imperative for an equitable society.


Jennie Mayfield is a Children's Librarian, currently working on the Children’s Programs and Services team at The New York Public Library. She is a slime enthusiast and you can usually find her participating in community theater or reading a middle grade or mystery novel.






Banned Book Resources
Here are some resources to continue the fight beyond Banned Book Week!
  • SCBWI Banned Book Video Playlists
    • Check out SCBWI's Banned Book Playlist, full of panel discussions with industry professional, censorship activists and more!

Tuesday, November 18, 2025

The SOI Original Art Show And Some Advice From the Pros!

Hi SCBWI friends, and live from New York, it’s the Society of Illustrators Original Art Show! *Queue SNL music*  

Sorry about that, I’m not Bowen Yang. It’s me, Sibu TP! And this past Friday, I had the amazing opportunity to attend the reception for the Original Art Show at the Society of Illustrators.


I had the bonus treat of visiting as a participant in the show. My author-illustrator debut, Home, Home, was selected for the show! Yayy, what an honor. I’ve been submitting to the Society for years and to get in is really so special. 


With over 800 submissions, the Society selected around 245 picture books to be represented in the show this year. 

The building was packed with so many incredible artists, art directors, editors, agents, and many other folks involved in the wonderful process of picture book making. 


I realized something during the show. I saw many faces that I recognized from my time as a pre-published artist. I’m talking about artists I admire, as well as industry professionals I submitted work to and received feedback from. It was nice catching up with a few of these folks, and they were kind enough to remember me and noted my growth over the years. 


I realized that all the incremental changes that I made in that time, which always felt like nothing, all added up. That each individual effort that felt like I was moving in place and I was working in a vacuum, actually had real-world effects that meant something. I realized that all these artists that I admire are also my peers and I really need to get better at making small talk lol


But seriously, if you’re reading this and you’re pre-published and things are not looking up. I just want you to know that I was pretty down on myself for a long time. Everything that you’re doing is helping you get somewhere, even if that somewhere is hard to see right now. So please keep working.


With that, I asked around at the show for some advice for our SCBWI readers! And I got some answers from some heavy-hitters. My prompt: if you could give a picture book creative one bit of advice, what would it be…


Alex Gehringer, Agent, The Bright Agency

“Be a ruthless editor on your own portfolio. Don’t include everything...try to relax and have fun, because that’s when the creativity shows.”


Alex is one of the many great agents at Bright. She's also the mastermind behind the Bright Artists Retreat, which was an incredible and transformative experience. 


I also had the opportunity to catch up with some fantastic ADs, Chelsea and Nicole, as well as my Editor for Home, Home, Aneeka, and they were kind enough to give some advice as well!


Chelsea C. Donaldson, Art Director at HarperCollins Children’s Books

“Be a good editor of your own work, but also have a section in your portfolio for sketches and for what isn’t your most polished work. Show thinking, show something that’s not fully realized yet, but is inspiring."


Nicole de las Heras, Executive Art Director for Trade Picture Books and Preschool at Random House Children’s Books

“Work on finding your own voice and style. Think about what your dream illustration project is and work your portfolio around that."


Aneeka Kalia, Editor, Viking Children’s Books

“Keep doing stuff that you enjoy in your regular life and that will provide good inspiration for you. Don’t be focused on the market and let your life show through your work.”


And finally, from my wonderful Agent, James Burns(Hi, James!):


James Burns, Agent, The Bright Agency

“You’ve got to be authentic to yourself and not cave to pressures or trends. If the work is forced, it’s compromised.”



Authenticity is the key. Personal and authentic. Be yourself and keep working.

Oh and please do yourself the favor of visiting the Original Art Show at the Society of Illustrators, running through January 24, 2026.

Until next time, happy art-making, friends!

If this post interested you, please feel free to reach out and let me know!

You can find me as @sibutp on all the things, mainly Instagram.

Sibudraws.com


About Me

I'm a storyteller. I make cultural and societal picture books that are rich, colorful, and touch on universal stories. I work through the belief that we're all connected by those small moments in life that I try to capture in my illustrations.

