Thursday, June 27, 2024

The Three “Ps” in my Publishing Journey: Practice, Patience, and Perseverance:

After sending out my first picture book submission to an editor in 2009, little did I know it would be 2021 before I would hold my first published picture book in my hands. With over 160 rejections of 11 manuscripts before I received my first “YES”—an offer from an agent—it would be another year and a half (and dozens of rejections with five manuscripts) before I received my first book contract. How did I stay afloat during that long and bumpy journey to my first published book? The Three P’s: Practice, Patience, and Perseverance.



Practice: 

There’s a common saying that it takes 10,000 hours to become an expert at a skill. Even if 10,000 hours is not cut in stone, we all know that to be good at anything–a sport, performance art, etc.–it takes practice. No one becomes an expert overnight. The same holds true in writing. In order to become better at writing, you have to write. A lot. When I decided I wanted to be a picture book writer in 2006, I signed up for a course on writing for kids. I learned a lot about writing through that course but I still had no idea how long it would take to get published.


Throughout the next decade, practice entailed taking classes and workshops, participating in writing challenges (see post here), typing up lots of picture books (see post here), and joining critique groups to improve my writing (see post here). And continually writing new stories. Even if some of my stories didn’t sell, every story I wrote taught me something about writing. They were my practice.


Patience: 

My Mom’s favorite saying while I was growing up was “Patience is a virtue.” I've certainly needed patience in the last 15+ years. . . and still need it now. I’ve learned that once I get some words down on paper—that awful first draft—I need to let them sit. Then revise. And let them sit. And revise some more. No matter how much of a hurry I am to get a story submitted to my critique group or editor, my stories need time. They need to sit on that piece of paper and also simmer in my brain for a few days, a few weeks, or even a few months. Only then can I see my words with fresh eyes and find a way to make them better.


Another need for patience in this industry is in the submission process. This industry is SLOW. Molasses slow. After submitting to either agents or editors, it might be months or even a year, before you hear back. If you hear back. Even now that I am agented, a story might sit in an editor’s inbox for months. While waiting is hard, the best advice is to just write another story. Patience is easier when you are busy. (Another saying my Mom was fond of.)


Perseverance: 

Rejection is par for the course. To get traditionally published, you have to be ready for it. Thick skin is an absolute necessity. During my first few years as a picture book writer, I kept revising the same two stories. I thought that if I just made the right changes, they would sell. The truth is, not every story will sell. It finally dawned on me that I had to let go of those two stories and write new ones.


Sometimes perseverance meant taking query sabbaticals when my stories weren’t gaining traction. Did I need to revise those stories? Or should I write new ones? Either way, it meant more “write, revise, repeat.” Many times I considered quitting. But I knew that while there was no guarantee I would ever find an agent or editor interested in my stories, if I quit, that guaranteed I would never be published. So I kept going.


I still needed to persevere even after I signed with with my first agent in 2017. A lyrical picture book had caught her eye and I thought a book contract was right around the corner. Alas, it wasn’t. Even after four or five acquisition meetings, that first story never sold. And my agent tried hard, SO hard to sell it. The market was just not interested in it. We went on to sub three more picture books—another lyrical one and two picture book biographies. By spring of 2018, with still no offer, she suggested I try something different. So I changed tactics and wrote a rhyming nonfiction one about animal adaptations. And finally, in 2019—a full year and a half after I signed with my agent—we had an actual offer. FREAKY, FUNKY FISH: ODD FACTS ABOUT FASCINATING FISH came out in May 2021, about 15 years (and 11 manuscripts) after I submitted my first picture book. 




Not everyone's writing journey will take as long as mine did. (During those 15+ years, I was also raising three boys.) Many writers find success much quicker. But, the children’s literature industry is hard. Rejection can take its toll. I now have three picture books published with two more on the way. Will I sell another one? I’m not sure. But when I get discouraged, I remind myself that practice, patience, and perseverance won’t guarantee anything, but they’ve gotten me this far. All I can do is to keep on trying.


©Yanka Photography

Debra Kempf Shumaker started reading at the age of four and hasn't stopped since. She grew up on a small dairy farm in Wisconsin but now writes picture books from her home in the suburbs of Northern Virginia. She is the author of FREAKY, FUNKY FISH (2021), TELL SOMEONE (2021), PECULIAR PRIMATES (2022), and the upcoming WIND IS A DANCE (October 1, 2024). 


