Thursday, May 16, 2024

Creating a Marketing Plan (that doesn’t take over your life)


Confession time: I love marketing. I know, most authors dread it, but to me it can be as much fun as writing my books. That said, marketing can become a serious black hole where time and space does not exist…*cue Twilight Zone music

            I’ve wasted my share of hours on Twitter (actually, that’s X now), Instagram, and whatever platform is the latest buzz. I had to set limits on the time I spend on social media, and how much time I spend on marketing in general. It’s very easy for marketing to take over your life, especially around book launch time.

            It took me a while to get this balance right. Here are a few things that worked for me:

 

1.     Set Clear Goals (try 3 at first)

When my first book came out, I tried everything I could think of. I sent postcards, attended conventions, and roamed around social media platforms telling everyone who would listen about my book. Some of it was effective, but a lot of it was a waste of time. I quickly realized that if I wanted to write the next book (which I was under contract for), I had to stop trying to do everything and focus on those marketing activities that were more effective.

            It helped me to set goals. For instance, I have a goal to write a newsletter once a week. I put in roughly four speaking proposals to literacy and writers conventions a year. I post to social media platforms almost daily, but I limit my time spent there (I use it as my watercooler/coffee break, since I’m a full-time writer).



This is me at a school visit (they are my favorite kind of marketing)


            Define what you want to accomplish, so you can use these goals to remain focused. Extra tip: split your time between in-person and online marketing, roughly evenly. That way, you’re getting your message out there on multiple platforms and reaching different audiences. Be realistic about what you’re capable of doing.

 

2.     Define Steps to Get You There

Once you’ve identified your (annual or quarterly) marketing goals, make a checklist of actions that will get you there. For example, a goal of four speaking engagements a year means you have to create a presentation to pitch, plus research so you can make a list of events you want to pitch it to. Those are clear actions you can check off when finished. Try to estimate the amount of time each task might take, so you can schedule them on your calendar, just like you would a doctor’s appointment or your kid’s karate lessons.

            If you have a book launch or other event surrounding your book (say, Earth Day for a book about the environment), you’ll want to make sure your marketing steps reflect your outreach goals. Be sure to plan ahead so you don’t miss an opportunity. If you want to land speaking engagements in 2025 for example, you’ll want to start planning your pitch and research where you want to put in a proposal now. Those proposal windows are often small, so you’ll want to be ready.

3.     Schedule Time for Marketing and Walk Away

As a rule of thumb, I make sure that I never spend more time on marketing than I do writing my next book, unless I have a book launch happening. I have to protect that writing time, because I want to have a new book to talk about in a few years. Marketing is fun to me, and I always have a marketing activity on my calendar. But once I check off the actions on my to-do list, I walk away.

            Accept that you can’t do everything. You’re not a robot, you know.

 

Tell me: what do you do to make sure marketing doesn’t take over your writing life?

Bonus Resources: you can check out my newsletter. I share writing tips just like these posts, plus inspiration every week.

 

About Fleur:

Fleur Bradley has loved mysteries ever since she first picked up an Agatha Christie book at the age of eleven. She’s the author of middle-grade mysteries Daybreak on Raven Island and Midnight at the Barclay Hotel (Viking/PRH), the Double Vision trilogy (HarperCollins), as well as numerous short stories, one of which was recently chosen for the annual Best Mystery Stories of the Year anthology. Fleur’s work has been nominated for the Agatha and Anthony Award and has won the Colorado Book Award, among others.

A reluctant reader herself, Fleur is also a literacy advocate and speaks at events on how to reach reluctant readers. Originally from the Netherlands, she now lives in a small cottage in the foothills of the Colorado Rockies.

You can find Fleur online at fleurbradley.com.


Tuesday, May 14, 2024

Today (Tuesday May 14, 2024) is the last day to vote in Round One of the SCBWI Crystal Kite Awards

All current members of SCBWI may vote once in each division per each voting round. Go login and vote here: https://www.scbwi.org/crystal-kite 

screenshot of the new voting platform for the SCBWI Crystal Kite Awards

Round two will open on May 16!

(It's a great way to support your fellow children's book creators, and a super way to add to your to-be-read list, too!)

Illustrate, Translate, and Write On,
Lee

Thursday, May 9, 2024

3 Tips for Writing a Mystery for Kids

 Hello, I’m Fleur Bradley and I write mysteries for kids.

    This is my standard introduction whenever I go to a conference or other event, so it seemed only fitting to start my series of blog posts here this way. I love mysteries. I actually got my start as a writer in the genre, writing short mysteries and getting them published in magazines and anthologies. In fact, there’s an SCBWI anthology out in July, The Haunted States of Americawith one of my stories (representing Colorado) in it. More on writing short stories in a future blog post…

    I still write a few short stories every now and then, though I spend most of my time writing MG and YA mystery novels now.

    As luck would have it, kids love mysteries too. Just like me, they love the puzzle, the excitement, and turning the pages to see if the whodunit is in fact the who that they thought dunit.


    I’ve been writing mysteries long enough that pacing and placing clues comes easy to me now, though that took many years. The question I get most often from fellow SCBWI writers is how to place your clues so a mystery novel works.

    Here are a few tips. 