Born and raised in New York, I am a first-generation child of immigrants from Kerala, India. I spent a great deal of my childhood years scribbling and sketching, dreaming and imagining. I studied English Literature at Stony Brook University and received my MFA in Illustration at the Hartford Art School.






Thursday, November 13, 2025

The Magic of the Library, as told by Justin

Post The Librarians film, I wanted to dedicate the month of November to the libraries and librarian! 

As a 90s baby, I can say, with full authority, that we had some awesome movies! Jurassic Park, Toy Story —JUMANJI! Like, come on!

Since the beginning of cinema there, of course, have been many groundbreaking films, but I have a true soft spot for the 90s. And among these incredible movies, there was one that changed the brain chemistry of my childhood mind—even though it didn't grant me powers.

Mathilda, the 1996 fantastical comedy based on the 1988 novel by Roald Dahl, was quite influential to me and my relationship with reading. I still remember watching young Mathilda, played by the adorable Sara Magdalin who grows up to become Mara Wilson, walk into the library, barely able to see over the counter, and talk to the librarian, Mrs. Phelps—perhaps the first adult she’s met up to that point that truly saw her.

After devouring all the books in the children's section, Mrs. Phelps even told Mathilda a very valuable secret...you can have your very own library card...and take books home!  Mathilda was "nurtured by the voices of all those authors who had sent their books out into the world, like ships onto the sea." (Ugh! Just writing this makes me emotional).  But the books gave Mathilda a "hopeful and comforting message—you are not alone."

That moment sowed a seed of wonder and excitement in me and immediately, I wanted to go to this magical place. Especially on top of the fact that this magical place was able to grant you the power of telekinesis as a direct result of exercising your mind; by growing your knowledge and brain power.




Art by Quentin Blake
Though I don’t have telekinesis as a result of years of reading, the action of engaging, entering and enjoying the library and what it had to offer has made me develop my own superpowers. Empathy, curiosity, confidence, and discernment. And though my childhood was full of tumult, very much like Mathilda, I wanted to find somewhere out there where I belonged. Somewhere that I wasn't alone.

8 year old Me
Today, I am able to connect to other people and cultures, to place myself in their shoes and to imagine a world larger than my own, to the point where I’ve realized my own wildest dreams as a result of entering the dreams of others in the countless books I’ve read. I learn so much from being in the library. I discovered my autonomy as a reader, socialization as a child and even deepened my love to research— There, I even discovered that I could be an artist when I grew up, my lifelong passion for drawing cultivated as a result to my exploratoin.

I even made a petition to try and get a library in my neighbor in Staten Island. I had to go to my closest library, which was 30 minutes away via bus, use my 40 cents to print a self-made petition to have my neighbors sign. I was very ambitious as a child! 

I recently heard that there is now a library in my old neighborhood and the lore is that I helped bring it to life. Whether or not I actually did, at that age, the library was my favorite place and I’m glad that there is a library in the community for kids like me. 

Reading was a lifeline for me and till this day, I can be found with a book in my hand, no matter where I am. And this love of reading was nurtured by movies like Mathilda, or amazing shows like Reading Rainbow— shoutout to LeVar Burton, and the host of the reboot, Mychal Threets.

So I invite you to join in supporting your local library. 

Get yourself or a child in your life a library card. Take them to the library, find a cozy corner, and read together. Check out what events are taking place. Engage with your library community. Introduce yourself to your librarians. 

Growing up in an underserved community, I understand the privilege that education, knowledge and books have. And I've made it my personal goal to read as many books as literally possible and my mission to create books in hopes of being one of those authors whose voice becomes a ship that a child can board and be whisked away to other worlds. 

In this tumultuous time for book creators and those who champion them, we must remember the importance of books, their power but also, our own strength to combat the attack on freedom to read and freedom of speech. Consider joining the fight to protect these "ships" by purchasing banned books, requesting them at your local library, joining an organization that is at the forefront! Together our fleet of imagination, of love, of truth will triumph!