Debra is a member of SCBWI, several critique groups, and also a co-host of #PBPitch, a Twitter pitch party for picture books. Debra reviews picture books on Instagram every Monday, Wednesday, and Friday, firmly believing there is a picture book for every reason, every season, and every age. Visit her online at www.debrashumaker.com, on Twitter or X at @ShumakerDebra, on Instragram at @debrakshumaker, and Bluesky at @debrakshumaker.

Tuesday, June 25, 2024

The New SCBWI Pitch-Perfect Translation Grant

Translator friends, check this out!

screenshot of the Pitch-Perfect Translation Grant page from the SCBWI website


The SCBWI Pitch-Perfect Translation Grant assists children’s book translators in the development of a specific translation project into English, which is not currently under contract. Up to two winners will be selected annually. 

Entrants will submit a written pitch of up to 500 words and a short translation sample of up to 500 words from the work being pitched. Each winner will receive $500 and the opportunity to craft a longer sample of up to 4000 words, which will be made available on a secure webpage and presented to a hand-selected group of editors, along with the pitch.

Special consideration will be given to emerging translators and to works translated from underrepresented languages.

Deadline for this inaugural grant: 

Submissions accepted from July 1 to July 31

Announcement and payment of grant: October

Winners’ pitches and longer samples posted on secure webpage at the end of 2024.

Get all the details at the scbwi website here, and good luck with your translation pitches!

Illustrate, Translate, and Write On,
Lee

PS - Thanks to Avery Fischer Udagawa, SCBWI's volunteer Global Translator Coordinator, for the heads-up on this! 

Thursday, June 20, 2024

Reasons To Be In More Than One Critique Group

Common advice writers are given when new to the industry is to find a critique group—a group of writers who share their stories and provide each other with feedback to improve them. Some benefits to being a part of a critique group:

  • Your writing skills will improve as you analyze what is working and not working in other stories.
  • You help each other learn about the industry, share the frustrations, and celebrate the good news, both big and small.
  • Having regular meetings with a critique group gives you a deadline to write/revise your stories.


Those are all good reasons to join a critique group. But, if you can, consider joining more than one. I’m in four! Each have different structures and time frames for submitting a story for critique and providing feedback:

  • An in-person group that focuses on picture books and meets once a month.
  • An online group for picture books where two authors submit a story each month.
  • An online nonfiction group for any age group of KidLit—PB to YA—where we take turns submitting stories every two weeks.
  • Another online nonfiction one for just picture books where we can submit one story each month, but we are very sporadic.


Why do I like to be in more than one critique group?

  • As we all know, writing is subjective and so are critiques. And different writers might be better at critiquing different aspects of your story. By submitting the same story to different groups, I get many view points. While various view points may be conflicting, if I see some repeated comments about the same issue, it’s a really strong indication that that part of my story may not be working. And while I may not make every change suggested, the various opinions at least makes me think about things I might not have considered. That is always a good thing.
  • As I noted above, my various critique groups work in different ways for submitting a story for critique and for providing feedback. Depending on the schedule each group has determines when I can send a story for review. Sometimes I have deadlines that I’m trying to meet and my turn for submitting might not coincide with when I need the feedback. Being in more than one group increases my odds of getting the feedback when I need it.
  • Sometimes one critique group has seen a story multiple times. As the saying goes, you only get one time to make a first impression. It can be hard for a critique group to review a story they’ve seen multiple times since they may bring their previous views to the one they are reading. By submitting a story to a different group for the first time, I’m getting a “clean” take on that story.


Other authors have also shared why they like being in more than one critique group:


Kathy Halsey, author of BE A RAINBOW (KiwiCo), is in two groups but also has several critique partners. She states, “Having all these groups gives me different perspectives, a broader view of how my work is seen by others, and a way to keep several stories going at the same time."




Lisa Katzenberger, author of A LOVE LETTER TO MY LIBRARY (Sourcebooks), among others, is also in two critique groups. She says “I love sending the various groups a PB at different stages of revision.”






Lynn Becker, author of JUNE MOON (Familius), states, “ I have two that meet regularly as well as various friends I can usually send work to when I need fresh eyes. It’s especially important for work that needs lots of revisions, when one group has seen something just too many times.”



It can be hard to find one critique group, much less four. How did I find them? 