1.     Start with your Big Reveal and Work Backwards

The best way to ensure you place your clues in the right spot is to start with the big reveal of your mystery bad dude or lady, and work your way backwards. Outline the scene where your kid detective puts the pieces together and reveals who the antagonist is. Then simply make a list of clues that would logically get your protagonist to come to that conclusion.

2.     Sprinkle Clues Throughout

Next up, you’ll want to place those clues throughout the manuscript. These revelations will become plot points you work your manuscript scenes towards, a bit like stops on a road trip. Make sure your protagonist has to work to uncover these clues and that they don’t just fall into their lap—especially avoid clues handed on a silver platter by adults. Your detective should earn it. Bonus points if your protagonist’s skills make them uniquely qualified to put these clues together, a little like Sherlock, Marple or whoever your favorite detective is.  

            Extra tip: You can use tangents or false clues to send your detective down the wrong path. They’re called red herrings in the mystery world.

3.     Play Fair with Your Reader

Make sure you play fair with your reader. No one likes a ten-page monologue by the antagonist, telling us how they outsmarted everyone, or a magical uncovering of a dozen clues at the end. Some sort of final reveal scene is okay, but it shouldn’t be a clue or info dump. Your reader should be able to put the clues together if they read your story again, or even the first time. As a mystery reader, half the fun is in seeing if who you think did the crime is actually it.


I’ll never tire of the mystery genre, because I love this clue hunt.

Tell me: do you have a favorite detective, either on the kid or adult side?

 

Quick resources:

To find a list of mysteries for kids, check out this list I made on Bookshop and Mystery Writers of America’s Edgar Awards database.

 

About Fleur:

Fleur Bradley has loved mysteries ever since she first picked up an Agatha Christie book at the age of eleven. She’s the author of middle-grade mysteries Daybreak on Raven Island and Midnight at the Barclay Hotel (Viking/PRH), the Double Vision trilogy (HarperCollins), as well as numerous short stories, one of which was recently chosen for the annual Best Mystery Stories of the Year anthology. Fleur’s work has been nominated for the Agatha and Anthony Award and has won the Colorado Book Award, among others.

A reluctant reader herself, Fleur is also a literacy advocate and speaks at events on how to reach reluctant readers. Originally from the Netherlands, she now lives in a small cottage in the foothills of the Colorado Rockies.

You can find Fleur online at fleurbradley.com.

Tuesday, May 7, 2024

Make Your Book Indistinguishable In Quality to One Published By the Big Five Publishers: A Free Resource

Hello, SCBWI friends!

The Independent Book Publishers Association (IBPA) has a free PDF checklist called The IBPA Industry Standards Checklist for a Professionally Published Book.

screenshot of the first page of the IBPA Industry Standards Checklist for a Professionally Published Book

It's very helpful two page PDF that can help you make sure that when you publish your own work it is professionally put together and presented--both for industry folks (librarians, booksellers, agents, trade outlets, etc...) and the reading public.

The good news is the reading public doesn't care who published a book. So if you make sure your book is professionally done, you're giving that book the best chance to succeed.

Note: The term "self-publishing" tricks a lot of people into thinking that they just need to learn how to do it all themselves. This is the wrong approach. You need to hire professionals to do a lot of the elements that you can't do at a professional level. (Think about it: If no one is going to pay me to design the cover of their book, then I have no business designing the cover of my book.)

A better term for a creator publishing their own work is "author publisher" - because as a publisher, you're the final say on how professionally put together the book is. You hire the team, you oversee the project, and you're the one who signs off on the version that goes out into the world.

So if you are or want to be an author publisher, this IBPA Checklist for a Professionally Published Book is an excellent resource.

Illustrate, Translate, and Write On,
Lee



Friday, May 3, 2024

What Are All the Different Paths to Getting Your Work Published? The IBPA Publishing MAP (Models and Author Pathways) Helps You Explore the Options

Even for the same creator, each book project can have a different path to publication. The nonprofit Independent Book Publishers Association (I work for them as their Chief Content Officer) has put together a FREE overview and resource for the book publishing industry and for authors looking at different pathways to getting their creative works published. It's called the IBPA Publishing MAP (Models and Author Pathways).

Image of the first page of the IBPA Publishing MAP

The IBPA Publishing MAP includes eight different publishing models:

  • Association, Society, & Non-Profit Publishers
  • Author Publishers
  • Corporate Trade Publishers
  • Higher Education & Academic Publishers
  • Hybrid Publishers
  • Independent Publishers & Small Presses
  • Service Providers
  • University Presses

For each model, the IBPA Publishing MAP explores and explains these attributes:

  • Definition
  • Examples
  • How They are Funded
  • How They Generate Income
  • Model Characteristics
  • Appropriate for Authors Who
  • Not Right for Authors Who

Additionally, the IBPA Publishing MAP includes a discussion of areas of model overlap, a disclaimer regarding predatory business models, and links to related resources.

Many advisors, volunteers, and staff members worked together to make this first iteration of the guide the best it could be on release. As with all documents, there are always ways to improve it, especially as publishing continues to evolve. You can leave feedback here in comments or email the IBPA team at info (at) ibpa-online (dot) org

IBPA's hope is that this is helpful to members of the SCBWI community as you consider the different options for getting your creative work published!

Illustrate, Translate, and Write On,
Lee