Banned Book Resources
Here are some resources to continue the fight beyond Banned Book Week!
  • SCBWI Banned Book Video Playlists
    • Check out SCBWI's Banned Book Playlist, full of panel discussions with industry professional, censorship activists and more!

Tuesday, November 11, 2025

Let’s Talk About…References!

Hi again SCBWI fam! It’s me, Sibu TP, and I wanted to think out loud for a bit with you about references. 

My author-illustrator debut, Home, Home, released recently through Viking Press, and a great deal of the imagery in my book was based on references. The vast majority of these references were photos that I took while traveling to India, and some were from old family photographs that my parents keep in yellowing albums at home. 
 
I use references a lot in my work. For my previous project, A Taste of Home, I photographed a lot of references in the lower east side, NYC, where the story takes place. Reference usage is super important for telling stories. Having real-world references injected into your work not only adds an element of legitimacy and ethos to what you’re making, but it also grounds your work, allowing your brain to then think beyond those details to ideas you may not have otherwise gotten. 

I mean where do we get ideas for our stories? They don’t just come from nowhere. Even the most outlandish brainstorm session yields ideas that are filtered through our brains before they end up on the page. So it's always colored by our personal thoughts and experiences and would thus come from a place specific to us. It has to be both. It's an accurately depicted illustration, yes, but it's also a fuzzy message from your memory and imagination.

And to me, that’s key to reference use. It’s not always a 1 to 1 type of situation where you copy something down. References are like a sturdy guide post upon which your ideas can lean. They’re meant to inform and aid, not to necessarily be the primary content of the artwork itself. That's why I always try to use references as a supplement to flesh out my ideas, not as the end goal.


Here are two illustrations I did for my last book, A Taste of Home, written by the wonderful Richard Ho, and published by Roaring Brook Press. Below each illustration is a reference photo I used for them.








In both instances, I started by drawing out the composition, placing my characters and deciding on the lighting. Only after those decisions were all made did I implement changes based on the references I shot. In fact, the reference photos I took were also informed by the composition that I worked out for the spread. So there was a lot of synergy between illustration and reference informing each other.

I'm going to end off here. Does this one look familiar? If it doesn't, then you probably blocked it out of your memory because I spent SO much time (too much?) talking through the process in my last post. I didn't, however, talk about how I used reference for it. This illustration is from Home, Home, and it represents what I feel is my personal ideal for good reference use.



Just like I did with the two illustrations above, I made all of the decisions for this piece before using my references. The composition, the subjects, the perspective, the light source, etc. were all decided and loosely drawn. Unlike the two illustrations above, I actually had this reference photo for a couple years before I worked on the book. So I actually had to search for an appropriate reference from my library (Yes, I have a reference library. And also Yes, it is disorganized and impossible to sort through :) ).

The reason why I feel like this particular illustration process is my ideal for reference use is that there's a looseness in how I worked on it. I was able to work with openness and use reference that worked for the composition, and not just the other way around. Because I used the imagery that was in my mind as the north star for where to end up, the reference worked to serve that image. And in those moments that the real-world implications of the reference photo necessitated change in the illustration, I was able to make those changes because the process is so malleable and allows for alterations without negotiating the essence of that ultimate image. And in the end, that's exactly where you want to wind up: that beautiful and abstract message from your imagination.

Until next time, happy art-making, friends!

If this post interested you, please reach out and let me know!
You can find me as @sibutp on all the things, mainly Instagram.
sibup.art@gmail.com

About Me
I'm a storyteller. I make cultural and societal picture books that are rich, colorful, and touch on universal stories. I work through the belief that we're all connected by those small moments in life that I try to capture in my illustrations.
Born and raised in New York, I am a first-generation child of immigrants from Kerala, India. I spent a great deal of my childhood years scribbling and sketching, dreaming and imagining. I studied English Literature at Stony Brook University and received my MFA in Illustration at the Hartford Art School.