  • SCBWI regional conferences: I found my in-person group when I joined SCBWI about 15 years ago. Our regional chapter had a list of contact people and critique groups they formed. I reached out to one person who had a picture book group and they had an opening. Another time I was at a different regional conference and connected with a another PB writer. She mentioned her online critique group had an opening and wondered if I would like to join them.
  • The Writing Community: The other two groups came about from writing connections I made, mostly from online groups, like 12x12, in Facebook, or the SCBWI Message Boards.


Tips on finding your own critique group (or two or three):

  • Attend writing conferences/classes both in person and online where you will meet fellow writers. The bonus with connecting with writers from classes you take means that you have similar writing goals or interests.
  • If you are on social media, connect with other writers there. Twitter/X has a hashtag for various writing categories: #kidlit #5amwritersclub #nfforkids, etc. Bluesky also has an active #kidlit group. Sometimes classes you take will form their own group on Facebook. Facebook also has groups like Kidlit411, SubItClub, etc. Kidlit411 has a specific Facebook group for manuscript swaps:  https://www.facebook.com/groups/KIDLIT411MSswap/.
  • The SCBWI Discussion Boards: If you are a registered member with SCBWI, there is a thread called “Find/Join Critique Groups” on the discussion boards. Click here: https://www.scbwidiscussionboards.org/index.php.
  • Inked Voices: Inked Voices is an online group for writers. It has a membership fee but it is a great place to find fellow writers and to dig deep into craft. Once a member, you can find “critique pop-ups” and join critique groups. Plus they offer workshops with agents, editors, and published creators. Learn more here: https://app.inkedvoices.com/.


I’m certain I would not be a published author without the help from my critique groups. I also know that the friends I have made through my critique groups have helped me weather the challenging aspects of the KidLit industry. I’d love to hear your thoughts on critique groups or advice where other writers might find critique partners in the comments of this post.


©Yanka Photography

Debra Kempf Shumaker started reading at the age of four and hasn't stopped since. She grew up on a small dairy farm in Wisconsin but now writes picture books from her home in the suburbs of Northern Virginia. She is the author of FREAKY, FUNKY FISH (2021), TELL SOMEONE (2021), PECULIAR PRIMATES (2022), and the upcoming WIND IS A DANCE (October 1, 2024). 


Debra is a member of SCBWI, several critique groups, and also a co-host of #PBPitch, a Twitter pitch party for picture books. Debra reviews picture books on Instagram every Monday, Wednesday, and Friday, firmly believing there is a picture book for every reason, every season, and every age. Visit her online at www.debrashumaker.com, on Twitter or X at @ShumakerDebra, on Instragram at @debrakshumaker, and Bluesky at @debrakshumaker.


Tuesday, June 18, 2024

Meet 23 Authors at this FREE Virtual Pride Panel - Thursday Jun 20, 2024 at 5pm Pacific/8pm Eastern

The books!

 

We'll do speed introductions/book pitches, a giveaway, answer questions, and celebrate Pride with more than two dozen wonderful books out in 2024!

Register for the free event here.

Learn more about the featured authors and their 2024 books here.

Illustrate, Translate, and Write On,
Lee

Thursday, June 13, 2024

Using Writing Challenges to Move a Story Forward

The Internet is full of writing challenges: NaNoWriMo, StoryStorm, 12x12, and more*. And those writing challenges are a great tool for moving your story forward.

*The various writing challenges are explained in more detail at the end of the post.

My debut picture book, FREAKY, FUNKY FISH: ODD FACTS ABOUT FASCINATING FISH, is the result of several writing challenges. In November 2012, I was participating in Tara Lazar’s PiBoIdMo while at Disney and wrote down Idea #32 “fish in a zoo” after seeing how many fish were named after animals. In 2013, I used that idea and wrote a first draft of a fiction story called NOT A GOLDFISH as a part of Julie Hedlund’s 12x12 challenge. That book never sold. But, in spring 2018, I was brainstorming topics for a rhyming, nonfiction picture book and I remembered all the strange fish from that earlier book and thought that might be a fun topic. I joined Paula Yoo’s NaPiBoWriWe and wrote a new draft about odd fish. After a few months of revisions, I sent it to my agent. In January of 2019 I had my first offer on a picture book! FREAKY, FUNKY FISH came out in May 2021.



My upcoming picture book, WIND IS A DANCE, is also the result of a combination of writing challenges. First, I came up with the idea during PiBoIdMo in November of 2015. For Idea #18 I wrote, “Lyrical NF book about wind—different types? (Similar to WATER IS WATER.)” In February 2016, The Lyrical Language Lab Alumni Group on Facebook had a “poem buddy” challenge in which we emailed poems to each other throughout the month. I decided to take my PiBoIdMo idea and wrote poems on wind. Eventually, I revised and strung those poems together to create a picture book. That book found a home with Kids Can Press and WIND IS A DANCE comes out on October 1st.



Other writers have also found success with writing challenges:


Katrina Swenson’s upcoming debut picture book, LOVE, GRUMBLE, is the result of a writing challenge. Katrina says, “The story started out as a Susanna Hill Valentiny story in 2018. I got an honorable mention and was so encouraged. . . I flushed it out into a full-length manuscript, and then revised it a billion times before earning a PB Chat mentorship with it in 2020 where I revised it some more.” In 2022, Katrina signed with an agent. LOVE, GRUMBLE sold in 2023 and will be released Fall 2026. 



Kelsey Gross also has a success story from Susanna Hill’s contests. Kesley says, “At the end of November 2020, I was already thinking about writing a winter solstice book when Susanna Leonard Hill announced the guidelines for the Kidlit Holiday Writing Contest. That year, all entries had to focus on “helping”. The line, I can help to shine the light! came to mind, and soon I had a draft featuring this repeated line.” Kelsey was a finalist in the contest and she lengthened the story before submitting it to her agent. In January 2021 her agent subbed WINTER: A SOLSTICE STORY and it soon sold to Paula Wiseman/Simon and Schuster. It came out in 2023. 




@Electric Ad Agency

Lisa Katzenberger’s picture book, IT WILL BE OK: A STORY OF EMPATHY, KINDNESS AND FRIENDSHIP, was inspired by this fun photo she saw on Twitter. In January 2017 she wrote her first draft of the story for Julie Hedlund’s 12x12. A few years later, through an SCBWI opportunity, she submitted the story to Sourcebooks. The editor acquired it and it came out in 2021.




Not only do writing challenges provide momentum to get words down on paper, they also help writers find community. Over the 10+ years that I’ve been writing, I’ve participated in many challenges including ones for revision, for studying mentor texts, etc. I not only moved my stories forward with these challenges, I also made some great friends. 


While some of these writing challenges have fallen by the wayside, if you’re looking for a challenge to help your writing and can’t find one, consider creating your own! All of these challenges started out with a writer who had an idea to help other writers. Maybe a new one started by you can help others find success, too.



Here is a bit more about the challenges mentioned in this post:

Tara Lazar’s PiBoIdMo (Picture Book Idea Month) used to be every November and just for picture book writers. But in 2017 Tara moved it to January, renamed it Storystorm, and is open to writers for all ages, not just picture books. More info can be found here: https://taralazar.com/storystorm/. Participating in it is free.


Julie Hedlund’s 12x12 is a challenge for picture book writers to write a rough draft every month for a year. But it's so much more than that. Membership includes a community forum, webinars, opportunities for critiques, and more. There are different levels of memberships at different price points, with the highest level providing submission opportunities to agents. More info can be found here: https://www.12x12challenge.com/membership/.


Paula Yoo’s NaPiBoWriWee (National Picture Book Writing Week) was a challenge to picture book writers to write one rough draft every day for one week. While it no longer happens, her website still has great posts from when it ran from 2009 - 2019. Check it out for some inspiration! https://napibowriwee.com/.


The Lyrical Language Lab is an online class taught by Renée LaTulippe. After the course, you can join the Alumni Group on Facebook. In 2016, Renée created a "poem buddy" challenge. While there aren't always challenges with this group, the class is top notch if you want to learn more about writing lyrically. More information can be found here: https://www.reneelatulippe.com/lyrical-language-lab/


Susanna Leonard Hill’s Writing Challenges: Susanna is an author who hosts holiday-themed writing challenges on her blog for Valentine’s Day, Halloween, and the December Holidays. More info can be found here: https://susannahill.com/for-writers/contests/


©Yanka Photography

Debra Kempf Shumaker started reading at the age of four and hasn't stopped since. She grew up on a small dairy farm in Wisconsin but now writes picture books from her home in the suburbs of Northern Virginia. She is the author of FREAKY, FUNKY FISH (2021), TELL SOMEONE (2021), PECULIAR PRIMATES (2022), and the upcoming WIND IS A DANCE (October 1, 2024). 


Debra is a member of SCBWI, several critique groups, and also a co-host of #PBPitch, a Twitter pitch party for picture books. Debra reviews picture books on Instagram every Monday, Wednesday, and Friday, firmly believing there is a picture book for every reason, every season, and every age. Visit her online at www.debrashumaker.com, on Twitter or X at @ShumakerDebra, on Instragram at @debrakshumaker, and Bluesky at @debrakshumaker.



Thursday, June 6, 2024

Five Reasons To Type Up Other Writers' Books

A common piece of advice for aspiring writers is to read lots of recent books in their genre, advice I agree with 100%. But I’ll add a twist—not only should aspiring picture book authors READ a lot of recent picture books, they should also TYPE up picture books they love.



Some writers are initially confused by this advice. Shouldn’t they be focusing on their own stories, not other people’s stories? I believe writers can become better writers by typing other authors’ words. Here are my reasons why:

  • It’s a hands-on study of what a picture book IS. I type up books using page spreads, i.e: pg 4-5, pg. 6-7. After typing up hundreds of picture books over several years, my first drafts are now much more polished than when I first started writing since I now have an innate sense of wording, sentence length, pacing, page turns, etc.
  • If you are an author (not an author/illustrator), it’s a black-and-white “snapshot” of what catches an agent’s or editor’s eye. Since the illustrator is hired by the publisher, typing up the text of a picture book that has both an author and an illustrator, shows you how the manuscript looked when it was acquired. Yes, there may have been a few art notes. And, yes, there were likely some edits done after acquisition, but you will get a general idea of what the author submitted. After you type it up, print it out. Then study it. By removing the words from the art, can you see how much room the author left for the illustrator? And when looking back at the art, can you see how much the illustrator added their “story” to the book independent of the words? You can glean so much about the collaboration of words and art!
  • It can be helpful when tackling revisions. When working on a new project, I type up comps of the style/genre of the book I’m working on. When I get stuck on revisions, I compare my text side by side with the text I typed up. Then I dissect it. How did the author write scenes or explain difficult concepts so a young reader can understand them? How did the author use page turns to increase tension in the story? What literary techniques—metaphor, simile, alliteration, onomatopoeia, etc—did the author use? Can some of their techniques help my story? (Obviously, I don’t copy what they did. I just use their examples as inspiration.)
  • You can be a better critique partner. By typing up lots of picture books, as noted above, you get a better feel for what a successful picture book looks like on the page. Which helps you provide a better critique. And you’ll have a “library” of picture books to suggest as comp titles or to use as samples in techniques for your critique partner to consider. I frequently email typed-up stories to critique partners to save them a trip to the library and so they can see the words without the art.
  • It’s “helpful” procrastination. On days when the words aren’t flowing for me or I don’t feel like writing, I pick up a picture book from my library stack to type up. I may not be getting actual writing done, but I’m practicing what good writing is. And often that process helps me find a way out of my brain block. 


I’ve been typing up picture books since 2015 and have over 300 of them typed up. I continue to type up favorites. I know, without a doubt, I am a better writer because I do so.


©Yanka Photography


Debra Kempf Shumaker started reading at the age of four and hasn't stopped since. She grew up on a small dairy farm in Wisconsin but now writes picture books from her home in the suburbs of Northern Virginia. She is the author of FREAKY, FUNKY FISH (2021), TELL SOMEONE (2021), PECULIAR PRIMATES (2022), and the upcoming WIND IS A DANCE (October 1, 2024). 


Debra is a member of SCBWI, several critique groups, and also a co-host of #PBPitch, a Twitter pitch party for picture books. Debra reviews picture books on Instagram every Monday, Wednesday, and Friday, firmly believing there is a picture book for every reason, every season, and every age. Visit her online at www.debrashumaker.com, on Twitter or X at @ShumakerDebra, on Instragram at @debrakshumaker, and Bluesky at @debrakshumaker.

Tuesday, June 4, 2024

Crystal Kite Final Round Voting Is Now Open! (June 3 to Jun 21, 2024)



Cast your vote for the best books of the year by SCBWI members. All current members may vote once in each division per each voting round. (Non-members may vote as well, provided they have a free Sneak Preview account on scbwi.org.)

Final Round Voting will be open from June 3 to June 21.

The winners will be announced on June 26.

Visit the SCBWI Crystal Kite Awards Portal to cast your vote now!

Illustrate, Translate, and Write On,
Lee